To annotate ...
New thunder: The first thunder in spring symbolizes the arrival of spring. The ancients believed that thunder shook everything. The Book of Changes: "Thunder can move it, wind can disperse it, and rain can moisten it." "Er Ya Yi Shu Shi Tian" quoted Shuowen as saying: "Thunder is weak in yin and yang, and thunderstorm creatures are also weak." This poem should understand its meaning. 2 creation: refers to the sky. The ancients believed that God created everything. Master Zhuangzi: "The creator Wei Zaifu will be arrested for this (just a work)." Silent and affectionate: the ancients believed that although the sky was silent, it could convey everything imperceptibly. The Analects of Confucius Yang Huo: "Confucius said,' What can heaven say? When you are at four o'clock, everything is born. "What does heaven say?" "Every time: often. (3) "Colorful arrangement" shows that things have the internal basis of change, but without certain external conditions-"new thunder", this change cannot be realized. This poem vividly expounds the important role of external factors in the change of things by calling for new thunder. It is the same as "everything is ready, only the east wind is needed". These two words: "creation" have long been arranged in colorful, just waiting for the spring thunder to ring and the flowers to bloom. The poem "New Thunder" is about welcoming spring. " Creation is nature. Nature says nothing, but it has feelings. No, the cold in winter has not subsided, and spring has quietly arrived. The colorful flowers in the Baihua Garden are ready, and will open to the outside world with the sound of spring thunder. This poem not only shows the poet's infinite praise for nature, but also expresses his eager expectation for social change.
Edit this paragraph, Zhang Weiping.
Zhang Weiping (1780- 1859), a native of Panyu, Guangdong Province, was born in the Qing Dynasty, with the word "Nanshan". He likes pine and is called "Songxinzi". In his later years, he worked as an old fisherman and singer in Zhuhai. Zhang Weiping was famous for his poems during Jiaqing and Daoguang years, and was also called "the Three Sons of East Guangdong" with Huang Peifang and Tan Jingzhao. Daoguang two years (1822), Jinshi. He was a magistrate in Huangmei County, Hubei Province, and later a magistrate in Nankang, Jiangxi Province. He served as an agent of Nankang magistrate and served as a county magistrate for four times. He was an honest official, and finally resigned in the sixteenth year of Daoguang (1836) because he could not stand the corruption in officialdom. . Early creation pays attention to people's sufferings and has strong reality. During the Opium War, the angry British army plundered and supported the people of Guangzhou to resist Britain. They wrote a long poem "Sanyuanli", praising the anti-British, reprimanding Yishan and Yu Baochun for flattering the enemy and begging for peace. He also wrote "Military Songs of Three Generals", praising the heroic deeds of Chen Liansheng, Ge and Chen Huacheng. He is the author of "Song Xin Caotang Collection", and the other is "An Overview of Poets in China in Past Dynasties". After the Opium War, he witnessed the crimes of foreign invaders and the heroic struggle of the people of China, and wrote some poems praising the resistance of the people of China to colonial aggression, with high patriotic enthusiasm and fighting spirit. His poem "Going in and out of the Han, Wei, Tang and Song Dynasties, the material is rich and deep, the spirit is cool and luxurious, and the taste is depressed and frustrated" (Volume 2 of Lin Changyi's Poetry of Shooting Carved Pagodas). He is the author of Listening to Song Lu's Poems and Song Xin's Poems. . Daoguang retired in 16 years (1836). Poetry and calligraphy works. Before the Opium War, he was appreciated by Weng Fanggang and Zeng Gui, who lived in the poetry world, and sang with members of Xuannan Poetry Society. Most of his poems are landscapes, leisure and giving answers, mixed with some lofty feelings. Only a few chapters reflect reality. For example, "county words" poems close to ballads and proverbs expose the greedy and vicious faces of small officials; Huangmei Dashuihang and Cui Ke pay attention to people's sufferings. During the Opium War, his poems were the most passionate, and he wrote a series of patriotic poems, such as Military Songs of Three Generals, Rivers and Seas, Book Wrath, Sitting Alone, Haimen and Before