China has an ancient tradition of poetry, that is, "poetry expresses ambition, and songs express ambition". Expressing one's feelings in poetry is a poet's freedom and should be respected. But to reveal one's heart, one should also respect the beauty of poetry, the identity of a poet, and even the eyes and ears of those who read and love poetry. Imagine that when the marquis of Wuxiang cursed Wang Lang's death, if Lu Tihai punched the town of Kansai, Zhu Gekongming, a feather fan with a black scarf, was full of "foul language", that was the real rogue.
Things related to "the land of the reincarnation of grains" do not mean that nothing can be written into poetry. After all, there is a saying in Zhuangzi that "Tao drowns in shit". It is indeed a creative technique to appropriately break taboos in literary and artistic works, which can move the hearts of the audience more.
However, everyone has the heart of shame and evil, "shame and evil is also the end of righteousness", and excessive deconstruction will also lead to the rebound of the audience. The so-called extremes meet, which is the truth.
At the end of Xin Qiji's "Adventure through the ages, Gubeiting in Jingkou reminisces about the past", he felt that crows were flying around the beaver temple and wanted to borrow the allusion of "one meal and three relics", but the author avoided the taboo point and stopped and replaced it with the sentence "Lian Po is too old to eat", which eventually became an epigram appreciated by people throughout the ages.