Dead vines, old trees, faint crows,
Small bridges and flowing water,
The ancient road and the west wind are thin. ``
The sun went down,
Heartbroken people are at the end of the world.
The author only used line drawing to arrange the scenery, but achieved the effect of eternal farewell. I believe that everyone who has seen it will have a picture of a wanderer in his mind. In this picture, the vine is dead, the tree is old and the crow is at dusk. Their emotions are bleak or bleak. At this time, it is natural to see people with small bridges and flowing water, and homesickness will spread from the bottom of my heart. Look up at the long ancient road in the distance, listen to the autumn wind whistling in your ear, and see what it feels like to get off the thin horse. Only heartbreak! This is a line drawing.
The narrative uses the technique of line drawing, which makes people feel that the lines are clear and the words are concise and true.
Such as "selling charcoal Weng" Bai Juyi.
An old man selling charcoal cuts wood and burns charcoal in the mountains in the south all year round.
His face was covered with dust, which was the color of smoke burning, his temples were gray, and his ten fingers were burnt black.
What is the money for selling charcoal for? Buy clothes, buy food in your mouth.
Pity that he is wearing thin clothes, but he is worried that charcoal can't be sold, hoping it will be colder.
At night, it snowed a foot thick outside the city. Early in the morning, the old man drove a charcoal wheel to the market.
Cows are tired and people are hungry, but the sun has risen very high. They are resting in the mud outside the south gate of the market.
Who is that proud man riding on two horses? It was the eunuchs in the palace and eunuchs who did it.
The eunuch, with documents in his hand and the emperor's orders in his mouth, shouted at the petrified palace.
A load of charcoal, more than 1000 kilograms, eunuch attendants to drive away, the old man is helpless, but there is no way.
Those people put half a piece of red yarn and a piece of silk on their heads as the price of charcoal.
In this narrative poem, the author successfully created a touching image of an old charcoal seller by line drawing. "The face is full of dust and fireworks, and the temples are gray and black." The portrait description of these fourteen words not only accurately shows the occupation and age characteristics of the charcoal seller, but also reminds people of his bitter work and painful life. Long-term exposure to fireworks makes the skin discolored, and touching charcoal all day makes the fingers black, while "grey temples" show the sadness and aging of charcoal sellers. This kind of hard work is just to earn some money to make a living. "The poor little thing was wearing a light coat" and "It snowed a foot outside the city at night". The author also uses comparative writing to show the hard life of charcoal sellers. "Worrying about charcoal and wishing for cold" is a deeper psychological representation. When the clothes list can't keep out the cold, most people always hope the weather is warm, while the charcoal seller "hopes the weather is cold" when the clothes list is right. One is afraid that the weather will be warm, charcoal can't be sold, and there is no food and clothes to wear. The other is that it will be cold and he will sell it at a good price. These two poems profoundly expressed his earnest expectation of "selling charcoal for money" and reflected his very miserable life situation. At the same time, this way of writing makes the following words "a car costs more than a thousand Jin of charcoal, and the palace envoy will not regret it" more powerful and can arouse readers' hatred of "the yellow messenger's white shirt".