Wen Xin Diao Long changes the original text and its translation
(1)
There are many styles of writing, but there are many variations. Why is it obvious? Every poem, fu, book, record 4, name and reason 5, this has a regular body; The strength of words is 6, and the change is 7, which is countless. There is a constant name and reason, and the body must be based on the truth 8; If there is no way to change, the number must depend on the new sound. 9: Therefore, you can drive an endless road and drink an inexhaustible source. However, those who are short are thirsty 1, and those who are exhausted drop out 11; The number of non-arts and sciences is 12, but the skill of changing is 13. Therefore, the side of the paper is like all kinds of vegetation: the roots are dry and beautiful, but the same sex is 14, and the odor is sunny and different.
[translation]
The genre of a work is certain, but the changes in writing are infinite. How do you know that? Such as poetry, ci fu, letters, notes, etc., the names and writing principles have been inherited, which shows that the genre is certain; As for the momentum and appeal of language, only by bringing forth the old and bringing forth the new can it be circulated forever, which shows that change is infinite. The name and writing reason are fixed, so the genre must learn from the past works; There is no limit to innovation, so we should study emerging works in methods. In this way, you can gallop freely in the field of literature and art, and you can get both ends meet. However, people who draw water with too short a rope will be thirsty because they can't get water; People with weak feet will also give up halfway. In fact, this is not that the writing method itself is lacking, but that it is not good at bringing forth the old and bringing forth the new. Therefore, when it comes to creation, it is like vegetation: the roots and stems are attached to the land, which is their same nature; However, due to the change of sunlight on branches and leaves, the same vegetation will have different varieties.
[Notes]
1 Style: genre. Chang: Constant.
2 numbers: method. No way: impermanence. "Book of Rites on the Tan Bow": "There is no way to raise the left and right." Zheng Note: "Fang: It's still normal."
3 of course: so.
4 Shu and Ji: two stylistic names. Books: letters and letters. Note: refer to the notes and notes of the match. See "Secretary".
5 names: refers to the names of styles. Li: It refers to the basic writing principles of various styles. For example, in the Ming Poetry, it is said that "poetry expresses ambition", poets are persistent and human-oriented, etc., and in the Interpretation of Fu, it is said that "those who give, spread and adopt prose, and write ambition with objects" and so on.
6 Qi: refers to the momentum of the work. Power: refers to the touching power of a work.
7 links: refers to the inheritance of creation. Change: refers to the innovative aspect of creation. "Under the Book of Changes": "Change makes sense, and general rules last for a long time."
8 endowment: relying on and drawing lessons from. Reality: refers to past works.
9 discretion: consider. New sound: new music, here refers to new works.
gěng Geng: a rope for pumping water. Thirst: thirst. Title: contained in the mouth.
11 chuò: Stop. Tu: The journey.
12 arts and sciences: the truth of writing.
13 sparse: careless, not proficient.
14 Li: attachment.
15 odor: refers to the same gas category. Ji Wuzi's words in Zuo Zhuan's Eight Years of Xianggong are as follows: "Today, for example, it's like grass and trees, but you are widowed and you stink." Du Note: "Words of the same kind." Xi (xΡ west): sun drying.
(2)
It is based on the nine generations of chanting songs 1, and the articles of Zhihe 2: Huang Ge's Broken Bamboo 3, the quality is also 4; Tang Ge's "In the Past" 5 is wider than Huang Shi 6; Yuge "Qingyun" 7 was written in the Tang Dynasty; The summer song "Carving the Wall" 8, in Yu Dai 9; Chapter 1 of Shang and Zhou Dynasties is beautiful in summer. As for the preface to chronicle 11, one of them is also 12. And Chu's Sao Wen 13, rectangular Zhou Ren 14; Ode to the Han Dynasty, writing Chu Shi 15; Wei Zhice system 16, Gu Muhan style 17; Jin's speech chapter, looking forward to Wei Cai 18. In terms of 19, Huang Tangchun is qualitative 2, Yu Xia is qualitative 21, Shang and Zhou dynasties are elegant, Chu and Han dynasties are extravagant and gorgeous 22, Wei and Jin dynasties are shallow and colorful 23, and the early Song Dynasty is erroneous and new 24: from quality and inaccuracy, it is close to being elegant 25. What is it? Competing for the present and sparing the ancients, the flavor is also 26. Today's talented people 27, deliberately learning literature, more Chinese articles, normal songji 28; Although I have read 29 in ancient and modern times, I am close to it and far from it. Fu Qing was born in Lan 31, and Jiang was born in Qian 32. Although he is over his true color of 33, he cannot be reproduced. Huanjun Mountain Cloud 34: "I want to see the new Li Wen, which is beautiful but not beautiful; And see Liu and Yang's words 35, you can always get something. " This is also true. Therefore, if you practice Qing Zhuo Jiang 36, you will return to Lan Qian; Correct mistakes and turn to shallow 37, and still live in the letters patent 38. It depends on the quality of the text, but when it comes to elegance and vulgarity, it can be changed with words.