Rain. Praise the war of resistance and denounce surrender. In particular, the rare poem "Sanyuanli" in this period sang the people's spontaneous anti-imperialist struggle. Zhang Weiping believes that "poetry is rooted in temperament" (preface to Chen Qing's Poems of Duangong), and writing poetry should be regarded as the nature of creation. His poems depict true feelings in clear and fluent language, and are sometimes subtle and sometimes concise in brushwork. Therefore, Chang Lin-said that he was "abnormal in police training" (The Poem of Shooting Eagle Tower, Volume XIII). He introduced new things into poetry, such as writing ships and maps of the world, which showed the trend of modern poetry breaking through traditional themes and expanding the realm of poetry. Zhang Weiping's writing has also made some achievements. "Xi Jing" praised it as "a picture of willow in the middle outside the ridge" (the poem "Send Yunzi back to Changzhou" notes). He criticized the two major ills of ancient Chinese prose at that time, namely "Chen Yan" and "faking the ancients", and put forward that "we should not be prejudiced by preconceptions, not be partial to one corner, express our feelings with affection, and reward our feelings with things, such as popular water, such as land and water" (Fu An Xie Ren Shu). His articles are casual, for example, The Preface to Explaining Clouds and Grass in Sichuan Film takes clouds as the theme, and The Collection of Twelve Stone Mountain Zhai takes stones as the theme, all of which show the characteristics of "creating with new ideas" (Xu Ying comments on the language of Qing History). There is The Complete Works of Zhang Nanshan, which is a collection of works by various poets. Among them, Shi Hua, also known as Shi Lu, has a collection of 10, which consists of 23 poems selected by his family. It is the most widely circulated collection of Zhang's poems. In the last years of Daoguang, there were Song Xinwenchao and Song Xin Pianwenchao with volume 10. There are also works about poems and literary anecdotes, such as listening to truffle poems, talking about art, and a brief survey of Chinese dynasty poets. Zhang Weiping's A Brief Introduction to Zhou Dynasty Poets and A Brief Introduction to Zhou Dynasty Poets are a large-scale collection of poems created by Zhang Weiping during Jiaqing and Daoguang years. This book is divided into two parts: an overview of poets in China (the first part) and poets in China (the second part). The first edition is scheduled for the 24th year of Jiaqing (18 1), with 60 volumes, and has been collected by 929 poets in the Qing Dynasty. The second edition is scheduled to be compiled in the 22nd year of Daoguang (1842), with 64 volumes, including 258 poets in Qing Dynasty, several of whom are reprinted, and about 10 people are added. This book takes poets as entries, and each article generally includes five parts: first, their names, depth, life experiences and works; Second, related anecdotes and poetry comments collected from various collections, poetry talks, poems and speeches; 3. Annotations and excerpts from Wen Chao, Poems on Tingsonglu, Song Xuan Essay and Song Xin Catalogue written by the author; Fourth, the title of his important poems; 5. Excerpts from his poems. There are five parts in this book. The first part is compiled by the poet, and many materials of poets, especially those of Guangdong poets, which are not found in other records, are preserved. They are very detailed and of great documentary value. The second part is a relatively complete compilation of poets' materials, which is rich in materials and has no spread disease. Some of the cited works are now rare or lost, so they are more valuable. The third part is the essence of the book, citing a large number of authors' works, making detailed comments and many detailed theories, but the four works cited, such as Song Xuansui Pen and Song Xin R Lu, have not been written separately, which is due to the spread of this book. The fourth book can be regarded as a collection of poems compiled by the author, which is enough for future generations to choose and record; The poems quoted in the fifth part are quite careful, and every comment is attached to a good sentence for poets to learn from. The style of A Survey of China Poets in Past Dynasties was originally created by Zhang Weiping. BJ said that this book is a collection of "biography", "theory" and "anthology" and cannot be simply