It is for adults with a fast pace. There are very few works suitable for all walks of life. Such development has hindered the extension of online literature and hindered the growth of online literature.
The Internet is free and shared by everyone, but knowledge is personal and completely exclusive. Because of freedom, we pirate, and because of freedom, we trample on the intellectual wealth created by others at will. A good work may have just appeared, and corresponding chapters will appear in various places on the Internet. A large number of imitations and even direct plagiarism have emerged. Some Li Gui even defeated Li Kui. This is the embarrassment of the Internet and the helplessness of online literature. Some helpless creators choose to quit, and some choose legal action. Those who quit can only sigh occasionally, while those who choose the law often work hard and end up in vain.
2. In August 2014, the Shanghai Internet Writers Association announced its establishment, with the first batch of 75 members. Previously, the Zhejiang and Beijing Writers Associations have established online literary institutions to "encourage" online writers. From being "low-level people" in the past to "entering the society" today, Chinese online writers have begun to be included in the writers' association system and have entered the mainstream literary world. The reason why Internet writers can find "organization" is that Internet literature continues to keep pace with the times, introduce new things, and affects and changes the way literature exists and the aesthetic habits of readers.
Since the 1990s, with the rapid rise of the Internet in China, more and more netizens have begun to publish their own original or forward novels, essays, poems, comic strips and other literary works through the Internet. Chinese online literature also emerged as the times require. In recent years, with the coverage of 3G mobile phone technology and the popularization of various reading terminal digital products, Chinese online literature has developed rapidly. At the same time, a large number of famous online writers have emerged on the Internet. Their representative works have their own characteristics and have become popular in the online literature world. The historical themes include "Those Things in the Ming Dynasty" by Ming Yue, the youth love themes include "Immortality" and "A Moment" by Luo Luo, and "Rose Island" by Annie Baby, and the aesthetic poetry category includes "If Life Is Only Like This" by An Yiru "First Meeting", social themes include Liuliu's "Dwelling", science fiction series include "Tomb Raiders Notes" and so on.
However, while China's online literature and digital publishing industry are booming, many problems have also emerged in the development process of China's online literature. For example, Internet writers generally lack cultural heritage, emphasize skills rather than content, have rough writing styles, and have low style. The phenomenon of "water injection" is serious, making Internet literature rough, vulgar, shallow, and of low quality. These have become shortcomings that restrict its healthy development. plate. Because of this, writer Mai Jia made the conclusion that "99% of online literature is garbage."