Wanxi frost night listening to apes worry, go to the countryside like a boat.
Alone, I pity a wild goose and fly to the South China Sea, but I envy Shuangxi for solving the North Stream.
Master Chen lost his couch again and again, and it was difficult for passers-by to climb the Xie Gulou.
Here, we leave the same fallen leaves, and the autumn leaves are scattered.
—— Excerpted from Li Bai's "Sending Cui" in the Tang Dynasty
Translation:
On a frosty autumn night in western Anhui, listening to the apes crying, I feel endless sorrow. I've been away from my hometown for so long that I'm wandering around like a ship without a cable car. The most pitiful thing is that I fly south to the sea alone like a lonely goose, so I envy Shuangxi and know how to flow north.
Cui had taken off Chen Fan's couch many times to entertain me, but I was a passer-by, but it was difficult to climb the Xie Shoulou. You and I leave here like leaves, and the Ming Dynasty flies away at the foot of Jingting Mountain in autumn.
2. Poems praising Foshan:
People's hearts are filled with laughter and wonderful rhythms to celebrate China New Year. Looking at the past, the whole world remembers Foshan. After a hundred years of vicissitudes, I devoted myself to the whole city, singing and spreading Cantonese rhyme every day.
The wind blows the ancient stove fire, clear and elegant, full of red lotus flowers, green trees and green mountains, covered with soap. A bright future everyone likes to see, reform and opening up, and laugh at the new challenges of tomorrow! The east wind gently blows the new scenery and adds new beliefs, and the initial intention of building Foshan remains unchanged!
March into a new era with heroic spirit and vitality. A hundred flowers blossom in a famous city, and * * * opens a new chapter in the beautiful and magnificent spectrum of a well-off society. Build with one heart and one mind! Today, we are striding forward at the same time to celebrate the New Year all over the world.
-From Ode to Foshan
Extended data:
Message to Cui is a seven-character poem written by Li Bai, a poet of the Tang Dynasty, when he was in Jinling (now Nanjing, Jiangsu) in the autumn of the twelfth year of Tianbao (753). In this poem, the poet interweaves the feeling of life experience with the expression of friendship. In the first half, the poet left his hometown and walked alone. The second half writes about the meeting and parting with Cui, expressing the attachment to love.
Foshan is a national historical and cultural city, known as the hometown of pottery, martial arts and Cantonese opera. It is also a famous dragon boat and lion cultural city in China, the birthplace of Cantonese opera, the birthplace and prosperity of Guangfu culture, and one of the places of inheritance.
Baidu encyclopedia-Foshan
Baidu encyclopedia-send Cui
2. What are the ancient poems about Foshan? 1. "Also known as Hongyou Temple" Time: Song Author: Wang Shi Foshan is dying, and he will not find a monk if he is lazy.
Green shoes, cloth socks, Yunmen Road, walking through the forest on crutches. 2. "Traveling with Zhang's father to see Wei Shu in Shifoshan" Time: Song Author: He Zhuzhong, Xia, Tun and Dai Bangtian.
The grand plan belongs to Wu Tai, not a hero. Wash Luoyang blood in the south and swing Chang 'an ash in the west.
One hundred thousand cars ride on the carpet, slightly thundering. A reed helps the Huaihe River to build a palace.
In the East, I worship prisons, and I am a marriage partner. The cloud flag goes home, so you can enjoy this sadness.
Wave the iron whip, and the rocks will spoil the pottery. Divided into four characters, Yi Li Yin Hong was destroyed.
If you fall into a precipice, you will be ashamed of anger. For 600 years, wind and rain have created raspberry moss.
Great traces are lost, and Ling Wei is safe. Survival first, scattered dust, etc.
You visit ancient tours, write poems and chase seven sorrows. Everyone in life will throw away the cup in his hand.
3. "Dream in the Rain" Time: Song Author: Ge Qigeng drizzle wet river, book window hidden. A tired guest loses a cup, and his hometown is thousands of miles away.
The sheep in Jinhua Dongkou started up, accompanied by deer in Shifoshantou. 1. Unconsciously, we came to "Foshan Baihua Square". Although it is early in the morning, it is already a sea of people, full of people, and a lively scene! 2. This is a page about postal code of "Song Liangang Liu Biao Cun Fu Xiang Hao, Nanhai District, Foshan City, Guangdong Province, Chinese mainland", with area information and online map.
3. There is a saying about Foshan folk proverbs or couplets to Foshan folk proverbs: "On the 16th day of the first month, we will be able to help the poor and have no worries (that is, no worries)." What kind of activity is "helping the economy"? Why is there this custom?
Tongji Bridge is one of the earliest bridges built in Foshan, which is located at Tongji Road at the northern end of Pulan Highway. In the Ming Dynasty, it was Qiaoting Store (i.e. District). Across Foshan Yong, the waterway connects Dasha, Zhoutang, Jiancun and Qicha Township, which was the main waterway leading to Shunde at that time.
