I. Use of Language and Artistic Conception
As we all know, modern poetry has three obvious and concrete elements, which are language, artistic conception and rhythm. This shows how important language and artistic conception are to a modern poem. If we want to appreciate the quality of a modern poem, these two factors are the first, essential and can't be ignored.
As we all know, language comes from life, but the language used in any genre of articles is not the real language in life. "Art comes from life and is higher than life", in fact, this means that the language of any literary genre comes from life, but it is also "inevitably higher than life"
As a poetic literary genre, it plays a more important role and charm in language. A modern poem, if its language is elegant and unique, is bound to be chewed and watched; And if the language is not used properly, it will destroy the atmosphere and style of the whole work. As for artistic conception, I personally think that what can render works and atmosphere can be an open picture, from far to near, from near to far, or a feeling, or philosophical thinking. Zen means that artistic conception is divided into tangible and intangible categories, and tangible objects and pictures are tangible artistic conception; There is also an artistic conception that is invisible, because there are no so-called pictures and objects. This artistic conception only exists as an idea or a feeling.
Below, let's appreciate the charm of language and artistic conception through specific works. Let's read the poem Sparrow by the poet He three old ladies first.
sparrow
The heavy snow fell under the mountain.
The house curled up in the snow.
There is smoke on the roof.
Sparrows are dressed as
autumn leave
Fall from a branch
All of a sudden,
Go back to the tree
In just a few words, the poet opened a beautiful picture for us with elegant language and artistic conception: "Heavy snow under the mountain/houses crouching in the snow/smoke on the roof". In these three simple poems, we can appreciate a beautiful artistic conception, which is a tangible artistic conception, "white snow flowers, houses, snow, smoke from the kitchen", and several simple images inadvertently. In fact, it creates a particularly elegant artistic conception and atmosphere, which comes from the tranquility and holiness of nature and is fascinating, making readers imagine that "falling from branches/returning to trees instantly" is actually a tangible and intangible artistic conception. In this intangible artistic conception, we see not only sparrows, leaves and trees, but also a broad vision and thought.
"Sparrows dress up as/autumn leaves/fall from branches/return to trees in an instant", and you can also appreciate the elegance of the poet's sentences and narrative here. "Sparrow Dressing/Autumn Leaves" doesn't have much decoration, but it brings readers extremely clean and clear, and the tranquility of "falling from the branches/returning to the trees instantly". Leading the reader's line of sight to rise and rise, inadvertently, the quiet picture is moving and flying, surpassing short poems and achieving great success. Here, we fully realize the great charm that language and artistic conception bring to works and readers.
Second, grasp the rhythm and rhythm.
Anyone who has been exposed to literature knows the meaning of rhythm. In classical poetry, rhythm plays a very important role. If there is no rhythm, or the rhythm is incomplete, then classical poetry cannot be called poetry, and even the best poetry will lose its value.
After the New Culture Movement, in the early modern poetry, the poet grasped the rhythm very carefully and meticulously. In early modern poetry, we can often read good works that skillfully grasp the rhythm and rhythm. These good works usually give us the feeling that the recitation is light, beautiful and cadence, or capable, atmospheric, mellow and long, and it is also the best recitation works.
Then let's come back with the flavor of rhythm and rhythm to appreciate the excellent works of ancient philosophers and modern poets.
Farewell to Cambridge (excerpt) Xu Zhimo
I walked gently.
When I came softly
I waved my hand gently.
Farewell to the western clouds
Golden willow by the river.
Is the bride in the sunset?
Erotic shadows in the waves
Ripple in my heart
Green grass on soft mud
Oily, swaying at the bottom of the water
In Joubo, He Kang.
I would like to be an aquatic plant.
A pool in the shade of elm trees
Not a clear spring, but a rainbow in the sky.
