Fuchun Shan Jutu's related poems

1. Poems about Fuchun Shan Jutu

Poems about Fuchun Shan Jutu 1. Please beautify Fuchun Shan Jutu's poems and help provide more.

Huang (1269- 1354), a native of Changshu, Jiangsu Province, was a painter in the Yuan Dynasty. He is good at painting landscapes and describing the natural scenery in the south of the Yangtze River. He is mainly based on ink and wash, and is also known as Yuan Sijia with Zhenwu, Wang Meng and Ni Zan. He used to be a bookkeeper in the customer department of Lian Fang, western Zhejiang, and was wrongly put into prison because of his involvement in the boss's corruption case. After he got out of prison, he changed his name to "Big Idiot". From then on, he believed in Taoism, traveled around, entertained himself with poems and paintings, and once made a living by selling hexagrams. He started his painting career late. However, due to the ups and downs of life, I will personally observe the landscapes I painted, and the mountains and valleys I painted will be wonderful. His brushwork first learned from Dong Yuan and Ju Ran in the Five Dynasties and the early Song Dynasty, and was later influenced by Zhao Mengfu. He is good at using wet brush to make meticulous brushwork, which was highly praised by painters in Ming and Qing Dynasties and became the most popular painter in Yuan Sijia (Wang Meng, Ni Zan, Zhenwu). In addition, in addition to painting, there are also writings, such as "Writing Landscape" and "On Painting Landscape", which are all models of later generations. 、、、

Fuchun Mountain

Author: Huang,

Text: From two to seven years (1347), the servant returned to Fuchun Mountain, and he didn't need a teacher to accompany him. In his spare time, he gave a pen and wrote this volume in the south building. When he was in the mood, he didn't realize that there were so many arrangements, but he didn't finish reading it after three or four years. He traveled abroad because he stayed in the mountains. Get your luggage back today. Sooner or later, you will have leisure. It's time to start writing. It's no use worrying too much, but smart people will know the end of the paper first, so ordinary people will know that their achievements are not easy. Ten-year-old Qinglong wrote a book (1350) in Zhi Zhi Hall, Shi Xia, Yun Jian on the day before Gengyin Festival.

2. Fuchun Shan Jutu writers

Shan Jutu Fuchun's calligraphy and painting.

The author is Huang, a painter in Yuan Dynasty. This painting is divided into two parts.

The original painting mainly describes the landscape of Fuchunjiang River in Zhejiang. The trees on both sides of Fuchun River are like the scenery in early autumn, with dozens of peaks and peaks. Dozens of trees, one tree in a state, are magnificent and varied.

Maolin cottages, fishing boats and bridges, pavilions and flying springs are dizzying and rich in nature. Painting techniques include Dong (Yuan) and Ju (Ran)' s warm pen and dry pen, which make ink painting play a great role.

It has a great influence on the development of ink landscape painting in the future. Poem "Fuchun Shan Jutu" Author: White jade sunrise in the east, vast territory and abundant resources, the sky is high and the clouds are light, which is already an infinite spring, with dragons and phoenixes leading the way.

With ease, the trend of thought is like Tao. Escape is elegant, elegant. Where is Wan? I am the only attractive person.

3. Introduce the scenery of Fuchun River

Fuchun River, which is famous for its beautiful water, is known as "the best mountain in the world and the best water in the world". This jade belt of Zhejiang water system is the most beautiful, especially Tonglu.

As the ancients said, "The scenery of Tonglu is still beautiful, as the Three Wus are the best in Qian Shan." Seven miles upstream, the water is dyed, the mountains are cut, the peaks are narrow, kites fly and fish jump, which is called "Fuchunjiang Little Three Gorges". From Yan Ziling Diaotai to Narrow Creek, the river is wide, with green trees and fireworks on both sides, small bridges and flowing water, and villas are scattered at will. There are Yan Ziling Diaoyutai, Daqi Mountain, Baiyunyuan, Scout, Tianzigang and other places of interest dotted among them, just like a gorgeous picture.

The scenery of Fuchun River is pleasant in four seasons, whether it is the bright spring when the sunrise is brighter than the fire, the summer scenery with green trees dripping on both sides of the river, the autumn scenery that makes people want to get on the boat, or when a river of jasper and red frost flows on both sides of the river, it has some intoxicating charm. Even in winter, there are intriguing connotations.

Fuchunjiang River, with a total length of 1 10 km, is connected with West Lake in Hangzhou at one end and Huangshan Mountain in Anhui at the other. Fuchunjiang itself is so full of magical charm, making use of natural landscapes and distant historical sites.

