The Preface to Tengwangge is sincere and poetic, and its influence far exceeds Tengwangge's poems:
Wang Teng Linjiang Zhu and Ming Luan went dancing.
The painted building faces Nanpu Cloud, and the bead curtain rolls up the rain in the western hills at dusk.
The shadow of the idle cloud pool is long, and things change for a few years.
Where is the emperor in the cabinet today? Outside the threshold, the Yangtze River flows by itself.
The language of poetry is concise, the content is implicit, the generality is strong, and the image and charm of poetry are extremely rich. But after all, it can't be as big as the preface, full of glory and fresh atmosphere. As the main body of this poem, only by reading the preface attached to the poem can we grasp its connotation more deeply. On the other hand, it is precisely because of this preface that the artistic value of this poem is obscured by the brilliance of the preface. Many readers are orderly, but they don't know there are poems, and the mystery is worth exploring.
The original text of preface to Wang Teng-ting
Nanchang old county, Hongdu new house. The stars are divided into wings, and the ground is connected with Lu Heng. Three rivers and five lakes in Jin, controlling barbarians, fools sealing horns, leading Europe and Vietnam with breast hair. Wuhua Tianbao, the dragon lamp shoots the bull fighting market; Outstanding people, Xu Ru got off Chen Fan's couch. Xiongzhou fog column, handsome stars, pillow of Taiwan Province in late summer, the host and guest are all in the southeast. The commander-in-chief Gong Yanyi is elegant, and the halberd is in the distance; Fan Yi of Yuwen Xinzhou is temporarily stationed. Ten days holiday, win friends like a cloud; Welcome to the wedding. Teng Jiao, a poet of Meng; Purple electric paste is General Wang's armory. Home is slaughter, Tao is name; What does a boy know? Bowing is always the winner.
When Wei is in September, the sequence belongs to Sanqiu. The water is cold and the pool is clear, and the smoke is purple. Yan Yan likes to walk on the road and watch the scenery to worship Afghanistan. Near the Emperor Changzhou, it is the old fairy temple. Terraces are green and the sky is heavy; Feige is full of blood, and there is no land under it. Heting ancient bamboo, the haunt of poor islands; Gui Dian Lan Gong, the posture of mountains and hills. Embroidered, Yamahara full of vision, Kawasawa full of vision. Yan Lu, the hometown of Zhong Mingding's delicious food; Ge boat maze, green finch Huanglong axis. Rainbow sells raindrops, and the color area is bright. Sunset and lonely Qi Fei, autumn waters and sky are the same color. Fishing boats sing late and resound all over the coast of Peng Li; Yan Zhen was stunned by the cold, and his voice broke Hengyang's pu.
Have foresight and fly easily. Cool breeze blowing gently, singing white clouds. There are bamboos in Suiyuan, which makes Peng Ze angry. Shui Ye Zhu Hua, a pen shining in Linchuan. Four beautiful things, two are difficult to combine. Poor in the sky, leisure is very entertaining. The sky is vast and the universe is infinite; Joy begets sorrow and knowledge is empty. Looking at Chang 'an in the sun means that Wu Hui is in the clouds. The terrain is deep in the South Pole, high in Tianzhu and far from Beichen. It's difficult to climb mountains and mountains. Who feels sorry for the lost people? Meet by chance, full of foreign guests.
When I miss the emperor, what year was I in the mysterious room?
Ha ha! Bad luck, ill-fated Feng Tang is easy to get old, and Li Guang is hard to seal. Qu Jiayi is in Changsha, not without a master; It's time to escape to the sonority of Haiqu. It depends on a gentleman's poverty and his talent for understanding life. When you are old and strong, would you rather be moved? Poverty is strong, not falling into the sky. I feel that Chanquan is very cool, but I am still very happy after doing it. Although Beihai is on credit, it can be accepted; The cold corner has gone, and the mulberry is not late. Meng's taste is noble and pure, and he has an empty heart to serve the country; You can't cry to the end of the road if you are crazy!
Bob is a scholar. There is no way to ask for it, and the final army will be weak; With a pen and a bosom, Mu Zong is Changfeng. Give up hair for a hundred years, and Wan Li will faint in the morning. It is not a treasure tree in Xie Jia, but a neighbor of Montessori. He is becoming more and more palace, and he is accompanying carp; This morning, I held a banquet for Longmen. Yang Yi doesn't pick up, caresses Lingyun and cherishes himself; What's shameful about playing with running water at the clock meeting?
Ho ho! There are not many resorts, so it is difficult to have a grand feast again. Lanting is gone, Zize Xu Qiu. Farewell words, thanks to Wei Wei; Climbing high to make a contribution is to hope the public. Dare to be sincere, respectful and short-quoted. All the words were given, and all four rhymes were done. Please sprinkle Pan Jiang, and each side will pour their own water into the sea.