classified as "data compilation". Among as many as 500 or 600 kinds of poetic works in the Qing Dynasty, Zheng Lue is undoubtedly the most distinctive, which is voluminous and rich in content, surpassing many poetic works in the same period, and is still a very valuable reference document for studying poets in the Qing Dynasty. Because of its extensive collection and convenient retrieval, it can also be read by literary lamp lovers. Zhang said in the preface that this is enough to "broaden one's knowledge and cultivate one's sentiment", which is not empty talk. After the book was compiled and published, it attracted the attention of scholars at that time. Gong Zizhen read this book in Daoguang for three years (1823) and admired it. As the preface of Zhang Nanshan's Poems, she thinks that this book is a combination of "poetry and history", and regards "selecting poems" as "creating history", so it is far away from home, and it is a good school with orange meaning. In Tang Fu's Diary, Tan Xian said that he wanted to compile a Record of Poetic Talks in the Dynasty, and edited other books such as Poetic Talks in the Dynasty, Elegant Collection of the Dynasty, Biography of Poetic Talks in the Lake and Sea, lamenting that "Zhang Nanshan's Investigation of Poets is not in the basket" and there is no way to retrieve it. Fu Yinsen's "An Shi Hua" is called "Investigation of Poets", which is a book with rich content and detailed textual research. He's Tui An Shi Hua is called "a particularly valuable document"; Qiu Xiwei's "Five Hundred Cave Poems" is called "an investigation", which has been handed down from generation to generation and enjoys a unique reputation. Xu Shichang's Nissin Box Poems. Dictionaries compiled by modern people, such as China Literature Dictionary by Shanghai Dictionary Publishing House and China Modern Literature Dictionary by Huangshan Bookstore, all have articles devoted to this book. Two editions of A Brief Introduction to China Poets in Past Dynasties are also important documents for studying Zhang Weiping's political thought and literary theory. The author said in the preface: "if you cover people's words, you will be wise and foolish, and so on." If you speak in poetry, everyone who writes poetry will be called a poet. "Poetry is important to people, and people don't take poetry lightly." He also said that this book is "intended to know people, not to choose poems", so it is widely accepted by famous ministers, scholars in cloth, monks and women. It's all been introduced. "Because of the topic, or because of things, or because of people's words, each has its own intentions, and it is not specialized in poetry." It can be seen that the author's original intention lies in "people" rather than "poetry". A large number of biographies of famous officials and Confucian scholars contained in Zheng Lue are important tasks for self-cultivation, family harmony and world peace. Military aspects, such as incorporating the northwest, suppressing rebellion, running rural soldiers, making guns and gunpowder, etc. Economic aspects, such as river regulation, mining, disaster relief, money law, etc. ; Education, such as the construction of academies and the study of form and meaning, is a trap. It can reflect the author's ambition to learn from the world. Nevertheless, Zhang Weiping is, after all, an outstanding poet with a keen eye and a special understanding of the appreciation, identification and choice of poetry. The third part of the notes, such as Liang Shaoren's "Two Arguments on Qiuyu Temple", Volume 5 says: "It is important to understand the subtle meaning in the theory." Many of them expressed Zhang's poetic purpose. In the two parts of A Brief, the author repeatedly emphasized that writing poetry should have temperament and true temperament: "People have temperament, so they write poetry." "Poetry has a fixed framework! However, there are real talents and true temperament, and their poems have their own merits. " Select Wang Shizhen, Yuan Mei and other poets with "temperament" to comment. Zheng lue's comments on some important writers are especially insightful. For example, Wang Shizhen said, "Mr Ruan Ting's poems were praised by many people at the same time, and many people were destroyed behind him. There are two endings to push it to destruction: one is a symbol of charm, and the easy flow is air conditioning; One is too elegant, but it is easy to hide essence. However, from the perspective of