What kind of picture does Wang Shui Zhai describe?

This poem describes the life of a hermit, expressing leisure, with some pastoral meanings of Wang Wei and Meng Haoran.

Grasping the characteristics of the water village, the first couplet is about ships moored on the sandbar, and the word "pillow" is used to write "leisure", and the word "two pairs" is full of harmonious beauty; Writing about the weeds in the mist on the other side of the river, the distant view and the close view blend together, which is quite hazy, but also can closely follow the meaning of the question, and the problem-solving skills are quite sophisticated. This couplet is actually written in Meng Haoran's artistic conception of "My boat is moving on the fog", but with the addition of "painting", the color is much better.

Zhuan Xu's "leisure" residence with bluebird and crane set off his "leisure" hope and wrote a quiet scene. This couplet pays great attention to refining sentences. The antithesis is neat, plain and natural. More importantly, the poet described a quiet realm to convey a leisurely mood. The technique used is the same as "people are idle and osmanthus falls."

Necklace from near to far, dynamic and static combination to write scenery. The sentence is as hazy as the second one. DuDu Mu's artistic conception of "water country, mountain country and wine flag style" is opposite.

The first three scenes of this poem, from the beach to the other side, to Hanoi, to the shore, and finally to the outside of the river, although the jump changes greatly, it gives people a strange feeling.

Finally, the poet "gave up the importance of hats and chariots in rosy youth, and you chose pine trees and clouds;" Now, Bai Shou "can't help but want to persuade those poor people who are in the process of" Zhu Men's Affairs "not to" waste time running around in the middle ",just want to draw a freehand painting of" Wang Shui Zhai "and then write this poem for them.

The first three poems are lyrical with scenery, which shows the author's carefree mood. Finally, it is a pity that no one painted this vivid ink painting and sent it to Beijing, expressing the poet's feelings of despising officialdom, caring for mountains and rivers, loving unrestrained natural life and being aloof from the world.