Old vines are faint crows, small bridges are flowing, and old roads are thin horses. Qiu Si Yuan Dynasty patio sand. Ma Zhiyuan
There are no birds flying over those mountains, and there are no traces of people in those paths. Jiang Xue in Tang Dynasty. liu zongyuan
"orioles sing green willows and egrets sky-high" is a quatrain in the Tang Dynasty. Du Fu
The birds flew without a trace, leaving the lonely clouds free and unfettered. Sitting alone in Jingting Mountain in the Tang Dynasty. li po
1. Petals fall like tears, and lonely birds sing their sadness. The Hope of Spring Tang Du Fu
Interpretation: Sentimental state affairs, tears can't help splashing, birds are shocking, and only increase sadness but not hate.
Appreciation: "Petals fall like tears, and lonely birds sing their sadness." Flowers shed tears mercilessly, birds are frightened without hatred, and flowers and birds have grievances because of people. Flowers in spring are originally beautiful and fragrant; Birds in spring should cheer and sing euphemistic songs to make people happy. Whether it is "feeling for time" or "hating farewell", it embodies Du Fu's misery. The meaning of these two sentences can be understood as follows: I feel the frustration of the current situation and see the flowers bloom and fall; I feel depressed and resentful, and I feel scared when I hear birds singing. People's inner pain, when encountering happy scenes, will cause more pain, just like "I'm going camping, willow yiyi;" Today, I think, this is how it rains. Du Fu inherited this artistic technique of expressing sadness with musical scenes, and endowed it with deeper feelings, and obtained stronger artistic effects. The poet felt the pain of national destruction and death. The more beautiful the scene, the more it will increase his inner pain. This kind of association creates feelings and empathizes with things through the description of scenery. It shows the poet's deep feelings of worrying about the country and the people and missing his family.
2. Dead vines and old trees faint crows, small bridges and flowing water, and old roads and thin horses. Qiu Si Yuan Dynasty patio sand. Ma Zhiyuan
Commentary: At dusk, a group of crows landed on an old tree with withered vines and gave a piercing moan. Under the small bridge, the running water jingles, and the farmhouse next to the small bridge raises smoke. On the ancient road, a thin horse struggled against the west wind.
Appreciation: "It's dusk again, and the day is coming to an end. The sunset hung obliquely on the top of the mountain and wanted to stay, so I reluctantly completed the task of the day. The scenery in front of us is really bleak. The vine is dry and lifeless. The tree is a thousand-year-old tree, and the rustling west wind is blowing it to the end of life. Tao is a desolate ancient road, and horses are weak and thin horses. How can people wandering in the ends of the earth be constantly concerned about such a bleak scenery?
There are no birds in a hundred mountains, and there are no footprints in a thousand paths. Jiang Xue in Tang Dynasty. liu zongyuan
Interpretation: Mountain birds are absolutely; All the roads, no sign of anyone.
Appreciation: Liu Zongyuan's landscape poems have a remarkable feature, that is, the objective realm is relatively quiet, while the poet's subjective state of mind is relatively lonely, sometimes even too lonely, too cold and cheerless, without any human fireworks. This song "Jiang Xue" is like this. The poet painted a quiet and cold picture in only 20 words: on the snowy river, a boat and an old fisherman were fishing alone on the cold river. What the poet shows his readers is this: the world is so pure and silent, spotless and silent; The fisherman's life is so noble, and his character is so aloof. In fact, this is a fantasy realm created by Liu Zongyuan because he hated the declining society of the Tang Dynasty at that time.
4. Two orioles sing green willows, and a row of egrets go up to the sky. "quatrains" in the Tang Dynasty. Du Fu
Commentary: Two orioles sang tactfully among the green willows, and a group of neat egrets went straight into the blue sky.
Appreciation: The poet described this beautiful scenery in detail from different angles. Cui is new green, which is the color when everything recovers and germinates in early spring. "Two" and "one" are relative; Horizontal and vertical, it opens a very beautiful natural landscape. In this poem, the word "Ming" is the most vivid, and the oriole is described more vividly by anthropomorphic methods, and a hundred birds are paired, which constitutes a picture full of vitality and festive atmosphere. The oriole sings on the willow, which is the vitality of moistening things quietly. The next sentence uses more obvious movements to write the vitality of nature. Egrets flying in this fresh sky is not only a comfort of freedom, but also an upward struggle. Furthermore, the first sentence says that the oriole sings on the willow, and the next sentence says that the egrets fly to the sky, which broadens the space a lot. From bottom to top, from near to far, the poet's tangible vitality fills the whole environment and shows the prosperity of early spring from another angle.
5. Birds fly high, and lonely clouds go to leisure alone. Sitting alone in Jingting Mountain in the Tang Dynasty. li po
Interpretation: Birds fly high without a shadow, and lonely clouds go alone.
Appreciation: The first two sentences of this poem, "Birds fly high and lonely clouds go to leisure alone", seem to write the scene in front of us, but in fact they write all the sad feelings: several birds fly high in the sky until they disappear; There is still a white cloud in the vast sky, but I don't want to stay and drift away slowly, as if everything in the world is rejecting poets. The words "exhausted" and "doing nothing" lead readers to a realm of "peace": it seems that after eliminating the noise of a mountain bird, it feels particularly peaceful.