Question 1: Comparison between the past and the present. This paper compares the extravagance of Yang Di's flying fireflies around the valley at night
Question 1: Comparison between the past and the present. This paper compares the extravagance of Yang Di's flying fireflies around the valley at night and digging canals to swim south with the desolation after the demise of the Sui Dynasty, expressing the generosity of ancient and modern times. (3 points)
Question 2: Tail couplet, assuming rhetorical tone, satirizes Yang Di's repeated mistakes in Chen Houzhu, directly points to the theme of debauchery and national subjugation, and implicitly expresses the criticism of the corrupt behavior of the rulers of the current dynasty. (3 points)
Question 1:
Analysis of the test questions: necklace "Fireflies have gone, leaving the windy grass, but still in the weeping willows, crows roost at dusk." Linking "firefly" with "rotten grass", "weeping willow" and "dusk crow", we can feel the past and present in the sharp contrast between "being" and "not being", which profoundly embodies the historical lessons of national subjugation and decay. "Fireflies are now gone and have left the weathered grassland", which not only means that the place where fireflies were put at that time has become a ruin, only "rotten grass"; The deeper meaning is that Yang Guang desperately searched for fireflies for a night outing, and as a result, they became extinct. "Crows still inhabit in the weeping willows at dusk" renders the bleak scene after the national subjugation. The previous sentence said "today" and "nothing", which naturally implied the "existence" of the past; The next sentence says "to die" and "to live", and that day naturally implies "nothing" Once upon a time, Yang Guang made a "southern tour" on a whim, but Qian Fan's military forces did not move, and the land and water went hand in hand, drums and music sang together, and colorful flags covered the sky; Weeping willows in Sui Dynasty, crows naturally dare not inhabit at dusk. It was not until Yang Guang was killed and the southern tour was a thing of the past that the crow dared to fly to the weeping willows on the Sui embankment for the night. These two sentences contrast the past and the present, but in artistic expression, they only show one aspect of the contrast, so that readers can imagine the other from this aspect, which is both emotional and implicit.
Question 2:
Analysis of test questions: the ending couplet "If you meet him, there is underground, and later generations of Emperor Chen, why don't you ask" Flowers in the Back Garden "!" Through the dream story with Chen, the theme of criticizing national subjugation and debauchery is profoundly revealed in the style of conjecture and backchat. Chen surrendered to the Sui Dynasty because of national subjugation and debauchery, and he was very familiar with the then Sui King. When Yang Guang became emperor, he went to Jiangdu by dragon boat. In his dream, he saw the dead Chen and his beloved concubine Zhang Lihua, and asked Zhang Lihua to dance a song "Flowers in the Back Garden of Yushu". This dance music was written by Chen. It was denounced by later generations as "the voice of national subjugation". The poet specifically mentioned it here, meaning that he witnessed Chen's debauchery and national subjugation, but did not learn from it. He was addicted to the dragon boat trip, obsessed with the sound of national subjugation, and finally made the same mistake as Chen, died without regret and laughed at the world. At the end of the poem, he asked: If he met Chen underground, would he still have the courage to ask Zhang Lihua to dance another song "Flowers in the Back Garden"? Ask without answering, and the aftertaste is endless. [ 1]