[translation]
Therefore, the poems of the past few dynasties are in line with the writing rules in the expression of emotions. The Song of the Yellow Emperor is very simple. Song in the Past written by Tang Yaoshi is better than that written by the Yellow Emperor. Yu Shunshi's Qing Yun Ge is more literary than Tang Yaoshi's. The Song of Five Sons in Xia Dynasty is more literary than that in Yu Shun. The poems of Shang and Zhou Dynasties are much more magnificent than those of Xia Dynasty. The principles of these works are the same in expressing feelings and writing the world. Later, the Sao-style works of Chu were modeled on the poems of Zhou Dynasty. In the Han dynasty, ci fu and ode, but they also studied Chu ci. Most of Wei's poems worship the fashion of the Han Dynasty. The works of Jin Dynasty also admire wei ren's literary talent. By discussing these situations, we can see that the works of Huangdi and Tang Yao were honest and simple, the works of Yuxia and Xia dynasties were simple and distinctive, the works of Shang and Zhou dynasties were gorgeous and elegant, the works of Chu and Han dynasties were extravagant and elegant, the works of Wei and Jin dynasties were inevitably shallow and luxuriant, and the works of Liu and Song dynasties in the early years were even more unrealistic and overly novel. From simple to unrealistic, the more boring it is later. Why? Because writers are scrambling to imitate modern works and neglecting to learn from the ancients, the atmosphere in the literary world is declining day by day. At present, some talented people are trying to learn writing, but they don't pay attention to the chapters of the Han Dynasty, but they study Liu Songshi's works. Although they all browse the works of past dynasties equally, they always attach importance to future generations and ignore the ancients. Cyan is extracted from blue grass and red is extracted from madder; Although these two colors are more than the original grass, they can't be changed any more. Huan Tan once said: "I saw the gorgeous articles of new writers, although they were beautifully written, but there was nothing to take;" However, when I saw the works of Liu Xiang and Yang Xiong, I often gained something. " This statement can explain the above reason. Therefore, refining cyan and red must be inseparable from blue grass and madder; To correct the unrealistic and superficial articles, we should also study the classics. If we can consider between simplicity and literary talent, and between elegance and vulgarity, we can understand the inheritance and innovation of the article.
Author: 116.52.146.* 28-1-8 2:54 Reply to this statement
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2 ambition: refers to poetry expressing ambition. Then: the law.
3 yellow: the yellow emperor. This refers to the period of the Yellow Emperor. "Broken Bamboo" refers to "Tan Tan Song", the first sentence of which is "Broken Bamboo". If there is no topic in ancient poetry, later generations often use the first sentence or the first word as their famous articles.
4 quality: simple quality. There are only four characters in the first sentence of "Playing Songs": "Broken bamboo, continued bamboo; Flying soil, meat by meat. " (See "Wu Yue Chun Qiu" Volume 5)
5 Tang: refers to Tang Yaoshi. Song in the past is not passed down today.
6 wide: expansion and development.
7 Yu: it refers to Yu Shunshi. Qingyun: The first four sentences in Qingyun Song, the first sentence is "Qingyun is rotten". See Volume I of The Great Biography of Shangshu, which was falsely entrusted by later generations.
