Follow He Linggong to plant flowers in Luye Hall
Tang Dynasty: Bai Juyi
Lvye Hall opened to occupy Wuhua, and passers-by gave instructions to Ling Gong’s house.
Why do you need to plant more flowers in front of the hall when your father-in-law has peaches and plums all over the world?
Hsinchu
Qing Dynasty: Zheng Xie
Hsinchu is higher than the old bamboo branches, all because of the support of old branches.
Next year there will be another new born, a ten-foot-long dragon grandson circling Fengchi. (Next year, one work: next year)
Yuanshi
Tang Dynasty: Bai Juyi
Donggong Bai Shuzi, Nansi Yuan Zen Master.
When we meet each other far away and have nothing on our minds.
Master Xun Yong lived in seclusion
Tang Dynasty: Li Bai
A group of steep green skyscrapers, carefree and careless.
Look for the ancient road through the clouds, listen to the flowing spring by leaning on the stone.
The flowers are warm, the green cows lie down, and the white cranes sleep high in the pines.
The language comes to the river at dusk, and the cold smoke falls alone.
Untitled·It’s hard to say goodbye when we meet
Tang Dynasty: Li Shangyin
It’s hard to say goodbye when we meet. The east wind is powerless and the flowers are withered.
Spring silkworms will not run out of silk until they die, and wax torches will not dry until they turn to ashes.
When you look into the mirror at dawn, you are worried about the clouds on your temples. When you sing at night, you should feel the cold moonlight.
There is not much way to get to Pengshan, and the blue bird is diligent in visiting. (Pengshan’s first work: Penglai)
The following is a brief introduction to some of the authors: Li Shangyin (about 813-about 858), a famous poet in the late Tang Dynasty, also known as Yishan, also known as Yuxi (Xi) Sheng, also known as Fan Nansheng , originally from Hanoi, Huaizhou (now Qinyang, Henan), his ancestors moved to Xingyang (now Xingyang City, Henan). ?
In the second year of Emperor Wenzong's reign (837), Li Shangyin became a Jinshi and served as Secretary, Provincial Secretary, Hongnong Wei, etc. Because he was involved in the political whirlpool of the "Niu-Li Party Controversy", he was marginalized and struggled throughout his life. In the late Dazhong year of Emperor Xuanzong of the Tang Dynasty (about 858), Li Shangyin died of illness in Zheng County. After his death, he was buried at the foot of Beishan Mountain in Qinghua in the east of his ancestral home, Yongdian, Huaizhou (now Wangzhuang Town, Qinyangshan Mountain). ?Li Shangyin was one of the few poets in the late Tang Dynasty and even the entire Tang Dynasty who deliberately pursued poetic beauty. He is good at poetry writing, and his parallel prose has high literary value. Together with Du Mu, he is known as "Xiao Li Du", and with Wen Tingyun, he is known as "Wen Li". His poems are novel in conception and beautiful in style, especially some love poems and untitled poems, which are sentimental, beautiful and moving, and are widely read. However, some poems are too obscure and confusing to be understood. There is a saying that "poets always love Xikun and hate that no one writes Zheng Jian."
Li Bai (701-762)?, also known as Taibai, also known as Qinglian Jushi, also known as "Exiled Immortal". He was a great romantic poet in the Tang Dynasty and was hailed as the "Immortal of Poetry" by later generations. Together with Du Fu, they are called "Li Du". In order to distinguish them from the other two poets Li Shangyin and Du Mu, who are called "Little Li Du", Du Fu and Li Bai are also collectively called "Big Li Du". He is cheerful and generous, loves drinking, writing poetry, and making friends.
Li Bai's "Collection of Li Taibai" has been handed down from generation to generation, and most of his poems were written when he was drunk. His representative works include "Wanglu Mountain Waterfall", "The Road is Difficult", "The Road to Shu is Difficult", "About to Drink", "Yue Nu Ci", "Early Departure from Baidi City" and many other poems.
The Song Dynasty people have biographies of Li Bai's poems and poems (such as the first volume of Wen Ying's "Xiangshan Wild Records"). In terms of its pioneering significance and artistic achievements, "Li Bai's Ci" enjoys an extremely high status.