the complete works, after entering Shu, the poetic bones gradually faded, the poetic realm gradually became familiar, cowardice dyed the daughter, and the elephant crossed the river directly, so it was not alone. Companion and listening really need to be seen separately. " Zhang's admiration for poetry after entering Shu is unique. The Chronicle of Children's Poetry edited by Qian Zhonglian quoted a large number of annotations in Zheng lue by Zhang Weiping, which also shows the important value of this book. The famous sentences used in the two editions of Zheng lue are even more dazzling and beautiful. People who choose poems of the Qing Dynasty can see the influence of Zhang Can, such as Xu Shichang's Poems of the Late Qing Dynasty, Wu Yifeng's Poems of the Qing Dynasty and some modern people's book selections. The couplets selected in Zheng Lue are very accurate and deeply loved by people. The poet Chen Rong said that when he was writing a book in Linchi, "every time he stretched out a piece of paper to find a couplet, he had to check the poet's investigation to get it." However, there are still some shortcomings in the two editions of Zhenglue. Due to the huge space and incomplete data collection, the whole book had not been finished at the time of writing, and there were even volumes with no purpose and no content. For example, Shao Yong, Yu Zuoshun, Yu Tingbai, Zhao Jizeng and Chen Hongshou are missing in Volume 56, Qian Lin, Tu Youyou, Chen Chuanjing and Hu are missing in Volume 57, Huang Yuheng and He are missing in Volume 58, and He Bin, He Yuan, Gu Rixin and Fang are missing in Volume 59. Chen Peizhi and Huang. Part II Volume 12. 14, 16, 22, 24, 28, 30, 3 1, 32, 33, 42 and 60 all have no purpose. The compilation of the book is also very messy and the details are not appropriate. For example, A Gui is not a poet, but the book introduces his life and achievements in thousands of words, which is extremely neither fish nor fowl. In addition, it is difficult to separate every abridgement of the cited book. Despite these shortcomings, it is still free for the whole book. The first 60 volumes of Textual Research on the Poets of China in Past Dynasties were published in the 10th year of Daoguang (Wei 830) with the title of "Flower Zhai in the Eastern Guangdong Provincial Capital", which is one of the complete works of Zhang Nanshan. West Lake Street, the capital of eastern Guangdong Province, also has a "literary brush". The second edition of A Survey of Poets in Past Dynasties in China consists of sixty-four volumes, and there is an IS40 edition of "Flower Zhai in the East of Guangdong Province". Zhang Weiping's On Chen Yongzheng Poets still has some shortcomings. Due to the huge space and incomplete data collection, the book had not been completed at the time of writing, and even there were volumes with no purpose and no content. For example, Shao Yong, Yu Zuoshun, Yu Tingbai, Zhao Jizeng and Chen Hongshou are missing in Volume 56, Qian Lin, Tu Youyou, Chen Chuanjing and Hu are missing in Volume 57, Huang Yuheng and He are missing in Volume 58, and He Bin, He Yuan, Gu Rixin and Fang are missing in Volume 59. Chen Peizhi and Huang. Part II Volume 12. 14, 16, 22, 24, 28, 30, 3 1, 32, 33, 42 and 60 all have volumes, but they have no purpose. The compilation of the book is also very messy and the details are not appropriate. For example, A Gui is not a poet, but the book introduces his life and achievements in thousands of words, which is extremely neither fish nor fowl. In addition, it is difficult to separate every abridgement of the cited book. Despite these shortcomings, it is still free for the whole book. The first 60 volumes of Textual Research on the Poets of China in Past Dynasties were published in the 10th year of Daoguang (Wei 830) with the title of "Flower Zhai in the Eastern Guangdong Provincial Capital", which is one of the complete works of Zhang Nanshan. West Lake Street, the capital of eastern Guangdong Province, also has a "literary brush". A Survey of Poets in Past Dynasties in China, with sixty-four volumes in the second edition, has a block-printed version of "Flower Zhai in the East of Guangdong Province" in the Ten Years of Daoguang (IS40).
general idea
Although nature can't speak, it has feelings. No, the cold in winter has not subsided, and spring has quietly arrived. All the colorful flowers in the garden are in their places. Just waiting for the new thunder, they scrambled to open.
