Appreciation of a sentence in Miscellaneous Poems

Miscellaneous poems in the mountains

Wujun (Southern Dynasties)

Seeing smoke coming out of the mountain,

Peeking at the sunset in the bamboo forest.

Birds fly to the eaves,

Clouds floated out of the window.

[Edit this paragraph] Note

Miscellaneous poems in the mountains

Wujun (Southern Dynasties)

Seeing smoke coming out of the mountain,

Peeking at the sunset in the bamboo forest.

Birds fly on the roof (3),

Clouds floated out of the window.

1 mountain: the place where the mountain meets the sky.

(2) a glance (kuι): look through the gap.

③ eaves (yán): eaves, eaves.

[Edit this paragraph] Translation

The mountain peak is covered with mist and clouds.

The afterglow of the sunset falls in the gap of the bamboo forest.

Birds are flying happily on the eaves,

White clouds floated out of the window.

[Edit this paragraph] Appreciate

This little Book of Songs shows a sunset scene in a mountain house with a simple sketch technique, just like a wonderful sketch painting.

It is one of the three poems in the mountain. Describe the poet's interesting life in the mountains: surrounded by peaks, dense bamboo forests and trees, birds flying on people's roofs, and the most interesting thing is the clouds floating outside the window. The whole poem embodies the poet's leisurely and quiet state of mind. Shen Deqian said that this is "four sentences about scenery, which is unique".

Enjoy 1:

These four landscape poems have their own styles. Before each sentence, if we read the words "Look at that" in one breath, a wonderful picture will appear before our eyes and a beautiful music will ring. Du Fu's quatrains: "Two orioles sing green willows, and a row of egrets go up to the sky. The window contains autumn snow in Xiling, and the Wu Dong Wan Li boat stops at the door. " Looking around, I feel deeply, combining different scenery to form a special environment, giving people a fresh feeling. That's the style.

Appreciation 2:

The poem describes the poet's interesting life in the mountains: surrounded by mountains, bamboo and wood are flourishing, birds are flying on the eaves of others, and clouds are floating outside the window. This kind of seclusion exhausted the dust of the world and expressed the poet's comfortable and leisurely mood casually and vividly.

The whole poem is only four short sentences, one sentence and one scene, but each sentence is inseparable from the theme of "in the mountains", which is a common phenomenon in quiet mountains. When the sun sets, you can only see the oblique glow of its veins in the cracks of the bamboo forest, indicating that the bamboo forest is dense and lush, and the first two sentences of the fun in the mountains have been heard. Birds come and go on the eaves, and white clouds pass through the window, all of which show that the poet lives on a high and steep terrain, while in the Maolin bamboo cultivation, birds always live in front of and behind his eaves, which reflects the tranquility and detachment of the mountain residence, away from the hubbub.

Shen Deqian once said this poem: "Four sentences about scenery are unique." It means that this little poem concentrates all the pen and ink on the scenery, which is different from the general structure from scenery to characters or from scenery to lyric, and opens up a new format. In fact, although each of these four sentences is a scene, people are always in it. For example, "seeing" and "peeking" in the first two sentences all indicate that there is someone behind the scenes, and the scene written is only seen by people, not purely objective description. As for "on the roof" and "in the window" in three or four sentences, people's existence is more clearly revealed. Moreover, the poet's joy in living in the mountains has been hinted at in his landscape writing, and his calm and detached state of mind can also be seen here.

Wu Jun is an expert in writing landscapes. The reason why these four short poems can outline the characteristics of Shan Jutu lies in the author's proper choice of observation angle. Smoke is seen by mountains, sunset is seen by bamboo, birds are on the eaves, and clouds are outside the window. In this way, Shan Lan, Sunset, Birds and Clouds were written in an unusual way, which brought the subjective color that the poet saw in Shan Jutu and had typical significance. It's like photography, which takes the same image, but everyone has his own opinion. A frame of successful works can always capture the characteristics and interest of the scenery from a novel and ingenious angle, and so can Wu Jun's imitation of the landscape.

