Appreciation of peach blossom poems

The translation and appreciation of Peach Blossom Luo Yin are as follows:

The translation of the poem Peach Blossom is that the weather is getting warmer and warmer, and the peach blossoms touch the skirts of clothes, exuding bursts of fragrance. The dense peach blossoms separate the plum blossoms and cover the willow trees, surpassing the beauty of the plum blossoms. Several gorgeous peach blossom branches swayed in the wind, attracting Zhuo Wenjun to sell wine on the counter. Large red branches leaned against the wall, like the son of the boss peering into the wall.

No one appreciates the peach blossoms all day long. They fall after the spring rain, making people feel desolate. The same is true for the peach blossoms at the foot of my hometown. Looking back at the spring breeze, I feel sad in my heart.

The whole poem uses the peach blossom as a metaphor for itself, supporting things to express ambition, and expresses the poet's feeling of not being able to appreciate his talent.

Peach Blossoms

Tang Dynasty · Luo Yin

The warmth touches the skirts of clothes and the fragrance is indifferent, and the plum blossoms cover the willows. Wenjun wine, half a mile of red jade wall.

Every day there is no one to look at, and sometimes it is desolate after the rain. It's still like this at the foot of the old mountain. Looking back, the east wind breaks my heart.

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Introduction to the author

Luo Yin (833-909), courtesy name Zhaojian, was born in Xincheng (now Xindeng Town, Fuyang City, Zhejiang Province), in the Tang Dynasty poet. He was hated by the ruling class, so Luo Gun sent a poem saying: "Although a slanderous letter is better than a lie". Later, I took the exam intermittently for several years, and took the exam for the General Secretary more than ten times. I claimed that I was "in the exam period for 12 or 13 years". In the end, I failed, and it was known in history as "the top ten but not the best".

After the Huangchao Uprising, he fled the chaos and lived in seclusion in Jiuhua Mountain. In the third year of Guangqi (887 AD), he returned to his hometown at the age of 55 and became a minister of Qian Liu, King of Wuyue. . He died in 909 AD (the third year of Liang Kaiping's reign after the Five Dynasties) at the age of 77. His representative works include "Bee", "Self-dispatch", "Xishi", "Snow", "Gift to the Prostitute Yunying", "Caibiyi" and many others.