The thinking of poets is often beyond the reach of ordinary people. Especially the interaction between them and the natural scenery, in their writing, has become a famous saying that has been passed down through the ages.
“I never get tired of looking at each other, only Jingting Mountain.”——Li Bai
“I see how charming the green mountains are, and I expected the green mountains to see me the same way. Emotions and appearance are slightly similar. "——Xin Qiji
"You should not be ashamed to wear flowers on your old head." - Su Shi
"Still pity the water of your hometown, and see you on the boat thousands of miles away." —Li Bai
Li Bai felt deeply that his talents were not being appreciated and he was sitting on Jingting Mountain. His inner loneliness and depression could only be relieved by watching the beautiful scenery of Jingting Mountain. Thinking that I like Jingtingshan so much, it would be great if Jingtingshan was a close friend who could accept and appreciate me. But isn’t the mountain on the opposite side really accompanying me in this way? Then it must like me too. In this way, he imposed his feelings for the mountain on the mountain, and by being sentimental, the poet wrote such interesting and wonderful sentences. "I never tire of looking at each other, only Jingting Mountain." It not only expresses the self-love and landscape, but also expresses the loneliness of being unappreciated. This kind of spark of thinking that empathizes with the scene has made this poem praised by people for thousands of years.
Xin Qiji wanted to show that he was as noble and refined as a green mountain, and had a firm ambition to not go along with the secular world. Therefore, I first recommend "Charming Green Mountains". Then add this kind of ideological evaluation to "Qingshan", so that "Qingshan" "should do the same" to itself. This is also a typical case of being sentimental, and is exactly the same as Li Bai’s usage. I don’t know whether Xin Qiji adapted Li Bai’s poems or whether they coincided with Li Bai. Even so, the sentence "I see how charming Qingshan is, I expected Qingshan to see me the same way." This sentence is also favored by future generations.
The skinnier one is undoubtedly Su Shi. This great writer was wild and uninhibited. He once admired peonies and got drunk. On the way back, his hair was filled with flowers, which attracted people on the ten-mile-long street to roll up their bead curtains, crouch their heads and cover their mouths with laughter. But Su Shi felt that he should not be shy. Who makes flowers so charming? To be shy, it should be such a peony, such a beautiful flower. It should have flown to the beauty's head, but who knew it would have been inserted into the old man's head?
It is very interesting to empathize with things in this way and transfer the reason why you should be shy to the peony flower on your head. "People should not be ashamed to wear hairpins when they are old, and they should be ashamed to wear flowers on an old man." It also writes about the grand occasion of flower viewing and the love for peonies from the side.
When Li Bai came out of Shu, he couldn't sleep at night. He looked at the magnificence of Jingmen Mountain in front of him and thought of his hometown. The water of the Yangtze River that flows from my hometown to this place really knows my heart best. It came all the way to see me off. "Still pity the water of my hometown, seeing you off thousands of miles away." In Li Bai's writings, the river water has become the hometown water that sends you off for thousands of miles with love and righteousness.
It can be seen from this that if you extend your own emotions to the scenery and let the scenery also have human emotions, you can often come up with wonderful ideas and write wonderful sentences.
Sentences like this are common in Tang poetry and Song lyrics:
"Looking at the flowers with tearful eyes without saying a word, the wild reds fly across the swing." - Ouyang Xiu
"The flowers shed tears when I feel the time, and the birds are frightened when they say goodbye." - Du Fu
"The candles are sentimental but they say goodbye, and weep for others until dawn." - Du Mu
" Fifty strings of Jinse are played for no reason, each string and one column is reminiscent of the past. "--Li Shangyin
"There should be no hatred, why should we be reunited when we say goodbye?" - Su Shi
"The spring breeze is used to even out the colors, so it can carry sorrow and compose poems." - Zheng Gu
"When I take a photo alone by the waterside, the most affectionate place is on top of the wall." - Wu Rong
"I would rather die holding the fragrance on the branches than blow it down in the north wind." - Zheng Sixiao
Empathy is to strongly penetrate and project one's own feelings onto other scenery. It can not only express the rich inner world euphemistically, but also greatly improve the artistic appeal of the work.
To empathize, you should be more connected with the reality of life and be good at association and imagination. Treat everything in the world as living, spiritual, and living people. They all feel the joy, anger, sorrow and joy, and can also sense the complex feelings in your heart.
A simple description of scenery cannot be integrated with the work, but appears stiff. Empathy for the scene can be achieved, and the scenery can be used to reflect the inner feelings of the characters, which can be closely connected with the theme of the work and play a very important role in expressing the theme.
If you think and associate like this often, you will definitely be able to write wonderful articles.