[Edit this paragraph] Poet

Wu Yun (469 ~ 520) was a writer in the Southern Liang Dynasty. Uncle Zi. Miscellaneous Poems in the Mountains is selected from Ou Yangxun's Literary Collection. Xing Wu passed away (now Anji County, Zhejiang Province). Born in a poor family, he is studious and talented, and his works are full of poems, which is deeply appreciated by Shen Yue. A formal invitation from the court. His writing style is good at scenery writing, especially his essays, and his words are unpretentious, which is called "Wu Jun" style when he is imitated. The Ming Dynasty compiled "No Chao Please Collection". Calligraphy has its own system, called "Wu Junti", which creates a generation of poetic style. In literature, he advocated "parallel prose". He is studious and talented, and his poems are highly praised by Shen Yue. At the beginning of Liang Wudi Tianjian, it was written by the monarch. Tian Jian six years (507), Jian 'an Wang Xiaowei was cited as the archives. Later, he was appointed as an invitation of the court. Liang Wudi was dismissed for writing Qi Chunqiu privately. Soon after, he was ordered to write a general history and died before writing it.

Wujun was born in poverty, honest and frank, and was very dissatisfied with his official career. He is studious and talented. At the beginning of Tian Jian, Liang Wudi, when Liu Yun was appointed as the county magistrate of Xing Wu, he was called the county book, in charge of documents and books, and often wrote poems and sang songs together. When Xiao Wei was king of Jian 'an County in Yangzhou (now Nanjing), he appointed Wu Jun as Wang Fu's secretary, in charge of Korean letters. After Xiao Wei moved to Jiangzhou, Wu Jun was appointed Assistant Minister of the Ministry of Housing and Director of the Administration Bureau. Soon, he was promoted to North Korea.

Wu Yun wanted to write a history of Qi, and asked Liang Wudi to borrow the behavior of Qi emperors and ministers. Emperor Wu said: "The story of Qi people is circulated among the people. You can find it yourself." Wu Yun started writing regardless of taboos. He recorded the history between Qi and Liang in 30 volumes. On the grounds that his book was untrue, Emperor Wu of the Han Dynasty sent someone to ask questions, ordered it to be burned, and removed Wu Jun from his official position. Soon, Emperor Wu summoned Wu Jun and ordered him to write a general history from Huang San to Southern Dynasties. Wu Jun wrote "biography" and "home" in it, but "biography" didn't. He died of illness in the first year of Liang Wudi (520).

Wu Junshan is good at singing, with poems, clear poems and paintings. Shen Yue, a famous literary historian at that time, read his works and appreciated them very much. The poem "To Wang Guiyang": The pine tree is several inches old and lost to the grass.

I can't see the heart of Cage Cloud, but I know it is as cold as ice.

Weak stems can be destroyed, and fiber stems are easy to be destroyed.

How to count thousands of feet and take back the moon for you.

This poem shows the ambition and backbone of the poor, and it is similar in conception to Zuo Si's Zhang Yuyu Song Di and Tao Yuanming's Song Qing in the East Garden. Another example is "Hu Xing" wrote:

The head of the sword is as sharp as a mountain, shining with silver light.

The fighters chased after him, and the golden rooster begged the Qiang.

Gao Qiu, August and September, when the wind and frost began in Alakazam,

Men are willing to die and dare to taste it with you.

This poem shows the high spirit of being sharp and straightforward, and has a rare atmosphere of the situation at that time. Wu Chaozhong has many such works, please collect them.

Wu Jun's ambition to be useful to the world is also evident in other aspects. For example, in his Sword, after describing the superior material of the sword, he said, "Send a message to Zhang Gongzi, why don't you come and meet him?" . Obviously, this excellent sword is the author's sustenance for his talent, which contains a kind of deep affection that is difficult to show because of his humble origin. This unswerving ambition is often triggered everywhere. For example, "the wise have no reward, and the Chinese people have no thoughts since ancient times, and nothing is more tiring." Three Farewells to Relatives and Friends in Xiangzhou also reflected the darkness of reality at that time.