Some people praise Fuchunjiang for "embracing the wonders of the world", which may be exaggerated, but it is not too much for people to call her a golden tourist route in China. ...

Fuchun River is divided into two sections. The lower section from Wenjiayan in Hangzhou to Tonglu is called the lower reaches of Fuchun River, and the upper section from Tonglu to Jiande Meicheng is called the upper reaches of Fuchun River, which is also the most beautiful section on Fuchun River. The green hills on both sides of the strait are long and lush; A river springs with water, and the water is beautiful because of the mountains. It is as clear as a lake, and the sea is as blue as the sky. Fuchun River has mountains and water, and there are mountains in the water. Water runs in the mountains and the mountains surround the water. The mountain peaks are green, which is rare in tourist scenery. Fuchun River is dominated by water system, with numerous waterfalls and magnificent rock peaks.

Ancient villages are woven into a group of scenic tourist belts, which can be described as "green mountains and green rivers". To travel here, you can climb the Range Rover and go boating.

How did the ancients describe the scenery of Fuchun River? The book "Poems on the Scenery of Fuchunjiang River" published by Zhejiang People's Publishing House excerpts 1.500 people from the Southern and Northern Dynasties to the Qing Dynasty, and there are more than 2,000 poems chanting the scenery of Fuchunjiang River. Among them, Wu Yun of the Southern Dynasties wrote "Random Thoughts of Song and Yuan Dynasties": "The wind and smoke are clean, the world is * * * color ... strange mountains and different waters, chinese odyssey." Wei Zhuang was called Fu in the Tang Dynasty.

Jiang "Qiantang River is all Tonglu, and water is not as good as green painting." In Song Dynasty, Su Dongpo also had a famous sentence: "Three Wuxing Qian Shan is full of water, and Tonglu has beautiful scenery." In the Yuan Dynasty, Wu Huan praised: "There are beautiful mountains and rivers in the world, which push Fuchun from ancient times to modern times." Visible Fuchunjiang chinese odyssey. It has long been famous as a scenic spot. The beautiful scenery of Fuchunjiang Mountain flowing through Tonglu is enough to make people intoxicated.

Fuchun landscape chinese odyssey. In retrospect, Huang, one of the four great painters in Yuan Dynasty, lived in Fuchun in seclusion and spent several years painting Fuchun. This historical masterpiece has gone through many vicissitudes and almost turned to ashes as a sacrifice for the rich. Now it is a two-part scroll, which is kept in museums in Chinese mainland and Taiwan Province provinces.

4. Poems about Fuchunjiang (more than three sentences)

Moonlit Age on the Spring River Author: Tang Author: Zhang Style: Yuefu Spring River Tide, Sea Moon Tide * * *. I follow the waves for thousands of miles, where is there no moonlight on the riverside? The river flows around Fangdian, and the moonlight is like graupel. The frost is flowing in the air, and the white sand on the pavilion is invisible. There is no dust in the sky on the river, and there is a lonely moon in the sky. Who saw the moon on the river? When did Jiang Yue take the photo at the beginning of the year? Life is endless from generation to generation, and Jiang Yue is only similar year after year. I don't know who Jiang Yue treats, but the Yangtze River sends water. The white clouds are drifting away, and the green maple is full of sorrow. Who will go boating tonight? Where do you miss Mingyue Building? If you wander upstairs and around the moon, you should leave the cosmetic mirror. The jade curtain cannot be rolled up, but it can be brushed back on the anvil. At this time, you don't know each other. I hope the flowers will shine on you month by month. Wild geese will fly in the sky, and fish will jump into the water before dragons. Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned. The river flows to the end and the pond falls to the west. The slanting moon is full of sea fog and the stones are falling. Falling flowers shake trees all over the river.

5. The sentence describing Fuchunjiang: Qiu Guang this month. ...

There are beautiful mountains and rivers in the world, pushing Fuchun from ancient times to modern times. "

(Yuan Wu Huan Zan) 3 The ancients said: "Three Wus do all the water in Qian Shan, and Tonglu has beautiful scenery." Seven miles upstream, the water is dyed, the mountains are cut, the peaks are narrow, kites fly and fish jump, which is called "Fuchunjiang Little Three Gorges".