Crushed by floating algae
Precipitate a rainbow-like dream
……
The whole poem consists of seven sections, four lines in each section, and two or three meals in each line. It is eclectic and has strict laws and regulations. Rhyme is strictly controlled in the second and fourth rhymes, and the rhyme rhythm is catchy and beautiful. Under the control of the author, the narrative opened by the poet is like a beautiful ripple in a lake, cool and thorough. If you read it gently in front of readers, it will taste better and slowly bloom beautifully. ..... ""Walk gently, come gently ",a green picture of spring catches the reader's eye," In the gentle waves of He Kanghe/I would like to be a water plant "... It is really warm and exciting, comfortable and light, gentle and wonderful, and it echoes in our ears like a gentle song.
This is the idea of many poets. Modern poetry is not only a poem, but also a beautiful song. Only when we look at the poet's works and taste his perfect rhythm and artistic conception can we know how charming and intoxicating modern poetry is.
Today, decades later, modern poetry has climbed countless steps. Today's modern poetry is completely free and full of individuality. They are atmospheric, unrestrained, introverted, open and carefree. In other words, in today's modern poetry expression, many poets may have abandoned the rhythm that poetry should have, but the rhythm is still essential. In a sense, rhythm actually represents a kind of momentum of the work, which can also be said to be a style. if
Third, fresh and clever methods.
As we all know, poetry is composed of every detailed sentence. Refers to the expression and structure of a sentence. There are many expressions. Generally speaking, individuals like to use their usual methods and personalities to organize their own languages, which are procrastinating, concise, fresh and elegant, tedious and wordy, and have differences in poetic level and style. I think the first thing comes from the difference of a person's organizational language ability. Freshness is actually just a feeling, a combination of freshness and liveliness. If the combination of a sentence or the expression of a poem can achieve this, it will silently bring freshness and vitality to readers. How can we not let readers like and be moved?
And agility means that the expression contains an invisible power and sense of movement, which makes old photos come alive, makes still images jump, makes dim colors bright, and even makes dead objects reborn again! This shows how smart the role is, and also shows that smart "movement" is actually a silent force. Let's analyze it in detail with poetry.
The sun is on the river.
They climbed over walls and safety nets.
Turn over the closed glass and screen window.
Jump down gently
Wandering around the room
What a lively group of fish!
They are dressed in gold.
They are swimming in the cold air.
They are swimming on the white floor.
I watched quietly.
It seems that the cold time is back.
It seems that those happy fish are swimming around in my warm heart.
In this exquisite and short poem, we can appreciate the incomparable warmth and beautiful feeling brought by poetry as a literary genre. The greatest feature of this poem is freshness and agility. In addition, the first section has a particularly strong sense of picture. "They climbed over the wall, the security net/turned over the closed glass, the screen window/gently jumped off/wandered around the room." Here we see the author's fresh language, which is not trivial and complicated, and "turned over."
In the second quarter, there is a sense of beauty and movement. The sunshine in winter here is "weakened" into groups of lively fish. "They are dressed in gold/they are swimming in the cold air/they are swimming on the white floor." The sunshine is quiet, even with a sense of stillness. The author uses clever metaphors and narratives to make quiet things swim and quiet pictures jump, so he has to.
In the third section, the author skillfully sublimated the sense of movement, continued to stretch the sense of movement of the picture, and jumped up gently with clever sentences, "I watched quietly/as if the cold time was reviving/as if those happy fish were swimming in my warm heart", hehe, the sun shone on everything and everyone's heart, "as if those happy fish were swimming in my warm heart", and they swam into a person's heart warmly and enthusiastically. So gentle and warm, so gentle and delicate, how can this situation not make people happy!
Four. Anthropomorphic method
When it comes to personification, we all know what is going on, and personification in poetry is not a simple metaphor. If so, then poetry will lose its original poetry, sense of language and charm.
Personification in poetry refers to the portrayal of the theme or object image to be expressed, or the use of certain personality characteristics of characters to chant things. If properly expressed, it can even make virtual people and real things * * * become an organic whole, and the effect achieved by borrowing people to praise things and compare things with people is naturally unparalleled. Let's take a look at the magical function of anthropomorphic method.