Wu Jun is good at writing landscapes, especially essays. For example, Associating with Stone and Gu Zhangshu describe the scenery of Anqing Mountain and Shimen Mountain in Kongtong township picturesque and lifelike, and their artistic achievements are very high, which are famous parallel essays in the Six Dynasties.

Wu Yun's poems were quite influential at that time. The book "Liang Shu" contains: "The monarch's style is clear and ancient, and those who are good or effective are called' Wu Junti'".

Wu Jun has a lot of works, in addition to the above, there are 90 volumes of the Book of the Later Han Dynasty, the Temple 10, the Twelve Kingdoms 16, the biography of the sages in Qiantang, 5 volumes of the Continued Anthology and 20 volumes of the Anthology. Unfortunately, none of these collections have been handed down. The Ming Dynasty compiled Wu Han's Please Collection. In addition, 1 volume's novel "Continuation of Qi and Harmony" has been handed down from generation to generation, with vivid plots and distinctive characters. Lu Xun's "A Brief History of Chinese Novels" said: "It is a novel, which has become remarkable and impressive. Scholars in the Tang and Song Dynasties all cited it as a classic and praised the Goose Cage Record, which was particularly bizarre. "

Wu junti

The Biography of Wu Jun in Liang Shu described him as "quaint in style", which was quite influential at that time and was called "Wu Jun Style". There are more than 140 poems today, most of which are friends' answers and farewell works. Harmonious phonology and beautiful style belong to the typical Qi-Liang style; But the language is clear and fluent, the allusions are appropriate, and it's okay to pile them up.

Wu Jun (469-520) is an uncle. Xing Wu passed away (now northwest of Anji County, Zhejiang Province). Southern Liang writers. Born in poverty, he is learned and talented, and the article is well known to the world. Poor official career, once wrote Qi Chunqiu, loyal to historical facts, and was dismissed by Liang Wudi. Soon, in order to make a general history, Huang San was sent to Qi, but he died without success. Today, there are more than 130 poems, in which natural objects are used to express their anger and frustration. For Wang Guiyang, The Collection of Jim's Poems and Songs and The Story of the Sword are his representative works. His landscape prose "A Letter to Zhu" and "A Letter to Gu Zhangshu" have both achieved high artistic achievements, and they are famous landscape essays that have been passed down from generation to generation. "The style of writing is ancient" had a great influence on the literary world at that time. When people follow suit, they are called "Wu Junti". In addition, he also wrote a collection of strange stories, Continued Harmony. There are 20 volumes in Sui Shu Jing Ji Zhi, all of which are lost. The Ming Dynasty compiled the Collected Works of the Qing Dynasty in the Wu Dynasty. The Biography of Liang Shu Literature and the Biography of Southern History and Literature are circulating.

The Biography of Wu Jun in Liang Shu described him as "quaint in style", which was quite influential at that time and was called "Wu Jun Style". There are more than 140 poems today, most of which are friends' answers and farewell works. Harmonious phonology and beautiful style belong to the typical Qi-Liang style; But the language is clear and fluent, the allusions are appropriate, and it's okay to pile them up. Wu Jun is good at depicting the surrounding scenery to render the feelings of parting. Such as "Send Liu Zhuting Collection" and "Evening Fish Pavilion Play, Curtain Rain □ Fun". White clouds come and go, and the breeze is negative. Wandering around cattle and sheep, it is dark and ugly ",and the scene of Shan Ye in the hazy twilight highlights the sad atmosphere of parting. Another example is "light clouds travel far, drizzle bathes the mountain clothes", "Liaochuan is dark during the day, and the yellow dust is long and shocking", and the scenery is very detailed. Wu Yun paid great attention to learning from Yuefu folk songs, and wrote many ancient Yuefu poems, such as it is hard to go, No One Walks in the Huli and Joining the Army. Although the rhetoric is gorgeous, it is full of vigor and freshness, and there are many thoughts of Bao Zhao. Some of his five-character poems, such as "You follow the green waves, I follow the breeze" and "Fold the lotus to cover it and feather it into silk", are also full of folk songs. Wu Jun was born in a poor family, and he was neither arrogant nor impetuous all his life. In some of his works, he often shows the ambition and backbone of a poor man. For example, in "To Wang Guiyang", "Pine trees grow several inches long and are defeated by grass. You can't know the frost until you see the heart of the cage cloud. Using pine trees to express the grievances of talented people is very similar to Zuo Si's Pine at the Bottom of a Depressed Valley and Tao Yuanming's Pine in the East Garden. Another example is "Plum Blossom Falls" and "Farewell to a New Forest", which also implicitly express the desire to make a difference. In addition, such as "Four Commanders in the Border Town", it praised the heroic spirit of the soldier "Gao Qi entered Korea and Africa and wrote with a whip"; Forever in my heart describes the homesickness of people's families, which has realistic content and is rare in poetry at that time.

