After 1949, she wrote a collection of essays, such as Little Orange Lamp, Notes on Picking Up the Leftovers, and Three Letters for Young Readers. Among these works, Little Orange Lantern, We Have No Winter here, Cherry Blossoms and Friendship are more representative. These creations of hers still maintain a fresh and beautiful artistic style, but they have a clear and optimistic mood instead of the confusion and faint melancholy of the past.
Bing Xin's novels are fresh, concise but full of charm and brave in practice. They have made a special contribution to the transition of China literature from classical Chinese to vernacular Chinese, showing the author's good classical literature accomplishment and keen mastery of modern language, with strong language control ability. Her writing style and superb literary attainments have been praised by many famous writers and scholars. Among them, Mr. Hu Shi commented on Bing Xin's works: "Ms. Bing Xin has been influenced by the great poets in China history and has a deep foundation in ancient Chinese, so she has brought a feminine taste and elegance to this new form, which is both fresh and straightforward." "Not only that, but she also inherits China's tradition of loving nature and is good at using images in her writing skills, which makes her style simple and elegant." Mr. Ba Jin commented on Bing Xin himself like this: "We like Bing Xin, and we love the stars and the sea with her. I, a lonely child, found warm and lost maternal love in her works. "
Bing Xin's creation, from "problem novel" to modern vernacular prose, from "Stars", "Spring Water" to "For a Young Reader", is pioneering in style and language form. The language is beautiful and natural, mixed with the charm of ancient Chinese, and it is a style with distinctive artistic characteristics and personal narrative style. As far as the text content is concerned, maternal love, childlike innocence and nature are the basic motifs of Bing Xin's writing, which are embodied in praise, pursuit and thinking of love and beauty. "Love is on the right, sympathy is on the left, walk on both sides of the road of life, sow seeds at any time, blossom at any time, decorate this long journey with fragrant flowers, so that pedestrians who wear branches and brush leaves will not feel pain and tears, nor will they feel sad." As the title of this article says, Bing Xin's article completely embodies her own belief in love.
Her sad beauty comes from her gift. This is reflected in her poem, "full of tenderness and tenderness."
With sadness ","I am just a weak person, a bright cross, let me carry it on my back. I want to abandon the dim stars in nature.
"Chen drink a way," the poet wrote! Tiny sadness will stay in my heart forever! When she is bored, she writes to her sister.
Letter, describing her impressionable mind in more detail. Perhaps genius is an excellent molecule in human beings, and its nervous tissue is also relatively fine.
Nothing, as long as there is external stimulation, there will be a reaction. Even ordinary people think that people who don't have to be sad are geniuses, and those who don't have to be happy are geniuses.
Enjoying it, crying for no reason, looks like epilepsy. In the past, there was a famous saying that "mourning is greater than dying in the heart" refers to this. Kuang yuyi
Main theory: Even if time and space are endless, it will inevitably become a robbery of bad space. On life: the basic tragedies of life, old age, illness and death and
Qin Huang, Hanwu; Sages such as Confucius and Socrates; Wisdom is like Solomon; Heroes such as Alexander and Napoleon are unavoidable.
Freedom, but daily life is also "unsatisfactory", and mediocre people are groggy and drunk, but they don't think much; Auditory ability
Ming people are full of feelings for everything. Therefore, "sad autumn" and "hurting spring" are all tricks played by poets. And "worry"
Ah, "boredom", "sadness" and "pain" have almost become the most nouns in the poet's dictionary. Ice-hearted.
There is no "pain" in a gentle and happy environment, but as a poet, her nerves are easily excited; She's back.
A woman, with the characteristics of female sentimentality, plays solemn and joyful, ethereal and magical music on her mind piano, but often
It is for this reason that the bitter sadness was revealed.
Her sorrow is gentle sorrow, and some people criticize it as velvet yellow. Read her poems, listen to midnight songs,
People feel helpless; Another example is the bright moon above the empty river, and the distant wind sends a wisp of flute, which doesn't make you feel tears, but only makes you
You are quietly tempted, carefree and far-reaching; Another example is Yu Pingbo's theory of cold rain in the south of the Yangtze River, which makes you feel sad, but we usually call it sadness.
It's just that most of them are mixed with troubles. Only when you are careful to be washed by the cold rain in the south of the Yangtze River can you experience a light blue color.
Pure and crystal-clear sadness. "