At that time, there was an Antarctic Kannonji and a Yuntong Society altar on both sides of Tongji Bridge. On the 16th day of the first lunar month, villagers, men, women and children from four townships walked to Tongji Bridge in droves, or burned incense, lit candles and set off firecrackers on the social altar, or entered Nanji Kannonji to burn incense and worship the gods. Men knelt down and begged for a sign, while women held lanterns and ribbons in front of the gods to pray for Ding Cai. Then I bought a windmill and marched on Tongji Bridge.
At first, on the 16th day of the first month, people who travel to Tongji Bridge have to walk from the bridge head (north bank) to the bridge tail (south bank) at one time, then to Daji on the right side of the bridge tail, and return to Foshan Town to Aokou through the tail, otherwise it will be unlucky. At that time, on both sides of the bridge and the tail road, vendors set up stalls to sell incense sticks, symbols, firecrackers, lettuce (meaning "making money") and windmills.
This move gradually became popular and eventually became a folk custom of "helping the poor" in Foshan Town and nearby villagers. After the founding of the People's Republic of China, the bridge was destroyed and the temple was demolished, and this activity once stopped. In recent years, this custom has gradually become popular. Every year, people help the poor. According to the statistics of the past two years, there are nearly 200,000 visitors to Tongji on the 16th day of the first month every year.
Foshan couplets have a deep mass base. Temples, ancestral halls, theatres, streets, shops, houses, new homes or festivals are all decorated with a beautiful couplet. Concise and thought-provoking couplets are one of the best advertising methods, and they are a cultural custom that people pray for happiness and symbolize good luck. There used to be "Dongshan Literature Society", but now there is "Couplet Research Association", all of which are mass organizations for Foshan folk research and creation of couplets.
At the entrance of the main hall of the famous Foshan ancestral temple, there is a couplet: "The phoenix image of the earth spews out, and the dragon potential gives birth to the cave." According to legend, Shang Shu, a bureaucrat in Ming Dynasty, Li, a native of Foshan, and a cobbler were well matched. Wanfutai, the most well-preserved ancient stage in Guangdong, was built in the ancestral hall of Shunzhi in the Qing Dynasty for ten years. There are two couplets: "Driving thousands of miles in a blink of an eye, the cause of ancient and modern times is overnight"; "I heard the past and left a golden mirror. I sang a song." The short couplets show the form, characteristics and functions of the drama incisively and vividly, and have won the appreciation of the art circles at home and abroad.
When Lun, the top scholar in Foshan in the Ming Dynasty, was ten years old, he once played football with a group of children in the street and accidentally kicked the ball into General Wang's garden. Aaron went to the garden to beg for the ball, and the general Wang told him to return it without penalty. Wang pointed to the painting on the wall and made the first couplet: "In the painting, dragons don't scream, tigers don't scream, and it's ridiculous to see children." Seeing a chessboard on the table, Xu Wen said to the couplet below, "In the chessboard, the car has no wheels and the horse has no saddle. Say, general, be careful. " The general was shocked when he heard this.
A scholar saw the villagers killing dogs and wanted to beg for dog meat, so the villagers made a pair of couplets: "Paparazzi stewed Nong and smiled in black" ("Qiaoxiao", boiled dog's head). The scholar saw an old woman pouring shrimp shells by the river, so he made a pair of couplets: "The shrimp is steamed, and its head is red." The villagers saw that the scholar spoke neatly and invited him to eat dog meat.
There is an epigram couplet that satirizes unrealistic people and things. The first couplet reads: "Flowers in a well, butterflies smell fragrant, but it is hard to pick them", and the second couplet reads: "Painting fruits on a white wall, monkeys want to eat." This couplet has been circulated among the people for hundreds of years and is widely known. There are many interesting societies in non-governmental exchanges, and the list is endless.
In Foshan Street, there used to be a gatehouse. In addition to the stone carving street, there is also a couplet, commonly known as the street pair. Among them, Douchi Lane (now Shengping Road) must be connected every Spring Festival.
Commercial couplets are more colorful, with strong industry characteristics, interesting and good contrast. For example, the barber shop union: "sharpen your needs and ask how many heads there are in the world" and "try with the front and see what the old man means"; Herbal medicine store association: "One medicine has one nature, how can you refer to a deer as a horse?" "There are hundreds of medicines, how can you exchange cattle for sheep?"; Silk shop association: "fair selection of materials and a new world of flowers" and "it is an honor to have a big article to praise the classics"; Grocery store association: "How can I forget the old" and "Why not have something easy"; Antique shop couplets: "There are ancient mountains and rivers indoors, and Mo Bao Hall is looking for celebrities"; Tailor shop association: "I wish to make the clouds in the sky into beautiful clothes on earth"; Tea lotus: "Sit for a while regardless of you and me" and "drink three cups of everything"; Hotel Association: "Liu Ling asks who is good, and Li Bai talks about the fragrance here"; Even the toilets have couplets: "Getting started in three steps is easy to go out" ... All kinds of new couplets emerge one after another, each with its own characteristics, and there are countless residential Spring Festival couplets. The prosperity of folk couplets has become a good folk custom.