Wu Jun is a historian. He wrote 30 volumes of Qi Chunqiu, 10 Record of the Temple, 16 Records of the Twelve States, 5 volumes of Biography of the Sages in Qiantang and 90 volumes of the Book of the Later Han Dynasty, all of which have died. He is a famous writer. Legend of Liang Shu: "The monarch's body is clear and ancient, and those who are good or learn are called' Wu Jun's body'." His Collection of Twenty Volumes. Four Notes of Sui Shu's Annals of Classics: "Liang Fengchao invited Wu for twenty volumes." Records of Old Tang Shu Jing Ji Zhi and New Tang Shuyi Wen Zhi are all twenty volumes. History of Song Dynasty, Art and Literature: Wu Jun's Poems in three volumes. It can be seen that most of his works were lost in the Song Dynasty. The collections of the Ming Dynasty are as follows:

The appendix to the three volumes of Wu Please Collection shows 72 episodes compiled by Zhang Xie.

"Wu Chao Please Collection" is a volume of 103, a masterpiece of the Han, Wei and Six Dynasties collected by Zhang Bi. In addition, there is a volume of Wu Wenxuan, in which 130 selected works of Han, Wei and Six Dynasties were selected by Wu Rulun in Qing Dynasty. Yan Kejun's Complete 60 volumes, including Associating with Stone, Thinking with Zhu, Gu Zhangshu, etc. 13; Qi's Poems of Liang Shi in Pre-Qin, Han, Wei, Jin, Southern and Northern Dynasties 10, including Poems of Wang Guiyang, Miscellaneous Poems in the Mountains and Answering Poems.

Liang Wudi once criticized "Wu Jun's injustice and He Xun's insolence" (see "The Biography of He Xun" in volume 33 of Southern History).

Wu Jun is good at writing parallel prose. Today, there are three books: One Book by Shi, One Book by Zhu and One Book by Gu Zhangshu, all of which are good books about landscapes. Such as "the cliff is dry, and the lonely peak enters the Han Dynasty. Flowers are green, thousands turn to Qingchuan "and" the wind, the snow and the moon are clean, the Tianshan Mountains are colorful, and everything comes from the stream ",all of which are beautiful in writing and meaningful in charm.

Sui Shu Jingji Zhi contains twenty volumes of Wu Jijun, which has been lost. The Collection of Wu Please, edited by Amin Zhang Yan, is included in 103 Records of the Han, Wei and Six Dynasties.

