Human feelings include: smell-nose, sight-eyes, taste-mouth and tongue, hearing-ears, touch-many parts of the body. In this way, in addition to the horizon, there are many insights, and you can also write wonderful articles. For example, Liu Zongyuan's Ode to Autumn Sound basically relies on hearing to describe the scenery. Li Zhao's "Li Mou plays the flute at night" "Li Mou plays the flute in Guazhou at autumn night, and the boat is very narrow. At the beginning of the tune, the masses are resting. A few minutes later, the breeze came quietly. After a while, the boatman Jia Ke complained about the sound of crying. " The scenery here is in the sense of hearing.
Zhou Jiadi, a blind poet, lost his bright eyes, but saw the world more thoroughly.
In literary creation, the thinking of writers and poets is extremely active. The feelings between people are borrowed and communicated with each other. Poets' sensory organs should communicate openly with each other in their poems. Just as Liu Xie said, "Poets have a sense of things and endless associations". When the poet's feelings surge, his hearing, smell, vision, taste and touch become very close and sensitive. Thus, in the poet's wandering world, the sound has a shape, the flowers have a song, and the fragrance has a color. ...
Rhetorically, it is called "telepathy" or "synaesthesia". For example, the spring breeze is green in Jiang Nanan (Wang Anshi: boating in Guazhou). The author turns the tactile spring breeze into a visual "green" image, which makes people feel the charm of the spring breeze strongly.
"It sounds like a cicada sitting on a tree in the forest/watering lilies." (Homer's epic) The sound is transformed into a flowing liquid with the fragrance of lilies, and the poet uses visual images to describe the beauty of the sound. If the image of poetry is not deformed by other senses, the sound is indescribable.