From Yan Ziling Diaotai to Narrow Creek, the river is wide, with green trees and fireworks on both sides, small bridges and flowing water, and villas are scattered at will. There are Yan Ziling Diaoyutai, Daqi Mountain, Baiyunyuan, Scout, Tianzigang and other places of interest dotted among them, just like a gorgeous picture. ④ The scenery of Fuchun River is pleasant in all seasons, whether it's the bright spring when the sunrise is brighter than the fire, the summer scenery with green trees dripping on both sides of the river, autumn scenery, which makes people want to board a boat, or a river of jasper and red frost flowing on both sides of the river, it has some intoxicating charm.

Even in the winter of "vast mountains and seas" and "fishing alone in the cold river", there are intriguing connotations. (5) In the Tang Dynasty, Wei Zhuang said that Fujiang "Qiantang River has completed Tonglu, and the water is not as good as green painting." ⑥ Su Dongpo was also famous in the Song Dynasty: "Sanwu has done Qian Shan Wanshui, and Tonglu has beautiful scenery."

⑦ Look at that year, Huang, one of the four great painters in Yuan Dynasty, lived in Fuchun in seclusion, and it took him several years to draw a picture of Fuchun. (1) Zhu Heshu "Wu Jun Southern Dynasties Liang Quan Jing", Tianshan * * * color.

Floating from the stream, anything. From Fuyang to Tonglu, it is unparalleled in the world.

The water is blue, and thousands of feet bottoms out. You can swim with the fine stones and look directly at them.

If fierce wave rushes, how fast the arrow will go. Cold trees grow on high mountains.

Negative potentials compete with each other; Strive for higher heights, Qianfeng. Spring rock, crisp; Good birds sing, they rhyme.

Cicadas are endless, and apes are endless. People flying in the sky, watching the peaks rest; He who is in charge of the affairs of the world looks at the valley and forgets to betray.

The horizontal branches are covered, and the day is still faint; The thin strips set each other off, and sometimes the sun shines. According to Zhu's book (1), Wu County is full of wind and smoke (2), while purity (3) and Tianshan Mountain are * * * colors (4).

Floating from the stream (5), anything (6). From Fuyang to Tonglu 100 Li (7), it is unique in the world (8).

The water is (9) light green (10), reaching the bottom. You can swim with the fine stones (1 1) and look directly at them (12).

Rapids (13) with arrows (14) and fierce waves (15) run (16). All the mountains bordering the shore are cold trees (17), and the negative potentials compete with each other (18), and they compete with each other (19), aiming at the height (20) and reaching the peak (2 1).

Springs excite rocks (22) and rattles (23); Good birds sing (24) and rhyme (25). Cicadas are endless (26) and apes are endless (27).

People who fly kites in the sky (28) will be free (29); Those who are in charge of the affairs of the world (30) glimpse the valley and forget the rebellion (3 1). The horizontal cover (32) is still dizzy (33) during the day; Sparse bands cross each other (34), sometimes see the sun (35).

(1) A letter to Zhu, selected from Literary and Art Newspaper (Zhonghua Book Company, 1982 edition), Volume 7. This article is a letter written by the author to Zhu, telling what he saw and heard during his trip.

With Zhu Yishu. Wu Jun (469-520), uncle.

Xing Wu passed away (now Anji County, Zhejiang Province). Liang writers and historians in the Southern Dynasties.

Book: letter (2) all: all, all. (3) net: dissipate, disperse.

(4)*** Color: same color. * * *, the same.

(5) Floating from the river: (The boat) floats with the river and ripples together. Follow, follow, follow.

(6) Anything: let the boat follow its own wishes, from east to west (7) from Fuyang to Tonglu: Fuyang and Tonglu in this sentence are both in Hangzhou, Fuyang is in the lower reaches of Fuchun River, and Tonglu is in the southwest middle reaches of Fuyang. (Note: If you press "Drifting from a Stream" above, it should be "From Tonglu to Fuyang".

The original text may be a clerical error by the author. ) to: to.

X: table approximation. (8) independence: unique.

Absolutely: to the extreme. (9) all: all, all.

(10) Bibi: The original "drift ratio" was changed according to other versions. Turquoise.

(1 1) You fish and fine stones: You fish and small stones (12) Look straight: you can always see clearly without obstacles. This river is described as very clear here.

(13) Fast flowing water. (14) Extraordinary arrows: that is, "more than arrows" and faster than arrows.

What: better than. In order to keep the number of words neat, the middle word "Yu" is omitted.

(15) If: It seems so. (16) Ben: The verb is used as a noun, which means running a horse.

(17) cold tree: cold-resistant evergreen tree. (18) negative potential struggle: relying on (lofty) situation to make progress.