The book with Zhu is selected from the seventh volume of Selected Works. This is a letter written by Wu Jun to his friend Zhu, telling the story and feelings of the trip. This article is only a partial excerpt, and the original text is not visible. This is a landscape prose written in the form of parallel prose, which describes the beautiful scenery and mountains and rivers in Fuchunjiang, Zhejiang Province from Fuyang to Tonglu. Wu Jun lived in the political darkness of the Southern and Northern Dynasties. He was frustrated in his career all his life. When he was in Liang Wudi, he wrote Qi Chunqiu privately, claiming that Liang Wudi was the assistant of Emperor Qi Ming, but the evil of Emperor Wu recorded it and burned it, exempting him from his post. This disheartened him. Influenced by Buddhism and Taoism, he became interested in seclusion. Therefore, this article is not pure scenery. Based on the real experience, news and feelings of sailing across the river, this paper focuses on describing "strange water" and "strange mountains", expressing the author's lofty thought of caring for mountains and rivers and rejecting secularism, and expressing his yearning for beautiful nature.

The first paragraph is always about the charming autumn scenery of Fuchun River from Fuyang to Tonglu. The author narrates his leisurely boating trip, and quotes the whole article with "Strange mountains and strange waters, chinese odyssey" as a compliment. Described in detail below.

The second paragraph is divided into the "difference" of water. The water color of Fuchun River is represented by "light blue", which exaggerates the clarity and transparency of water by "seeing the bottom of a thousand feet" and "looking directly at fish stones". The first four sentences describe slow flow. The last two sentences make full use of the rhetorical devices of metaphor, vividly showing the places where the water is rushing, where the rapids are like arrows and the waves are like galloping horses, which is soul-stirring and just like seeing them with your own eyes.

The third paragraph is about the "wonder" of the mountain. This part belongs to detail writing, based on scenes and emotions. Six sentences in "Mountains on the Shore" observe and describe the steep mountains on both sides of Fuchun River from a visual perspective. In particular, the use of personification makes the sentences lively, makes the mountains turn from static to interesting, and makes the image of Qishan concrete and interesting. The six sentences in "Spring Rocks" imitate and convey the beautiful sounds such as spring singing, bird singing, cicada singing and ape whistling on the mountain from the auditory point of view, and simply merge into a beautiful and harmonious symphony of nature! Away from the hubbub and indifferent to fame and fortune, in such a prosperous scene, the author can't help but express such feelings with four sentences of "Flying a kite against the sky": people who are bent on pursuing fame and fortune will calm their hearts that are keen on fame and fortune when they see this majestic mountain; People who are busy with worldly affairs all day will linger when they see this beautiful valley. The author ingeniously borrows scenery to express his feelings, which not only exaggerates the great charm of the strange peaks and valleys, but also expresses his great contempt for the dark officialdom and those who pursue wealth, and also reveals his infinite love and yearning for the beautiful nature. The author doesn't want to think about the ugliness of officialdom any more, so he ends his paper with four sentences of "covering the cross section" to describe the scenery with "over cross section" and "thin cross section". These four sentences add quiet and elegant colors to the works by describing the close-up scenes of alternating light and dark, showing the author's quiet mountains and passive seclusion.

This famous landscape sketch of the Southern Dynasties has fresh and beautiful language and concise and neat writing. The article is clear in organization and diverse in expression angles; The scenery is vivid and vivid, grasping the characteristics and feeling in the scene. The scenery painted in the article is beautiful and the artistic conception is far away, especially the mobilization of various senses, which makes people feel as if they are there, relaxed and fascinated. In this paper, the sentence pattern is neat, with four characters as the main, neat and dual, and six characters in the middle, which makes the sentence arrangement neat and symmetrical, the rhythm sparse and harmonious, and the semantic transition flexible. Read it carefully and it is full of charm.

Wu Jun, a literary historian.

Wu Yun (469-520) was a writer in the Southern Dynasties. Word uncle, so Yan (Anji) county people. He was born in poverty, honest and frank, and he was very dissatisfied with his career. He is studious and talented. At the beginning of Tian Jian, Liang Wudi, when Liu Yun was appointed as the county magistrate of Xing Wu, he was called the county book, in charge of documents and books, and often wrote poems and sang songs together. When Xiao Wei was king of Jian 'an County in Yangzhou (now Nanjing), he appointed Wu Jun as Wang Fu's secretary, in charge of Korean letters. After Xiao Wei moved to Jiangzhou, Wu Jun was appointed Assistant Minister of the Ministry of Housing and Director of the Administration Bureau. Soon, he was promoted to North Korea.

