Chinese calligraphy is an ancient and vital art. After more than three thousand years of vicissitudes, it always reflects the spirit of the times with different styles and shows the strong vitality of eternal youth. What I bring to you below is a hard-pen official script calligraphy copybook. I hope you like it.
Appreciation of hard-tipped official script calligraphy copybooks:
Hard-tipped official script calligraphy copybook 1
Hard-tipped official script calligraphy copybook 2
Hard-pen official script calligraphy copybook 3
Hard-pen official script calligraphy copybook 4
Hard-pen official script calligraphy copybook 5
Six methods of structure of official script:
Variation in writing structure: Structural variation means changing the original glyph or radical writing, making it different from the original Glyph. Among them, there are phenomena such as radical shift and stroke shift. Most of them are different writing structures in the evolution from seal script to official script. Such as: "Cao", "Ge", "Fu" and other words.
Inheriting the structure of seal script: Official script evolved from seal script, and many Han steles contain seal script brushwork and structure. As Wang Shizhen of the Ming Dynasty said: His official script always has seal scripts, which are different from those of Zhong Yao and Liang Hu. However, he has a strong character and a flying spirit. It is doubtful that Zhonglang (Cai Yong) can do it. . The remaining seal script structure in Han Li is a lagging phenomenon of seal script, among which "Xia Cheng Stele", "Bao Xie Stele" and "Pei Cen Stele" are the most important. Such as: ?Zhong?Wei?, ?Xia? and other words.
Increased stroke structure: If the characters are difficult to structure, or because there are few strokes, strokes are added for structural needs, that is, (sparing and supplementing). In this way, the entire glyph appears to be dense, dense and dense, adding to the sense of solemnity. This extra-stroke structure originated from seal script and is a lagging phenomenon of seal script. Such as: "Han", "Xuan", "Bing", "Meng" and other words.
Converting complexity into simplicity: Converting complexity into simplicity is a common phenomenon in Han Li. It is to simplify some strokes on the premise of easy recognition, sometimes subtracting the same strokes, and sometimes subtracting a certain part of the strokes to make the structure more refined. No matter how it is reduced, it is all artistic processing, that is, the complex is simplified and the style of the original character is still retained on the whole. This kind of character can be called ancient simplified characters, which is the precursor to today's simplified characters. Such as: "Duan", "Ling", "Wu" and other words.
Two strokes of square fold: The square fold in official script is made up of two strokes in different directions. That is, the end of the previous stroke is spliced ??with the beginning of the next stroke. When writing, some are connected and some are disconnected. Those who are disconnected must use the pen to disconnect the meaning, and those who are connected must be related to each other. The quality of the square fold often determines the success or failure of the font, so you must be careful when writing. Such as "Wai", "Si" and other words.
One pillar stands alone: ??The characters are wide at the top and narrow at the bottom, and stand alone on one vertical pillar, which is like a golden rooster standing on its own. For characters such as Jia, Zhuo, Che, Zheng, Chang, etc., when writing, the last stroke should be strong and strong, so that the article can stand firmly and hold up, and grasp the beauty of seeking stability in danger. If this pen loses strength, it will cause the entire character to feel soft or skewed.