The antithesis is generally used in parallel prose and neck couplets, namely the third and fourth sentences and the fifth and sixth sentences.
The antithesis of regular poetry
The five laws and seven laws are composed of eight sentences, forming a quadruple, which is connected with the head, neck, abdomen and tail in turn. The upper and lower sentences of the two couplets in the middle should be antithetical sentences. It is required that the antithesis should be even, have relative parts of speech and meaning, and have relative grammar and sentence patterns. There are two taboos in antithesis: one is "fighting", that is, the upper and lower sentences in a couplet are opposite by synonyms, so that the meanings of the two sentences are basically the same. Second, the two couplets are the same. The sentence patterns of the two couplets should be changed to avoid repetition. Against nature, neat and smooth.
There are two kinds of metrical poems, seven-character metrical poems and five-character metrical poems. Usually, a seven-character poem or a five-character poem refers to eight sentences per poem, while other seven-character poems and five-character poems refer to long poems with more than eight sentences. As the name implies, metrical poems, like quatrains, are metrical poems. One of its characteristics is that all sentences except the beginning and the end should be paired, and no rhyme mistakes are allowed. Even if it is a few hundred sentences, we must follow this law.
6. sticky and Right
Odd-numbered sentences such as one, three, five and seven in a poem are called upper (outer) sentences, while even-numbered sentences are lower (opposite) sentences. The last sentence is the opposite of the next one, which is called "right" and wrong is "wrong". When two sentences are linked together, the last sentence of the latter link is the same as the next sentence of the previous link, which is called "sticky".
Take the first sentence of the four-line format (1) as an example:
(Ping) Ping (Ping) Ping-the last sentence
Even, even, even.
-the next sentence. Basically the opposite of the last sentence (the first four words). These two sentences are linked together.
Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat
(Ping) Ping (Ping) Ping-The next sentence is the antonym of the previous one.
7. It is difficult to save and change.
The meter of poetry should be rigorous and lively, and it can be difficult and biased. There is a saying in modern poetry that "135 doesn't matter, 246 is clear." That is, 135 words of each seven-character poem can be leveled, and 246 words can be strictly observed (five words and three words). But for (even) even, even.
The third word of seven words and the first word of five words in the two sentence patterns of ping, even and ping must be flat. Otherwise, it is embarrassing, that is, "lonely and dull", which is the taboo of poets. If you use a flat voice, the fifth word of this sentence (the third word of five words) must use a flat voice. This is "loneliness is hard to save".
8. The antithesis of regular poetry
The five laws and seven laws are composed of eight sentences, forming a quadruple, which is connected with the head, neck, abdomen and tail in turn. The upper and lower sentences of the two couplets in the middle should be antithetical sentences. It is required that the antithesis should be even, have relative parts of speech and meaning, and have relative grammar and sentence patterns. There are two taboos in antithesis: one is "fighting", that is, the upper and lower sentences in a couplet are opposite by synonyms, so that the meanings of the two sentences are basically the same. Second, the two couplets are the same. The sentence patterns of the two couplets should be changed to avoid repetition. Against nature, neat and smooth.
9 writing and composition of quatrains
The predecessors had many incisive opinions on the writing of quatrains. The method of quatrains is that your language is shallow and affectionate, but your meaning is not profound and your language is thin.
Shallow is dark. There are hidden words, overtones and unique but incomplete sentences.
The composition of quatrains is beginning, inheritance, turning and ending. Generally, the first sentence begins with two sentences, ends with three turns and four sentences. One or two sentences are very important, but they always pave the way. The key lies in the turning point of three sentences, which is both unexpected and reasonable. The fourth sentence goes with the flow, and the artistic conception is exhausted.
10, Writing and Composition of Metric Poetry
Rhyme and quatrains are almost the same in composition, and they are also the beginning, continuation, turning and ending, but they are linked together as a unit, and the first one is linked together.
Upper and neck joints, abdominal joints and tail joints. However, the focus of metrical poetry is the confrontation between the two couplets in the middle and the two couplets.
The relationship and changes. This is often the highlight of the whole poem. Because there are more words in regular poems than quatrains, in the table
The way to achieve it can be more rigorous and calm.
1 1, the syntax of metrical poems
Wuyan's syntax is generally 2-3, and the characters are divided into upper 2 and lower 3. The first two bits can be 1- 1, and the last three bits can be divided into 2- 1 or.
1-2。 Seven-character grammar is generally 4-3, and the characters are divided into upper 4 and lower 3. The first four bits can be 3- 1 or 2-2, and the last three bits can be divided into 2- 1 or 1-2. There are 2-5 or 5-2, even 1-3-3. Write flexibly.
Modern poetry has two characteristics in grammatical structure, which can be omitted and inverted, which is not allowed in prose.
12, the writing of metrical poems
Metric poetry has theories of composition, syntax and word formation. Morphology, also known as refined words, is the most important in poetry and sentences.
An important word is the head word "predicate" of the predicate. You can draw a dragon by refining this word.
The role of the "finishing touch pen" is the so-called "in a word". The famous allusion of "scrutiny" is this word.