Yellow Crane Tower in Cui Hao
The Yellow Crane Tower, located in today's Hubei Province, is a famous Gu Lou in Hubei Province. On the Yellow Crane Tower, there is a famous poem written by Cui Hao, a poet in the Tang Dynasty. Later, after seeing the beautiful scenery of the Yellow Crane Tower, Li Bai, a famous poet in the Tang Dynasty, wanted to write a poem describing the beautiful scenery of the Yellow Crane Tower. But after seeing Cui Hao's poem, he felt that he could never write a poem describing the Yellow Crane Tower, because Cui Hao's poem was so perfect. It can be said that this poem by Cui Hao touched Li Bai.
Cui Hao's early poems were all gaudy. He wrote many poems about women, so he was despised by people at that time. Later, Cui Hao went to the frontier fortress and broadened his horizons. From then on, his poetry began to flourish, and later he really became a famous poet. Like the Yellow Crane Tower in the poem? Yellow cranes no longer come, and white clouds no longer fly? It is out of gorgeous artistic conception, but depicts a period of historical vicissitudes.
Cui Hao's talent is embodied in the poem Yellow Crane Tower, which is called the first of the seven laws of the whole Tang poetry by later generations. In addition, the poet Li Bai also highly praised the Yellow Crane Tower in Cui Hao. Later, when Li Bai visited Phoenix Terrace, he wrote a poem "Phoenix Terrace" imitating Cui Hao's technique. For example, in the poem Phoenix Terrace? Phoenix, which used to play here, named this place after them, but now it is abandoned on this desolate river? Is it imitating Cui's poem in Yellow Crane Tower? A long time ago, the Yellow Crane carried saints to heaven, and now only the Yellow Crane Tower is left. In a word.
Although the Yellow Crane Tower in Cui Hao doesn't look very neat, it is catchy to read, and it has a kind of one-stop flavor, which makes people's hearts enter that ethereal environment and feel the vicissitudes of history. Like a poem? But I look to my hometown, and the twilight is getting thicker, and there is a sad mist on the river waves? It looks untidy, but it expresses homesickness incisively and vividly. It is with this poem that Cui Hao stands out among the poets in the Tang Dynasty.
Cui Hao's Poems
Cui Hao was an outstanding poet in the Tang Dynasty, and Cui Hao's poems were also sought after by later generations. Among them, his Yellow Crane Tower has become a masterpiece handed down from generation to generation and will appear in many anthologies of Tang poetry. Cui Hao's poetry can be roughly divided into three stages. In his early years, he traveled around the world and often broke some scandals. People despised him at that time. But when I arrived in the frontier, my spiritual vision was wide open and my style began to become vigorous and natural. In his poems, he also began to describe the scenery of some rivers and mountains in the frontier of the motherland, which is no longer limited to small feelings and love.
Cui Hao's poems are represented by The Yellow Crane Tower. It is said that Li Bai sighed when he saw this poem. In fact, not only Li Bai, but also many scholars at that time were full of praise for Cui Hao's talent. Unfortunately, this famous poet was untidy all his life. During the reign of Emperor Xuanzong of the Tang Dynasty, he only served as a junior official such as Taifu Siqing.
There are 42 poems by Cui Hao in the whole Tang Dynasty, all of which are excellent. These 42 poems reflect the poet's life experience and emotional changes. In some existing works, we can still see that Cui Hao was a little frivolous when he was young, and described the love between men and women.
In fact, writers have the best judgment on the mind, and their mood can be seen at a glance from their works. When Cui Hao joined the army in middle age, his poetic style changed obviously, and he began to express his feelings of loving and contributing to the country. This feeling is very common among poets in the late Tang Dynasty, but it is obvious that Cui Hao's description is more real and touching.
Who's Cui Hao?
Who's Cui Hao? Cui Hao was a poet in the Tang Dynasty, but there are not many records about him. He is from Henan. According to records, when he was about 20 years old, he went to Chang 'an for his career and won the Jinshi. Cui Hao is a very talented person. When Li Bai saw the Yellow Crane Tower, he put down his pen and showed it to him. It can be seen that he is quick-thinking and even the poet Li Bai admires him. Wang Changling, Meng Haoran and Gao Shi are in the same breath in Old Tang Book, and there is a collection of poems Cui Liji.
Cui Haokao won the Jinshi exam, so it stands to reason that his talent will not be unsatisfactory in his official career, but Cui Hao was just a servant Si Cheng, an official with six or five products during the Kaiyuan period. In the first year of Tianbao, he served as Si Xun's foreign minister and was also a very humble little official.
The reason is that Cui Hao was young and frivolous, loved drinking and gambling, looked down on women, and even threatened to marry beautiful women. If he is tired, he will give up remarriage. This kind of behavior is shameful now, let alone in ancient times. Because of this, no one recommended him in the officialdom, so that he was devastated in his official career, but he was brilliant but had nowhere to display.
In Cui Hao's early works, most of them described his wife's boudoir, and his poetic style was flashy and frivolous. Disappointed with the officialdom, he simply resigned, traveled to famous mountains and rivers, and even went to the desert of Saibei to broaden his horizons. It was also at this time that Cui Hao's poetic style suddenly changed and became generous, heroic and full of vitality.
Cui Hao traveled abroad for nearly 20 years after he left home, but he still didn't come home after returning home. He returned to Chang 'an with a heavy heart for fame and fortune, and finally died in a foreign land for his career. According to records, Cui Hao's conduct is very poor, but his talent really deserves our recognition.
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