8 "Carving a Wall" refers to "Song of Five Sons", in which there is a sentence "Junyu Carving a Wall". Wuzi is Xia Taikang's younger brother. The poem "Song of the Five Sons in Shangshu" was forged by later generations.
9 (ru Jin): literary talent is flourishing.
1 Shi: The ten poems "Ya" and "Ode" in The Book of Songs are called Yishi, and later refer to poems in general.
preface p>11: narration.
12 "(kuí kui): reasonable.
13 and (Ji): and. Sao Wen: The Songs of Chu, represented by Li Sao.
14-moment (j-lift) formula: imitation and learning.
15 copying: it also means imitation.
16 strategic system: one is a "textual system", that is, a poem.
17 admiration: admiration.
18 looking forward: close to the meaning of the previous sentence "Gu Mu". Zhan: Look up.
19 (què que): discuss.
2 chun (chun chun): simple and honest.
21 discrimination: Ming.
22 extravagance: extravagance.
23 Qi (qí Qi): a kind of silk fabric with patterns, which refers to the magnificence of poetry.
24. Error, here refers to novelty that goes against the normal. The article "Fixed Situation" said: "Since the modern times, the resignation rate has been ingenious, and it was originally a body, and it changed because of the wrong situation, so it was tired of the old style, so it was drilled for the new; It seems difficult to find out what it means, but there is no other way, anyway. "
25 mi Dan: Fan Wenlan's note: "It should be neglected." Quote "Shuo Wen": "Light, thin taste."
26 flavors: one is "the end", the end, and the decline. "Qi decays at the end of the wind" has the same meaning as "little strength at the end of the wind" in Feng Chan.
27 ying (shadow of yǐng): refers to outstanding talent.
28 songji: Guide to the works of writers in Song Dynasty.
29 preparation: complete and comprehensive.
3 Being close to others and being far away: This situation is mentioned in the Preface to Poems: "There were frivolous people who laughed at Cao (planting) and Liu (Zhen) as Gu Zhuo, calling Bao Zhao the master of the Emperor Xihuang, and Xie Tiao was unique in modern times. Bao Zhao, however, is not as good as "the Japanese-Chinese market is full"; Learning from Xie Tiao is inferior to' yellow birds spend green branches'. " Attachment: Close.
31 Youth is born in blue: "Xunzi's exhortation to learn": "Youth is taken from blue, and youth is blue." Blue, grass that can be used as dye.
32 crimson (jiàng drop): red. Qian (Qian Qian): grass that can be dyed red.
33 exceeding: exceeding.
34 Huan Junshan: namely Huan Tan, Junshan is its word. A famous scholar in the early years of the Eastern Han Dynasty wrote New Theories. The following quotation is probably the lost text of New Theory.
35 Liu: refers to Liu Xiang, a famous scholar in the late Western Han Dynasty. Yang: refers to Yang Xiong, a famous writer in the late Western Han Dynasty.
36 practice: boiling silk to make white, which means refining here, and washing, which also means refining.
37 correction: correction.
38 letters patent: it originally refers to Tang letters patent in Shangshu, and here it generally refers to Confucian classics.
39 (cited by yǐn) includes: instruments for correcting crooked wood, which here refers to correcting deviation.
(3)
If the husband exaggerates the sound and appearance of 1, the early Han Dynasty is already extremely 2. Since then, 3, cyclic factors 4; Although he made a mistake, he ended up in the cage. Mei Cheng's "Seven Hair" cloud 6: "Looking at the East China Sea 7, the Hong Dong Xi Heaven 8." Like "Shanglin" cloud 9: "Look at it for no reason 1, and examine it indefinitely 11; Sunrise in Dongnuma 12, born in Xiqiao 13. " Ma Rong's "Guangcheng" cloud 14: "The rainbow cave in heaven and earth is endless; Daming is out of the east 15, and the moon is born in Xiqiao. " Yang Xiong's "School Hunting" cloud 16: "In and out of the sun and the moon, heaven and earth stack 17." Zhang Heng's Xijing Cloud 18: "The sun and the moon come and go, just like Fusang in Mengxi 19." There are 2 poles in this place, and five are like one. And so on, all follow 21.