Negative: by virtue. Competition: competition.

This sentence refers to "high mountains", not "cold trees", as can be seen from the following sentence "Thousand Peaks". (19) Mystery (m o): much higher than height.

Xuan, Gao Miao, it's far away.

It is used as a verb here. (20) Point directly above.

Refers to: to. (2 1) Thousand peaks: numerous peaks are formed.

(22) Impact: Impact. (23) Lingling: Lingling speaks.

Lingling, onomatopoeia, describes the clarity of underwater sound. (24) Good birds sing: Good, more; Sing to each other, sing to each other.

(25) rhyme (yρng) rhyme: rhyme, harmony and beauty. Melody, birdsong.

Rhyming, harmonious voice. (26) Kilograms: Long-term continuous calls.

Thousands means a lot. Turn around, preach "ho", and the birds sing tactfully.

(27) Endless: it means "endless". As opposed to "not poor" in the previous sentence.

(28) Kite (yuān) flies to the sky (li): It means kite flies to the sky. Here is a metaphor for those who strive to climb higher for the benefit.

According to ancient records, a kite is a bird like an owl. Some people say it is a fierce bird, similar in shape to an eagle.

Crime, to. Wang Feng: Seeing these majestic peaks will calm his heart that is keen on fame and fortune.

Breathe: Calm down. (30) Economic and social affairs: people who handle government affairs.

Economy, planning and management. (3 1) Take a peek at the valley and forget it: When you see these beautiful valleys, you will linger.

Reverse: Pass it back. Peep: Look.

(32) Cross-sectional shadow: Trees with cross slopes have shadows on them. Ke, the branches of trees.

Cover: cover. (33) It is still dim during the day: even during the day, it is as dark as dusk.

Daytime: Daytime. Jude: It seems so.

(34) Sparse branches cross each other: Sparse branches cover each other. Sparse branches: Sparse branchlets.

Cross: mutual. (35) days: sun, sunshine.

6. Fuchun Shan Jutu

Fuchun Shan Jutu is the work of Huang, a painter in Yuan Dynasty. It was written by Huang as a useless master and apprentice and set in Fuchunjiang, Zhejiang. The whole picture is elegant in ink, the landscape is properly arranged, and the ink color is thick and light, which is changeable. It is the representative work of Huang and is called one of the top ten famous paintings handed down from generation to generation in China. At the end of the Ming Dynasty, the painting was handed over to the collector Wu Hongyu, who loved it so much that he even ordered it to be burned as a human sacrifice before his death to prevent Wu Hongyu's nephew from being rescued from the fire, but by this time the painting had been burned into two parts. The front section is smaller, named "Yushan Map", which is now in the Zhejiang Provincial Museum; The second half of the picture shows the dragon, named "Useless Teacher Volume", which is now in the National Palace Museum in Taipei. For hundreds of years, this painting has been lost and full of legend.

Historical background

Fuchun Shan Jutu was first painted in Zheng Zheng for seven years (1347) and completed in Zheng Zheng for ten years.

Fuchun Shan Jutu was painted by a useless master and apprentice at the age of 82, with Fuchun River in Zhejiang as the background, and it is Huang's masterpiece.

At the end of the Ming Dynasty, Fuchun Shan Jutu was handed over to the collector Wu Hongyu. Wu Hongyu likes this painting so much that he never wants to look at it and copy it every day. Even before his death, he ordered the painting to be burned as a human sacrifice, and Wu Hongyu's nephew was saved from the fire. But at this time, the painting has been burned into two parts, one big and one small, and the front part is smaller, named "Leaving the Mountain". The second half of the graph is relatively long, which is called "useless partition".

During the Qianlong period, a Fuchun Shan Jutu was recruited into the palace, and Emperor Qianlong couldn't put it down, but the next year another Fuchun Shan Jutu entered the Qing Palace. The former said that Zi Ming Juan was forged by later generations; The latter is a useless teacher volume, which is Huang's original work. However, Emperor Qianlong recognized Zi Ming Juan as an original, stamped the fake painting, and wrote poems and inscriptions with ministers in the blank, treating the original as a fake. It was not until modern scholars reversed their conviction that they realized that Emperor Qianlong had made a mistake.

Today, the Mount Yushan Map is collected in Zhejiang Museum, and Fuchun Shan Jutu's Useless Teacher Volume is collected in the Palace Museum.

First half volume

Huang Fuchun Heritage Mountain Map: Fuchun Heritage Mountain Map.

