For example, the horse standing there is a real horse, and we can't call it an image. However, once it enters the literati's pen and becomes the material of literary creation, it becomes an "image" with the subjective consciousness of literati's state of mind.
In the minds of young and bold poets, this horse is vigorous and powerful, ready to go, and Yi Long is a tiger with deep scenery.
In the old and depressed poet's mind, this horse is fat and weak, lazy and quiet, dead snake rotten eel, dying.
Different mental states are projected onto the same horse. Some people call it a "good horse", others call it a "sick horse", and Ma Zhiyuan also calls it a "thin horse". These terms are attached to the poet's emotion and become the most basic material of literary and artistic creation-image.
Image description without emotion is description, not literary creation.
Therefore, all works have their own images and emotional projections. But how can we distinguish a good work from a bad one?
There are only two aspects, one is writing skills, and the other is high content.
Because of its attachment to feelings, images naturally belong to the content category.
The quality and proper use of images will greatly affect the content height of literary and artistic works-because they are the cornerstone of all content emotions.
But we generally don't use "good or bad" or "high or low" to judge the image, because personal subjective feelings vary from person to person. Scholars and poets classify images from another angle-popularity.
For example, "the ancient road, the west wind and the thin horse" have been recognized all over the world because of their attached feelings, and they have been constantly quoted and strengthened in different creations, becoming the exclusive representatives of the depression, decline and Tianya feelings that the original author wants to express-we call this image recognized by most people and understood at a glance "fixed image".
Those relatively personal emotional expressions, once divorced from the original, make people become unintelligible images. Although personal feelings are attached, they do not have feelings with readers, making it impossible to quote them in other works. That's an ordinary image.
The dividing line between them is blurred. If one day these literary works with image achievements are popular, and everyone thinks that they are reasonable and can be quoted, this image will gradually solidify and become a fixed image.
Realm "Realm" refers to the author's ideological consciousness and spiritual accomplishment embodied in literary and artistic works.
What does this mean? In fact, it is the height of the content of the work mentioned above.
In fact, the two words "realm" and "temperament" have many similarities, only one is used to describe articles and the other is used to describe people.
We say that an article has a "realm", which is the same as saying that someone has a "temperament". This is a feeling. Although it can be analyzed through various behaviors and laws, we actually mean the overall feeling.
It is precisely because of the unpredictability of this feeling that we misuse these two words in our daily life.
In fact, every article has a realm.
A bad article has boundaries, just vulgar, but you can't say it has no boundaries.
However, we generally call articles with high realm as "having realm" and articles with low realm as "having no realm".
Is this the same as calling people with good temperament "have temperament" and people with wretched temperament "have no temperament"?
This daily misuse has finally been repaired.
The realm we are talking about now refers not only to ideological awareness and spiritual cultivation, but also to the level of ideological awareness and spiritual cultivation.
Giving a thumbs-up when you see a beautiful woman and saying the word "temperament" is actually a compliment to her good temperament-that's what it means.
Therefore, the realm is actually a spiritual level.
When the content of the article reaches this state, we call it "state".
Artistic conception refers to the artistic realm formed by the fusion of the life picture depicted in literary works and the thoughts and feelings expressed.
Let's take this sentence apart. The first half says that literary works describe life scenes-isn't this the image connection? The second half of the sentence is about the artistic realm of the integration of pictures and emotions-isn't this the realm level?
We might as well look at these two words literally.
"Artistic conception" is actually the realm level reached by image connection.
In short, the relationship between "image, realm and artistic conception" is clear, which is convenient for everyone to understand and distinguish.