Mao Yan/low. On the stream/green/grass. Drunk/melodious/fragrant/beautiful. White hair/whose family/Weng Wei.
Dahl/Huodou/Dong Xi. Zhong Er/Zheng Zhi/chicken coop. Favorite/child/rogue, shampoo/skin/lotus.
Translation?
A low thatched cottage near a clear stream. The stream is covered with green grass. An old white-haired couple, with a slightly drunk look, chatted and amused in Wu dialect. The eldest son is weeding in the bean field in Dong Xi, and the second son is knitting a chicken coop at home. My favorite is my naughty little son, who is lying on the stream peeling lotus leaves.
Appreciate:
In this poem, the author reflects his subjective feelings by describing the scenery in the countryside, not just a purely objective sketch.
The author's ci sketches the lives of some non-working members from a non-working environment in the countryside, reflecting the vitality and interest of the countryside in spring. The first and second sentences of the last film were seen by the author, and the lens was a little far away. In "Low and Small", Deng quoted Du Fu's quatrain "Manxing": "I am familiar with Mao Zhai, and I am very humble and diligent on the river." It is written that the living conditions in the rural areas of the Southern Song Dynasty are not very good. If you don't go near the low eaves, you can't see the activities of this family and hear people's voices. In the second stage, it is obvious that the hut is not far from the stream, and the grass by the stream has turned green. In fact, the meaning of "spring grass grows in the pond" in Xie Lingyun's "Climbing the pond upstairs" shows that spring is a busy season in the countryside. The author was slightly drunk and wandered around until he approached the thatched eaves of the hut, but he heard a voice talking to Wu Yin, which made him feel kind and sweet (so-called "love"). Only then did he find that all the adults in this family went to work in the fields, and only an old couple stayed at home and talked about their family. So I used a rhetorical question: "Whose old man is this?" Then turn to the description of other teenagers in this family. In this way, the subjective and objective levels are clear, which is more reasonable than calling the subject of "drunkenness" Weng Xu.
In the next film, it is written that the older children hoe beans and the middle children weave chicken cages, all of which are written that informal workers are engaged in some sideline businesses. This shows that the vast majority of rural people are not idle people waiting for food and getting something for nothing. Even immature children have to do something within their power, so the efforts and diligence of adults can be imagined. The word "lie" is really the most wonderful one. It tells the story of children lying on the stream peeling lotus leaves, which makes the characters lifelike and the artistic conception intriguing. Explain that only the elderly and the youngest children who have no labor can enjoy themselves. This is actually a description from Zhuangzi's horseshoe, which is more vivid, implicit and vivid than Zhuangzi. In particular, the author uses the method of comparing the pen with the edge, which reflects the quiet and leisurely side of rural life, but leaves a lot of imagination for readers. This is exactly the same as the ending of the author's poem "Partridge Sky", which says that "peaches and plums are full of worries, and spring is at the head of the stream". From the artistic effect, it also has the same effect.
The poet described the life mode of a family of five in the countryside, showing the beauty of life and human feelings, and embodying the author's envy and yearning for a peaceful and quiet life in the countryside.