Collection: Zhejiang Provincial Museum

Scale: 3 1.8cm in vertical direction and 5 1.4cm in horizontal direction.

Second half volume

Name: Fuchun Shan Jutu Useless Division Volume

Huang Fuchun's useless teacher volume collection: Palace Museum.

Scale: 33 cm long and 636.9 cm wide.

replica

Name: Fuchun Shan Jutu Zimingjuan

Collection: National Palace Museum in Taipei

Name: Fuchun Shan Jutu Shenzhou.

Collection: Beijing Palace Museum

production process

Fuchun Shan Jutu was first painted in Zheng Zheng for seven years (1347) and completed in Zheng Zheng for ten years. Huang's famous paintings, handed down from generation to generation, are the highest among Huang's paintings. It is a paper ink painting with a width of 33 cm and a length of 636.9 cm, which is the representative work of Huang's later years. Huang, a long character, is a great calligrapher, fluent in temperament and good at writing poems. When he was young, he had few ambitions and prospects. Middle-aged people were involved in prison and suffered a lot. In his fifties, he lived in seclusion by the Fuchun River, studied landscape painting under Dong Yuan and Ju Ran, and became an 80-year-old man when he became famous. Huang put his "life savings" into painting creation and worked hard for several years. Finally, when he was in his eighties, he finished this long scroll Fuchun Shan Jutu, which is the highest realm of landscape painting. In the form of long scrolls, it depicts the beautiful scenery in early autumn on both sides of Fuchun River, with green peaks, graceful turquoise, smoky trees in Yunshan and Sha Ting cottages. The layout is dense and changeable, with clear pen and ink and simple artistic conception, the vast and continuous southern mountains and rivers are vividly displayed, reaching the realm of "rich mountains and rivers, lush vegetation and flowers".

This scroll is six sheets of paper, that is, a scroll composed of six sheets of paper. Huang (Zi Zijiu) was the most famous painter in Yuan Dynasty and had a great influence in the history of painting. He explicitly mentioned modeling in his book Landscape Tactics. He said: "Put the tracing pen in your purse or in a beautiful place. If you see anything strange on the tree, it's easy to write it down." Zi Jiu's works are not many, among which Fuchun Shan Jutu is the best. In order to create Fuchun Shan Jutu, when he "enjoys the victory of fishing on the beach of mountains and rivers", he "wears a pen and paper on his sleeve, and whenever he meets the scenery, he will stop to memorize it". This painting was completed in the seventh year of Zheng Zheng (1347), when Zi Jiu was nearly eighty years old. The inscription in the painting shows that he spent three or four years observing and pondering the painting. Zhang Geng recorded Dong Qichang's praise for this painting in The Beautiful Consciousness of Pictures. "Zi Jiu painted Yuan Sijia ... such as Fuchun Mountain Scroll, its charm is detached, its body is prepared by various methods, detached and harmonious, and it does not fall into the Tao."

7. Fuchun Shan Jutu

In the seventh year of Yuan Dynasty (AD 1348), Huang began to create this masterpiece of landscape painting, which took many years to complete. In the form of long scrolls, it depicts the beautiful scenery in early autumn on both sides of Fuchun River, with green peaks, graceful turquoise, smoky trees in Yunshan and Sha Ting cottages. The layout is dense and changeable, with clear pen and ink and simple artistic conception, the vast and continuous southern mountains and rivers are vividly displayed, reaching the realm of "rich mountains and rivers, lush vegetation and flowers".

Huang's landscape paintings blend his true feelings about nature. Form your own family. At the age of 70, Fuchun Shan Jutu, written in a small cave beside Fuchun River, depicts the early autumn scenery around Fuchun River in ink and wash. At the time of conception, footprints spread all over the banks of the Chunjiang River, which took six or seven years to form. The paper is ethereal and elegant, with heavy bearing, and later generations praised it as "Lanting in the painting".

Fuchun Shan Jutu has attracted worldwide attention for his skillful and sophisticated pen, natural and colorful pen and ink. Fuchun Shan Jutu combines the panoramic composition method of the Northern Song Dynasty and the small scene composition method of the Southern Song Dynasty, and its artistic conception is open and bold. It also has the advantage of clear priorities.

Fuchun Shan Jutu represented the freehand brushwork skill of landscape painting in Yuan Dynasty, and also represented the aesthetic taste of literati at that time. Although it has the general characteristics of Fuchun landscape, it is not a true retelling of the real landscape. What he gave to future generations was not majestic, but elegant and elegant, which reflected Huang's quiet mood in his later years.