From "Jiang Chengzi"
Young people have their own youthful madness, despising Kunlun and laughing at Luliang. I have been sharpening my sword for several years, and it shows its sharpness today. Refined by fierce fire for another hundred days, Moye will be transformed into evil spirits, and the sharp blade will cut through the Vajra. The young eagle soars with its first feathers, covered with thunder and proud of the scorching sun. The strong wind sings, not afraid of the ice, snow and frost. I want to go up to the blue sky to embrace the sun and moon, pour over the East China Sea, and wash away the vast universe.
Extended information:
This poem was written by a high school student, and it is based on:
"Jiang Chengzi·Dreams on the Night of the Twentieth Day of the First Month of Yimao"
Song Dynasty: Su Shi
Ten years of life and death are so uncertain that they cannot be forgotten without thinking. Thousands of miles of lonely tomb, no place to speak of desolation. Even if we meet each other, we should not know each other, our faces are covered with dust and our temples are like frost. At night, I suddenly returned to my hometown with a deep dream. I was dressing up outside the small window. They looked at each other without words, only a thousand lines of tears. It is expected that the broken part of the intestines will be cut off every year, on a bright moonlit night, there will be short pines.
"Jiang Chengzi·Dreams on the Twentieth Day of the First Month of Yi Mao" is a poem written by Su Shi, a great writer in the Song Dynasty, in memory of his first wife Wang Fu. It expresses endless sorrow and longing. This word is full of affection, and every word contains blood and tears. The upper que describes the poet's deep longing for his deceased wife, which is realistic; the lower que describes the dream, expressing the poet's deep affection for his deceased wife, which is virtual.
The upper que records reality, and the lower que records dreams. The combination of virtual and real brings out the longing for his deceased wife and deepens the sad tone of the whole poem. The line drawing technique is used in the words, and the words are spoken as if they are commonplace, but every word comes from the heart, natural and profound, and the simplicity embodies the sincerity. The whole poem is euphemistic in thought, with various realms emerging, and the mood is desolate and pathos. It is a well-known masterpiece.
In the history of Chinese literature, since the "Book of Songs", "poems of mourning" have appeared. From the emergence of mourning poems to Su Shi in the Northern Song Dynasty, the most famous mourning poems were written by Pan Yue of the Western Jin Dynasty and Yuan Zhen of the Mid-Tang Dynasty. Li Shangyin in the late Tang Dynasty also wrote a memorial work. Their works are poignant and moving. Some may write about being alone and desolate after the lover passes away, or seeing the relics and feeling sad; some may write about the rich and noble person recalling the past and sighing about the wretchedness of the world and the impermanence of destiny; The confusing words and colors are expressed, and it is heartbreaking to read.
The use of words to express condolences was Su Shi's first creation. Compared with its predecessors, Su Shi's mourning work has different characteristics in its expressive art. This poem is "Remembering Dreams", and it clearly writes about the day of the dream. But although it is said to be "remembering dreams," in fact, only the five sentences in the second part are about dreams. The rest are all about expressing feelings and sorrow. They are written in a sincere, simple, sad and touching way.
Reference: Baidu Encyclopedia-Jiang Chengzi