Which poems use tension?
Musical beauty: the whole poem has two sections, which are symmetrical up and down. The first sentence, the second sentence and the fifth sentence of each section are all composed of three steps. For example, the third and fourth sentences of each paragraph are composed of two steps, such as "You don't have to be surprised" and "You'd better remember/forget." Obviously, there is no lack of free and easy steps in the arrangement and handling. Longer steps alternate with shorter steps, which makes it easy, euphemistic and catchy to read. The overall symbol of poems with architectural beauty is consistent with the tension structure between "poem title" and "text" that we analyzed earlier. There are more tension structures in poetry texts. "You/I" is a pair of "binary opposites", or "occasionally projected in the heart of the wave" or "met at sea", both of which are passers-by in a hurry in the journey of life; "You don't need to be surprised/you need to be happy more" and "Do you remember/you'd better forget" both show full tension with the emotional attitude of binary opposition and semantic contradiction rhetoric. Especially the poem "You have yours, I have mine, my direction", I think it is not too much to praise it as the classic poem most suitable for "tension" analysis praised by "New Criticism". "You" and "I" met by chance in the vast sea of people because of their respective directions, but they passed by and went their separate ways. Two completely different and diametrically opposite intentions-"You have yours" and "I have mine" are exactly contained in the same sentence and boil down to the same word-"direction". Under the title of "contingency", the beauty of painting can be transformed into many images. Images such as "cloud-water", "you-me", "sea of night" and "mutual light" and the relationship between them can all be understood or constructed differently because of the differences in readers' personal emotional experience and the depth of experience intensity. This is precisely "its name is also small, and its categories are also large" ("Yi Cohesion")