2. About the preface of ancient poetry, Yu Meiren Jie Jiang
Teenagers listen to the rain in the song building,
The red candle is weak.
In the prime of life, listening to the rain on the boat,
Jiang Kuoyun's Wild Goose is called West Wind.
Now listen to the rain monk,
The temple is full of stars.
Sadness and sorrow are always related to love.
Drop by drop, the next step is not started until dawn.
Say goodbye to Li Shutong.
Outside the pavilion, beside the ancient road, the grass is blue. The evening breeze blows the flute, and the sunset is beyond the mountain! The horizon, the horizon, intimate friends are half scattered. A pot of turbid wine will make you happy, so don't go to Meng Han tonight.
Qin Yi's "Li E Qing Zhao"
Lingaoge,
Ye Ping in the chaotic mountains is full of smog.
The smoke is thin,
When the rooster crows and returns,
Smell the horn at dusk.
Fragrance dies, lingering fragrance,
The west wind urges the phoenix tree to fall.
Wutongluo,
It's autumn again,
Still lonely.
Speak slowly and softly, Li Qingzhao
Looking around, lonely and sad.
It's the hardest to stop breathing when it's warm and cold.
Three cups and two glasses of wine, how can you beat him? The wind is rushing at dawn.
Guo Yan is very sad, but this is an old acquaintance.
Yellow flowers are piled all over the floor. Who can break it now?
Looking out the window, how can you be black alone!
Indus is raining in Mao Mao, dripping at dusk.
This time, what a sad sentence!
Du Fu in Spring
Chang' an fell, the country was broken, and only the mountains and rivers remained; Spring has come, and the sparsely populated Chang' an city is densely forested.
Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate.
The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold.
Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin.
3. Seeking the preface of ancient poems "Ancient poems" originally meant poems written by ancient people.
Before and after Wei, Jin, Southern and Northern Dynasties, there appeared a number of five-character poems written by scholars before Wei and Jin, which had no title and no author. Most of them are lyric poems with unique expressive techniques and artistic styles, which are collectively called "ancient poems". Shen Deqian in Qing Dynasty said, "Nineteen ancient poems are not the words of one person.
I abandoned my wife at a high rate, my friends were rich, I wandered abroad, and I felt a sense of death and new things. Or fable, or express, or repeat.
At first, there were no fantastic ideas and thrilling sentences, and the ancient poems of Xijing were all below. (Shi Shuoyu) During the Jin and Song Dynasties, these "archaic poems" were regarded as models of five-character poems.
Lu Ji once imitated 12 sentence by sentence. Tao Yuanming in the Eastern Jin Dynasty and Bao Zhao in the Song Dynasty. There are "quasi-classical poems" that study the skills and styles of "classical poems".
In the Liang Dynasty, Liu Xie's Wen Xin Diao Long and Zhong Rong's Shi Pin theoretically summarized and evaluated the artistic characteristics and value of "ancient poetry", and discussed its author, era and origin, which were generally recognized as works of the Han Dynasty. At the same time, Xiao Tong's Selected Works and Chen's Xu Ling Yutai's New Poetry define the scope of "ancient poetry" from the classification of poetry: all works without clear titles are called "miscellaneous poetry" by the author and "ancient poetry" by anonymous people.
Therefore, after Liang and Chen, "ancient poetry" has formed a special name with a specific meaning. It is the same as the two Han Yuefu songs, referring to the five-character poem written by Wu Ming in the Han Dynasty, which has developed into a poetic style with the artistic characteristics of "ancient poetry".
Nineteen Ancient Poems occupies a representative position in the history of literature, and this title has also become a topic name.
4. Seeking the Preface of Philosophical Ancient Poetry The original poem of Xilinbi (Su Shi) looks like a mountain peak, and the distance is different.
I can't recognize the true face of Lushan Mountain because I am there. Philosophers observe things from different positions and angles and come to different conclusions.
Only when people get rid of subjective and objective limitations, stay out of Lushan Mountain and have foresight can they really see the true face of Lushan Mountain. To understand the essence of things, we must observe them from all angles, both objectively and comprehensively.
The poem titled Begging for Rain (Tang) was originally written as mulberry leaves without leaves, and Xiaoguan Yinglong Water Temple. Zhumen indulged in singing and dancing in several places, fearing that the sound of spring would swallow the strings.
The original poem "Painting Bamboo in Weixian County (Zheng Xie in Qing Dynasty)" was written for Yazhai's listening class. Some people suspect that this is the voice of people's suffering. Some small collectors in Caozhou County always care about their feelings.
Philosophical materialism holds that consciousness is the reflection of objective things in the human brain. But when people think about the same objective thing, they often form different understandings and conclusions.
From the subjective factors of people, it is mainly caused by people's different positions, different world views and different knowledge composition. The scene of praying for rain described in the poem clearly tells us that in class society, because people belong to different classes and have different class status, their views (reflections) on many issues are quite different.
