Tang Dynasty: Meng Haoran
This old friend prepared a delicious meal and invited me to his hospitable farm.
Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops.
Please come here to see chrysanthemums when the ninth festival comes.
moonlit night
Tang Dynasty: Liu
The moonlight is deeper than half a house, and the big dipper is withered south. ?
Tonight, through the green screen window, I know that spring is warm and the sound of insects is fresh.
Back to the Garden, Part III
Wei and Jin Dynasties: Tao Yuanming
I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas.
Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.
The narrow path covered with vegetation, the night dew wet my clothes.
It's not a pity to get wet, but I hope it won't be against my will.
Langtaosha Jiuqu Yellow River Wan Li Sand
Tang Dynasty: Liu Yuxi
The Yellow River winds from a distant place, carrying thousands of miles of yellow sand.
Since you are from the sky, and now you seem to fly directly to the Milky Way, please take me to the sky, gather in the Milky Way, and go to the home of Cowherd and Weaver Girl together.
My retreat in Zhongnanshan.
Tang Dynasty: Wang Wei
After middle age, I have a strong kind heart, and I didn't settle down at the edge of Mount Zhongnan until my later years.
Interest concentration is often unique to play and have a happy thing to enjoy self-appreciation.
Sometimes go to the end of the water to seek the source, or sit and watch the ever-changing clouds rise.
Occasionally I met a village elder in the Woods, and I chatted with him until I often forgot to go home.
Rain in the mountain village
Tang Dynasty: Wang Jian
One or two chickens crow in the rain, and Zhuxicun Road leans against Banqiao.
Mother-in-law called a silkworm bath and watched gardenias in the atrium.
1 Introduction: Landscape pastoral poetry, one of the ancient Chinese poems. Xie Lingyun and Tao Yuanming, who originated in the Southern and Northern Dynasties, were represented by Wang Wei and Meng Haoran in the Tang Dynasty. This kind of poetry is good at describing natural scenery, pastoral scenery and comfortable seclusion. Poetry and painting are meaningful and beautiful, the style is quiet and elegant, the language is beautiful and refined, and the line drawing technique is used.
2. Origin: Poets such as Tao Yuanming formed the pastoral school in the Eastern Jin Dynasty, poets such as Xie Lingyun and Xie Tiao formed the landscape school in the Southern Dynasties, and poets such as Wang Wei and Meng Haoran formed the pastoral school in the prosperous Tang Dynasty. The poet takes landscape and countryside as aesthetic objects, and throws delicate brushstrokes into quiet mountains and leisurely fields to create an idyllic life to express his dissatisfaction with reality and his yearning for a quiet and peaceful life.
3. Representative Poet: Tao Qian, as an idyllic poet, was obviously influenced by the trend of metaphysics, but because of his different status and life path, metaphysics had different impressions in their poems. The mystery and interest in reason in Tao's poems are not only reflected in the fact that there are many insightful opinions full of life experience in his poems, but more importantly, the mystery permeates the pastoral picture of "having its truth" in his poems. Xie Shi's poems are mainly expressed by metaphysical thoughts such as "an empty jade is hard to name, the hook is easy to bend" and "it is better to be born in a wonderful period", but the metaphysical purpose is not fully integrated into his poems.