4. What is the touching legend of Ling Ying archway in Foshan ancestral temple? Opposite Wanfutai is the Ling Ying archway, which was built in Jingtai in the second year of Ming Dynasty. This archway was sealed and inscribed by the emperor himself, so it is particularly majestic.
Why did the emperor build an archway in this ancestral hall? It is the story I told you earlier that someone attacked Foshan, and everyone prayed before the Northern Emperor God and finally won the battle! Some people may ask, "Who hit Foshan so hard?" In fact, it was a peasant uprising initiated by Huang Xiaoyang, a native of Nanhai, Guangdong Province, but it was finally suppressed by the Ming government. Ming Chengzu believed that the Northern Emperor of Foshan also contributed to this war, so he named his ancestral temple "Ling Ying Temple" and built this archway with an inscription by Emperor Jingtai in the square.
5. Why is the ancestral temple a symbol of Foshan? It is located in the downtown area of Zumiao Road in Foshan.
This is a temple dedicated to the Northern Tian Xuan Emperor who believes in Taoism. Built in the Yuanfeng period of the Northern Song Dynasty (A.D. 1078- 1085), it was originally named Beidi Temple and renamed Ling Ying Temple in the Ming Dynasty. Since the Song and Yuan Dynasties, this place has been a place for public discussion among various ancestral halls in Foshan, which has become a link between surnames, so Foshan people used to call it the ancestral hall.
The ancestral hall faces south and covers an area of about 3500 square meters. The original building was burnt down at the end of Yuan Dynasty and rebuilt in the fifth year of Hongwu in Ming Dynasty (AD 1372). After more than 20 times of reconstruction and expansion, an ancient architectural complex with large scale, exquisite production, unique national style and strong local characteristics was finally formed.
The ancestral hall consists of Wanfutai, Ling Ying Archway, Jinxiangchi, Bell and Drum Tower, Sanmen, Qian Dian, Ursa Major Hall and Qingzhen Building, which are arranged on the north-south axis. It has a rigorous structure and a complete system. Foshan people are full of affection for the ancestral hall, especially some old Foshan people, who know everything about the ancestral hall like the back of their hands. If they see something different from before, they will point it out quickly and protect the ancestral temple as they protect their homes.
In a shallow sense, it is simply the protection of cultural relics in consciousness, and in a deep sense, it is a sense of identity with ancestral temple culture. The ancestral temple has become a symbol of Foshan and the spiritual maintenance of Foshan people's identity.
The core culture of ancestral temple is Zhenwu culture. When it was first built, the connotation of this culture was relatively simple, but because of the water environment in Foshan at that time, people were afraid of floods and worshipped the water god t- Zhenwu the Great. Later, due to the development of Foshan's iron smelting industry, in order to prevent fires, it was also enshrined as Vulcan.
Since the Song and Yuan Dynasties, this situation has gradually changed with the southward migration of people from the Central Plains. At that time, all the clans who moved from the south to Foshan lived together, and it was easy to have conflicts between clans. In order to coordinate the relationship between clans, a special "temple discussion" institution was set up in the ancestral hall to manage rural affairs.
This was the beginning of ancestral temple as a folk deliberative body, and it was an important place to exercise divine right, clan right and political power until the Qing Dynasty. The ancestral hall (Dakuitang) has been deeply rooted in people's hearts as an institutional function to handle community affairs, organize charitable activities and coordinate civil disputes, which is closely related to the daily life of Foshan residents.
1449, Huang Xiaoyang launched an uprising and besieged Guangfo. When the rebels besieged Foshan, the people of Foshan rose up and defeated the rebels in Huang Xiaoyang.
At that time, there were many legends about the miracle of ancestral temple helping Foshan win. Therefore, this also promoted the status of the ancestral temple to rise sharply and was officially included in the official sacrifice.
Since then, the ancestral temple has won the reputation of keeping the people safe in the eyes of Foshan people, and its status has surpassed the height that ordinary community temples can reach, becoming a self-centered temple. At the same time, with the establishment and development of sacrificial ceremonies, ancestral temples have played a great role in community integration, regional identity, standardized behavior and other functions.
For example, the tour of the Northern Emperor is a ceremony to carry the statue of the Northern Emperor to various ancestral halls or temples in Foshan for a parade. The scope of patrol is expanding with the expansion of Foshan area. This ceremony is not only the need of community integration, but also plays a role in enhancing the sense of identity of Foshan people. Historically, ancestral halls have also assumed certain educational responsibilities.
Jiatang was established in Ming Dynasty to educate children, while Dakui Hall in Qing Dynasty paid more attention to education. In addition to running schools, I also run some voluntary schools with tuition fees.
This tradition of attaching importance to education advocated by the ancestral temple in Foshan once made Foshan "a place full of clothes and cultural relics". The ancestral temple is not a single temple, but a big ancestral temple in Foshan at that time, which has the function of "being both a temple and a shrine" and is the spiritual maintenance of Foshan community integration.
This feature also makes Foshan people have special feelings for it.