The wind is fast and high, the ape cries sadly, and the birds are circling in the white sand. The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably. Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness. After all the hardships and hatred, the white hair is full, and the wine glasses are damaged.
Related appreciation:
Generally speaking, Du Fu's Ascending the Mountain gives people a bleak and desolate feeling. It integrates the scenes, the feelings into the scenery, the sadness of personal life experience and the frustration of depression into the sad autumn scenery, making people feel depressed and sad as much as possible, and spewing out like a volcano erupting out of control.
"Up the Mountain", like a general poem, first writes the scene, comes straight to the point and renders the sad atmosphere. This poem is written like this: in the wild wind in the vast sky, apes are sobbing, and birds fly home on the clear lake and white beach. These two sentences are a combination of static and dynamic, and a wonderful ink painting is constructed with cool colors.
In Sobbing Apes with Sharp Winds from the Broad Sky, a word "urgency" and a word "sadness" have a sense of substitution, which makes people immediately enter the sad situation created by the author. Then, repressed emotions flooded in my chest, and there was nowhere to send them. The poet focused on the situation of birds and wrote: Birds fly home on the clear lake and white sand beach, which constitutes a cold and pale picture.
The island is clear, the sand is white, and the "bird" flies back, hovering in a bleak and desolate "island sand", showing its loneliness, which can not help but remind people of the desolate feeling of "turning around the tree three times and relying on what branches", from which sadness comes. Judging from the structure of the whole painting, this is a microscopic ink painting with a narrow field of vision.
This couplet embodies the typical characteristics of Kuizhou in autumn. The poet looked up at the endless rustling leaves and looked down at the endless rolling river. While writing about the scenery, he expressed his feelings affectionately. "Infinite" and "endless" make "rustling" and "rolling" more vivid.
It not only reminds people of the rustling of fallen trees, but also reminds people of the surging Yangtze River, which invisibly conveys the feeling that youth is fleeting and ambition is hard to pay. Through the gloomy and sad dialogue, it shows superb brushwork, and it does have the majestic momentum of "repairing the palace" and "pouring hundreds of rivers into the east". It is reasonable for predecessors to call it "the absolute step of the past and the present" and "the transformation in the sentence"