Wu Yun wanted to write a history of Qi, and asked Liang Wudi to borrow the behavior of Qi emperors and ministers. Emperor Wu said: "The story of Qi people is circulated among the people. You can find it yourself." Wu Yun started writing regardless of taboos. He recorded the history between Qi and Liang in 30 volumes. On the grounds that his book was untrue, Emperor Wu of the Han Dynasty sent someone to ask questions, ordered it to be burned, and removed Wu Jun from his official position. Soon, Emperor Wu summoned Wu Jun and ordered him to write a general history from Huang San to Southern Dynasties. Wu Jun wrote "biography" and "home" in it, but "biography" didn't. He died of illness in the first year of Liang Wudi (520).

Wu Junshan is good at singing, with poems, clear poems and paintings. Shen Yue, a famous literary historian at that time, read his works and appreciated them very much. The poem "To Wang Guiyang": The pine tree is several inches old and lost to the grass.

I can't see the heart of Cage Cloud, but I know it is as cold as ice.

Weak stems can be destroyed, and fiber stems are easy to be destroyed.

How to count thousands of feet and take back the moon for you.

This poem shows the ambition and backbone of the poor, and it is similar in conception to Zuo Si's Zhang Yuyu Song Di and Tao Yuanming's Song Qing in the East Garden. Another example is "Hu Xing" wrote:

The head of the sword is as sharp as a mountain, shining with silver light.

The fighters chased after him, and the golden rooster begged the Qiang.

Gao Qiu, August and September, when the wind and frost began in Alakazam,

Men are willing to die and dare to taste it with you.

This poem shows the high spirit of being sharp and straightforward, and has a rare atmosphere of the situation at that time. Wu Chaozhong has many such works, please collect them.

Wu Jun's ambition to be useful to the world is also evident in other aspects. For example, in his Sword, after describing the superior material of the sword, he said, "Send a message to Zhang Gongzi, why don't you come and meet him?" . Obviously, this excellent sword is the author's sustenance for his talent, which contains a kind of deep affection that is difficult to show because of his humble origin. This unswerving ambition is often triggered everywhere. For example, "the wise have no reward, and the Chinese people have no thoughts since ancient times, and nothing is more tiring." Three Farewells to Relatives and Friends in Xiangzhou also reflected the darkness of reality at that time.

Wu Jun is also good at writing landscapes, such as a poem about landscapes, which is often read:

Look at the smoke in the mountains and the sunset in the bamboo.

Birds fly happily to the eaves and white clouds float out of the window.

_ _ _ _ _ "Three Poems in the Mountain"

This little Book of Songs shows a sunset scene in a mountain house with a simple sketch technique, just like a wonderful sketch painting.

Wu Jun is good at writing landscapes, especially essays. For example, Associating with Stone and Gu Zhangshu describe the scenery of Anqing Mountain and Shimen Mountain in Kongtong township picturesque and lifelike, and their artistic achievements are very high, which are famous parallel essays in the Six Dynasties.

Wu Yun's poems were quite influential at that time. The book "Liang Shu" contains: "The monarch's style is clear and ancient, and those who are good or effective are called' Wu Junti'".

Wu Jun has a lot of works, in addition to the above, there are 90 volumes of the Book of the Later Han Dynasty, the Temple 10, the Twelve Kingdoms 16, the biography of the sages in Qiantang, 5 volumes of the Continued Anthology and 20 volumes of the Anthology. Unfortunately, none of these collections have been handed down. The Ming Dynasty compiled Wu Han's Please Collection. In addition, 1 volume's novel "Continuation of Qi and Harmony" has been handed down from generation to generation, with vivid plots and distinctive characters. Lu Xun's "A Brief History of Chinese Novels" said: "It is a novel, which has become remarkable and impressive. Scholars in the Tang and Song Dynasties all cited it as a classic and praised the Goose Cage Record, which was particularly bizarre. "