Moonlight Author: He three old ladies
You came down from the back hill in a skirt.
Leaves are floating in the evening breeze.
The moonlight shone on the wooden door.
Hehe, reading He three old ladies's works will always bring more emotion and joy. In these three short sentences, the author opened countless beautiful images with a few numbers. Although short, it is full of fragrance and endless meaning. "You came down from the back hill in a skirt." Obviously, this is the personification method, because the moon is not a person, and it won't wear a beautiful skirt that belongs to a woman.
In the quiet night, the leaves of the full moon are swaying and the moonlight falls on the wooden door. The poet standing at night saw the bright moon hanging in the sky and the faint yellow moonlight slowly falling. The beautiful moon is not an object without temperature and emotion in the eyes of the poet at this moment, but a gentle and elegant woman "you came down from the back hill in a skirt" What kind of woman is so elegant and indifferent? It must be Wen Duo's love, and it must be the ultimate beauty. In the poet's pen, a bright moon is personified as an extremely gentle and elegant woman with unspeakable beauty and tranquility; At the same time, the poet compared people with things at the moment when he borrowed people to praise things, that is to say, he compared moonlight to women and sublimated women to the infinite realm of moonlight. Here, the poet silently praises the women in the world, as bright as moonlight, which happens to be the greatest sublimation of art.
Five, sketch method
When it comes to sketching, we all know what's going on, that is, drawing an object or portrait on white paper with a pencil, or it can be a rough thinking. Then, poetry is combined with language, how can it be painted with a pen? Hehe, we don't need to borrow pencils to write poems. Sometimes, language is the best pencil. In our hands, using artistic conception and rhythm, we can draw more beautiful pictures than pencils and white paper. Moreover, these pictures are not only beautiful, rough, delicate or hazy, but also soft, emotional, beautiful artistic conception, poetic and open philosophical thoughts that the pictures can't match. They are full of fragrance and have a long aftertaste.
late autumn
The vast land and lakes are stranded, close to withered grass and shrubs, and the bleak green grass is still waiting for it.
The cool wind rushed over, and those dark yellow wild chrysanthemums trembled slightly after dancing.
Here, the author clearly uses sketching and poetic language to describe it, thus opening a picture of late autumn. Here, we not only see a picture of autumn colors in Shan Ye, but also read the beauty and poetry of everything in these pictures. "The vast land/lake is stranded near the yellow grass" seems to be a picture in front of us, with the vast land as the background, which is a far and big vision. After that, the scenery in the background is "the lake is stranded, near the yellow grass", which is a little far from the background. Slowly, the picture is getting closer and closer: "The bush is bleak/the green grass is still waiting", so we see the low "bush". Next to the bushes, there are pictures opened by the author in the first section. In this painting, we also appreciate many true colors of nature: stranded lakes, withered grass, bleak shrubs, and the gray waiting of foxtail grass. In painting, the author spends a lot of time and pigments to make various colors, while in poetry sketch, most of the senses of the picture can be realized in just a few words.
In the second section, we can see the sublimation of the sense of picture and the sublimation of thought and art. The original author wants to express not only a picture of late autumn, but also a deeper and unyielding praise to nature and plants. "Cool breeze coming/those dark yellow wild chrysanthemums/after dancing/trembling gently" and "those dark yellow wild chrysanthemums" should be the main body of the picture. After describing many dim colors, finally, the author points to a kind of "deep yellow delicacy" in late autumn. Everything is dry and the river is stranded, and only the strong and beautiful wild chrysanthemum stands proudly in the cold environment. Even if the cool breeze strikes, the arrogant wild chrysanthemum is only "trembling after dancing." If a person can stand proudly like this nameless wild chrysanthemum no matter how many difficulties and setbacks he encounters,