Undoubtedly, Mulberry Picking on Chongyang written by 1929, Spring Snow in Qinyuan written by 1936 and Beidaihe in Langtaosha written by 1954 are all representative works of Comrade Mao Zedong. Compared with other famous poets in history, Comrade Mao Zedong devoted himself to the proletarian revolution all his life, and his poems were few in number, but the limited poems that survived were excellent, which laid the foundation for him as a great modern poet.
Historical position. Repeatedly reciting Mao Zedong's poems, the author has always felt strongly that Mao Zedong's poems can be called the master of poetry aesthetics. Mao's poems are masculine and feminine, and the most powerful is the sublime beauty that runs through his poems.
Combined with the words included in the middle school Chinese textbooks, this paper makes a preliminary exploration from three aspects.
1August, 957, Mao Zedong said in "Comments on Reading Two Poems of Fan Zhongyan": "There are two schools of ci, mine.
Interest tends to be bold, not wasteful. "Boldness is the beauty of masculinity; The so-called graceful, that is, female beauty. To sum up, the lofty aesthetic characteristics of Mao's poems are mainly reflected in the following aspects:
First, the majestic beauty of artistic conception
Artistic conception is an extremely important aesthetic category in poetry aesthetics. What is artistic conception? The so-called "meaning" is a poet.
Thoughts and feelings; The so-called "realm" is the objective thing described by the poet. Taken together, artistic conception is the poet's adoption of species.
The creation and combination of these images constitute a poetic artistic realm. Mr. Zhu Guangqian, a famous aesthete, said:
"The artistic conception of each poem must have two elements: interest and image." (1) Four songs selected in the Chinese textbook.
There are rich images in the ci. For example, in Qinyuanchun Changsha, there are forests in the mountains, hundreds of ge in the river, eagles in the air and fish at the bottom of the water, and the words such as "Wan", "Layer", "Man", "Times", "Gold" and "Head" are used, which makes the whole ci magnificent. Another example is "Spring and Snow in Qinyuan", which depicts the snow scene inside and outside the Great Wall and up and down the great river. It is magnificent, broad and heavy.
In a word, Mao Zedong's poems always show lofty, straight and magnificent natural beauty with specific images, and the images in his poems have the power and intensity of flying and the epic images of himself. It shows the tolerance and heroism of the proletarian hero group and gives people a lofty aesthetic feeling.
Second, profound and meaningful philosophical beauty
I remember Ye Sheng, a famous poetry critic, said in On the Aesthetic Freedom of Poetry: "Poetry is the art of appealing to feelings, which gently touches people's heartstrings with cordial feelings; Poetry is the art of appeal to reason. It inspires people to think about life with eloquent philosophy and pursue life more deeply. " "Once poetry becomes an inseparable adhesive between emotion and reason, it will bring more intriguing beauty to people. The aftertaste is getting deeper and deeper. " (2) The philosophical beauty of Mao Zedong's poetry is to make poetry an inseparable adhesive between emotion and reason. Full of emotion, profound philosophy, beyond words.
It's fragrant and intriguing. The profound philosophical beauty is manifested in many ways in Mao Zedong's poems. Let's take Mao Zedong's poems as an example to make a brief exposition:
In the poem "A Qinyuanchun Changsha", the author brought the "ten thousand kinds of frost fighting for freedom" in nature to the "who is in charge of ups and downs" in human society. From scenery to truth, from nature to society, it not only allowed readers to appreciate poems and paintings, but also brought them into the realm of philosophical thinking. The harsh first frost and the active freedom of all kinds of life fully show a natural dialectical relationship: the more sinister the objective environment, the stronger the subjective sense of competition. This is true in nature, and so is human society. Therefore, the author has "melancholy, ask the vast earth, who is in charge of ups and downs?" Thinking,
The answer of "the middle stream hits the water, and the waves will stop the flying boat", where the poet Mao Zedong "completely combines poetics with science" and achieves the harmonious unity of poetry and philosophy.
In addition, the beauty of philosophy comes from the feeling that "life is easy to get old, but not easy to get old, life is limited and the universe is infinite". In the word "picking mulberry seeds for Chongyang", the poet used inverted sentences from the beginning, which naturally expressed the infinite feeling that "life is easy to get old". The poet reveals the objective law of limited life and infinite universe with popular philosophical language. He opposed the ancient people's lament of "going to Japan to suffer" and sang the heroic voice of "Double Ninth Festival, yellow flowers in the battlefield are particularly fragrant". With its profound philosophy, this poem artistically embodies the poet Mao Zedong's outlook on life, war and aesthetics, and integrates fascinating artistic conception, thought-provoking poetry and thought-provoking philosophy.