If we want to understand things correctly, we must first look at the problem from the standpoint of the fundamental interests of the people. Title Qin Shi (Song Sushi) If the original poem says there is a piano sound, why not put it in the box? If the piano sounds from your hands, why can't you hear the sound? Music with wonderful philosophy is an organic whole, which is composed of several parts and elements that influence and restrict each other.
In music and piano sound, fingers, piano, players' thoughts and feelings, playing skills and other parts and elements are interdependent and indispensable, influencing and restricting each other, and there is a close relationship. According to materialist dialectics, the fundamental content of universal connection is the connection between the contradictory parties within things and between things.
So what this song reveals is the contradictory relationship between piano, fingers and piano sound. If the players are included, then the relationship between the players' thoughts, feelings and skills and the piano and fingers can be regarded as the relationship between the internal contradictions (internal causes) and external contradictions (external causes) of things.
The former is the basis of music production, and the latter is the condition of music production, both of which are indispensable. The title play is six quatrains (I) (Du Fu in Tang Dynasty). Yu Xin's original poems are relatively old and mature, and Ling's brushwork is vertical and horizontal.
People today laugh at him and blame his works. If Yu Xin is still alive, I'm afraid he will really regard you as an afterlife. Philosophy (1) From the point of view of universal connection, everything is a process of continuous development. Without the analysis of historical connection, we can not only correctly understand yesterday's history, but also correctly understand today's right and wrong.
Cutting off history, denying contact, blindly laughing at tradition and denying predecessors will inevitably lead to national nihilism. (2) Looking at problems from a developmental perspective, we should regard things as a process of change and development.
To study any one of me, we can't cut off history, let alone deny yesterday's naivety with today's maturity. We should adopt a historical attitude towards our predecessors, and we should not look at and measure the past with today's rampant irrigation and standards, let alone demand the ancients.
(3) From the viewpoint of combining two-point theory with key theory, on the one hand, we should correctly analyze and distinguish the achievements and defects of predecessors, right and wrong, essence and dross. On the other hand, it is necessary to further distinguish between the main aspects of contradictions and the secondary aspects of contradictions. The poem titled Eight Arrays (Du Fu in Tang Dynasty) was originally written in the Three Kingdoms, divided and bound by his power, and the Eight Faces Castle was built on his prestige.
The stone doesn't turn, which means that he has never conquered Wu. Philosophical materialist dialectics holds that everything has its whole and part (whole and part), which are both different and related.
First of all, the whole and the part are interdependent and inseparable. Secondly, they influence and restrict each other.
Under certain conditions, the key part can even play a decisive role in the overall situation and the whole. Zhuge Liang's painstaking efforts and clever arrangement of the Eight Arrays for many years are all for an overall strategic goal-"swallowing Wu", while Liu Bei's revenge is a partial and small goal.
Only by focusing on the whole and coordinating the overall situation can we choose the best scheme and achieve the greatest goal. On the spur of the moment, Liu Bei only focused on the part and launched an attack rashly. As a result, it not only failed partially, but also fundamentally destroyed the strategic overall situation painstakingly planned by Zhuge Liang, making the plan of "swallowing Wu" a bubble.
This poem shows the posterity with vivid historical facts how important it is to establish the overall concept and obey the overall situation partially. Reflections on the Title (Song Zhuxi) The original half acre square pond of the poem was opened, and the sky and clouds lingered.
As clear as water? Because there is inexhaustible living water for it. Philosophy takes the pond as a metaphor, explaining that the method of learning is to accumulate and absorb new nutrients.
Everything is moving, changing and developing, and everything can maintain its existence only in movement. It is this uninterrupted movement, change and development that makes things exist in constant self-renewal.
Once this movement stops, things cannot exist. If there is no constant renewal and accumulation of knowledge, one's knowledge will become a stagnant pool, lifeless and without progress.
Learning is like this, and so is doing other things. The title is "Imitation of Ancient Poetry (Qian Zai in Ming Dynasty)". The Yangtze River flows eastward, and people keep coming.
There are no western hills during the day, and the morning light is still brilliant. The flowers in spring are rejuvenating.
The grass in autumn is yellow and blue. Nature has no downtime, is cycle the ultimate? Life is a world apart, and young people need to work hard! Everything in the philosophical world is constantly changing.
Naturally, so is life. Therefore, when you are young, you must work hard and make progress. On Poetry (Zhao Yi in Qing Dynasty) Du Li's original poems have been passed down through the ages and are not new so far.
There are many talented people all over the country, and their poems and popularity will last for hundreds of years. Philosophy shows that things are constantly developing, and every era should be innovative and progressive, instead of following the ancients and not seeking progress.
The original poem Cao (Tang Bai Juyi) grows grass and flies. Wildfire has never completely swallowed them, and the spring breeze is blowing.