1. Chatting about the sky: In the "Wasi", a public entertainment place in the Song Dynasty, there was an activity that mainly told stories and jokes, namely "Chatting about the sky". There are four kinds of "speaking", which are novels, history, classics and sharing.
2. Textbook: it is the basic book of the speaker's speech, including telling history and novels. The former tells the story of emperors and generals in history in simple classical Chinese, while the latter tells the story of ordinary people in popular vernacular Chinese.
Second, the main writers and works
1, intensive reading works
Broken jade Guanyin
2. Extensive reading of works
Zhang Zhicheng, the director, asked Fan Lou to make out with Chow Sang-hyun, but also wrongly cut Cui Ning.
Third, thinking and practice.
1. What are the main historical stories of the Song Dynasty?
Reference answer: The historical storytelling in the Song Dynasty mainly includes Historical Commentary of the Five Dynasties, The Legacy of Xuanhe in the Great Song Dynasty, and Comments on Five Aspects, etc.
2. What are the main features of novel scripts in Song Dynasty? What are the main representative works?
The story books of Song Dynasty novels are generally short stories, which mostly show real life, including love and case-solving themes. Most of the characters in the works are ordinary people in the lower classes, with vivid images and quite individual colors. They are good at expressing their personality and psychology through actions and dialogues. The portrayal of female images is particularly successful, such as Li Cuilian in Li Cuilian and Xiu Xiu in Guan Yu. The plot arrangement is tortuous and vivid, and the context is clear and fascinating. Basic use of vernacular, popular and concise, lively, with a strong flavor of life. Representative works include Cui Ning's Wrong Chop, Grinding Jade Goddess of Mercy, Zhang Zhicheng Being the Master, Making Fan Lou Affectionate, etc.
3. What was the status of the script in the Song Dynasty?
Reference answer: Mr. Lu Xun once pointed out that the appearance of Song Yuanben was "a great change in the history of novels" (a historic change in the history of China's novels). Vernacular novels in Song Dynasty are completely different from the long-term literary tradition of classical Chinese in ancient China. It is the first time in the history of China's novels that vernacular Chinese is used as the novel language. In the aspect of characterization, the vernacular novels in Song Dynasty are dominated by ordinary characters, and extraordinary characters are no longer the main object of characterization, which is a sign of the further popularization of China's novels. In addition, the story-telling mode of vernacular novels in Song Dynasty is to unfold the story in the scene of "telling", which later became a typical narrative mode of vernacular novels. The above aspects have great influence on Ming and Qing novels and vernacular novels.
Chapter V Liao and Jin Literature
First, the basic knowledge
1. Thirty Poems: This is a set of poems inspired by Du Fu's Six Poems on Opera in Jin Dynasty, which systematically discusses the poems since Jian 'an, showing his literary view of loving simplicity and nature and opposing carving.
2. Zhu Gong tunes
The so-called Zhu Gong accent is a kind of singing literature popular in the Song, Jin and Yuan Dynasties. It uses several tunes of the same palace tune to form a short episode, and uses several short episodes of different palace tunes to form a long episode, mixed with narration, telling a long story. According to legend, its founder was Kong Sanchuan, a folk artist in the late Northern Song Dynasty. Zhugongdiao in the West Chamber is the only complete work of Zhugongdiao in existence.
Second, the main writers and works
1, intensive reading works
Yuan Haowen's The West Chamber by Qiyang and Dong Jieyuan.
2. Extensive reading of works
Yuan Haowen, see "Yanmen Road Crossing the North on May 3rd", with 30 poems.
Third, thinking and practice.
1. What are the characteristics of Yuan Haowen's poetry creation?
Reference answer: Yuan Haowen grew up in the Jin and Yuan Dynasties, so most of his poems reflect the social reality in the Jin and Yuan Dynasties, especially the ethnic contradictions. In art, Yuan Haowen's poems have both the advantages of gorgeous rhetoric of southern poets and the strong style of northerners. The language is concise, accurate and expressive. Although it has the ability to carve, there is no trace of axe chisel. So later generations spoke highly of him.
2. What is the development from Dong Jieyuan's Biography of Yingying to Yuan Zhen's Biography of Yingying?
Reference answer: Dong Jieyuan kept the general plot of Biography of Yingying, but made great changes in four aspects: ideologically, he changed the preference of the original to Zhang Sheng's behavior of abandoning chaos and prejudice against women, which highlighted the theme of praising freedom of marriage and improved the work in essence. In characterization, he not only added many characters, but more importantly, he changed the protagonist's personality, making it a positive image and a more distinctive personality. For example, Zhang Sheng turned out to be a figure who plays with women, and Dong Jieyuan adapted him into a positive figure who is affectionate and righteous and always faithful to love. Another example is Cui Yingying, who is a weak man who resigned and resigned again. Dong Jieyuan wrote her as a strong woman who boldly pursued love. In the plot arrangement, the story is more tortuous and vivid, with Buddhist temples meeting, couplets under the moon, soldiers surrounding Pujiu Temple, pavilions seeing off, and dreams of village shops. In terms of artistic techniques, it absorbs a large number of elegant words from ancient poetry and lyric techniques by borrowing scenery, integrating scenery, narrative and lyric, making the work more poetic, and absorbing a large number of folk spoken language, making the work more lively.
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