[translation]
Exaggerated description of the appearance of things has reached its peak in the works of the early Western Han Dynasty. Since then, they have followed each other and circulated endlessly; Although some people want to jump out of the track at that time, they are always in that cage. For example, Mei Cheng's "Seven Hair" said: "Looking at the East China Sea in the distance, it is connected with the blue sky." Sima Xiangru's "Shang Lin Fu" said: "You can't see the head, you can't see the edge; The sun rises from the water in the east and the moon rises from the mountain in the west. " Ma Rong's "Ode to Guang Cheng" said: "Heaven and earth are connected and boundless; The sun rises in the east and the moon rises in the west. " Yang Xiong's "Feather Hunting Fu" said: "The sun and the moon come out and go down, and the sky and the earth are together." Zhang Heng's "Xijing Fu" said: "The sun and the moon come and go here, just like in Fusang and Mengtuo." These exaggerated descriptions are similar to those of the five families. This kind of technique, all follow each other.
Author: 116.52.146.* 28-1-8 2:54 Reply to this statement
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2 The early Han Dynasty was extremely extreme: Interpretation of Fu said: "Poets in the early Han Dynasty wrote with the current: Lu Jia buckled his end, Jia Yi invigorated his mood, the horses and horses shared the same wind, and the king and Yang Cheng prevailed; Below the hustle and bustle, the goods are finished. "
3 Jue (jué decision): it.
4 cause: inheritance.
5 Xuan Mao (zhù note): Gao Fei. Track: the track of the wheel.
6 Mei Cheng: Zishu, a writer in the early years of the Western Han Dynasty. His "Seven Hair" contains "Selected Works" in volume 34.
7 Xi: The original text of "Seven Hair" is "Hu".
8 rainbow cave: connected.
9 Xiang Ru: Sima Xiangru, a famous writer in the Western Han Dynasty. Shanglin: refers to Shanglin Fu. See Selected Works, Volume 8.
end p>1: start.
11 ya: margin.
12 marsh (zh m: o): pool.
born in March: one is "into it". The original text of Shanglin Fu is "Entering the West". Bei (bēi humble): hillside.
14 Ma Rong: Jichang, a middle-aged scholar and writer in the Eastern Han Dynasty. Guangcheng refers to Ode to Guangcheng, which contains Biography of Ma Rong in the Later Han Dynasty.
15 Daming: It refers to the sun. Li Ji Li Qi: "Daming was born in the east and the moon was born in the west." Zheng Note: "Daming, Riye." "Daming is born in the east, and the moon is born in the west." The original text of "Ode to Guangcheng" is: "Daming is born in the east, and the moon is born in the west."
16 "School Hunting": refers to Yang Xiong's "Feather Hunting Fu", which contains "Han Shu Yang Xiong Biography".
17 stacks (tà step): combined. "Han Shu" as "Yi" (y m 4 o bite): profound. Wang Xianqian's Supplement to Hanshu: "Ying Shao said:' Stack, together.' Modest press first: it should be said that what you see is a' stack'. Sun Zhizuyun:' Chu Ci Tian Wen':' What is the stack of days?' Wang Yi's note: "Stack, merge, say where heaven and earth meet." Zi Yun (Yang Xiong) Gaizu Qu Yuan's words. "accordingly, when the word" stack "is.
18 Zhang Heng: Ping Zi, a famous scientist and writer in the Eastern Han Dynasty. Xijing: refers to Xijing Fu. See Selected Works, Volume II.
19 Fusang: a sacred tree that is said to be born in the sun. "Shan Hai Jing Overseas East longitude": "There is a hibiscus on the Tang Valley, which was bathed on the 1th, in the north of Hei Chi. Living in the water, there are big trees, which live in the lower branch on the 9 th and the upper branch on the 1 ST. " Monk's Temple: the place where the sun sets. "Chu Ci Tian Wen": "From Tang Valley, second only to Meng Yi." Note: "Erya" says:' It is too ignorant to enter from the west to the sun. " That is, it's a shame. (Volume III of Notes on Songs of the South) Yu: The original text of Xijing Fu is "and".
2 implication: metonymy. shape