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Although there is no "New Year" in this poem, it is about welcoming the Spring Festival. "Creation" is nature. Nature says nothing, but it has feelings. No, the cold in winter has not subsided, and spring has quietly arrived. The colorful flowers in the Baihua Garden are ready, and will open to the outside world with the sound of spring thunder. This poem not only shows the poet's infinite praise for nature, but also expresses his eager expectation for social change. "All kinds of flowers are arranged, just wait for the first sound of the new thunder" means that "creation" has arranged all kinds of flowers, and only when the spring thunder rings, all the flowers will compete to open. "multicolored arrangement" shows that things have the internal basis of change, but without certain external conditions-"new thunder", this change cannot be realized. This poem vividly expounds the important role of external factors in the change of things by calling for new thunder. It is the same as "everything is ready, only the east wind is needed". This poem was written in the early spring of the fourth year of Daoguang (1824), describing the joy of spring. The poet compared human beings with nature, and in the expectation of new thunder and the cheers of spring, he revealed the author's desire for new social changes. Poetry is only four sentences, sensible, beautiful, gratifying and intriguing. "Creation" is nature. Nature says nothing, but it has feelings. No, the cold in winter has not subsided, and spring has quietly arrived. The colorful flowers in the Baihua Garden are ready, and will open to the outside world with the sound of spring thunder. This poem not only shows the poet's infinite praise for nature, but also expresses his eager expectation for social change. Although the poet silently praised nature, he was affectionate, cold brought spring, and quietly arranged colorful flowers in bud. In this silence, there is a huge explosive force, just waiting for that thunder. The outbreak of spring thunder will show people a new world of spring flowers in full bloom! Reveal the poet's joy in welcoming the new world. This poem was written in the early spring of the fourth year of Daoguang (1824), describing the joy of spring. The poet compared human beings with nature, and in the expectation of new thunder and the cheers of spring, he revealed the author's desire for new social changes. Poetry is only four sentences, sensible, beautiful, gratifying and intriguing. Zhang Xinlei Wei Ping's creation is silent but affectionate, and every time she is cold, she feels spring. Colorful arrangements, just waiting for the first sound of the new thunder. 1. New thunder: The first thunder in spring symbolizes the arrival of spring. The ancients believed that thunder shook everything. The Book of Changes: "The thunder moves, the wind dissipates, and the rain moistens." "Er Ya Yi Shu Shi Tian" quoted Shuowen as saying: "Thunder is weak in yin and yang, and thunderstorm creatures are also weak." This poem should understand its meaning. 2. Creation: refers to the sky. The ancients believed that God created everything. Master Zhuangzi: "The creator Wei Zaifu will be arrested for this (just a work)." Silent and affectionate: the ancients believed that although the sky was silent, it could convey everything imperceptibly. The Analects of Confucius Yang Huo: "Confucius said,' What can heaven say? When you are at four o'clock, everything is born. "What does heaven say?" "Every time: often. 3. These two sentences: "Creation" has already been arranged in various colors, just waiting for the spring thunder to ring and the flowers to bloom. " "Colorful arrangement" shows that things have the internal basis of change, but without certain external conditions-"new thunder", this change cannot be realized. This poem vividly expounds the important role of external factors in the change of things by calling for new thunder. It is the same as "everything is ready, only the east wind is needed". This poem was written in the early spring of the fourth year of Daoguang (1824), describing the joy of spring. The poet compared human beings with nature, and in the expectation of new thunder and the cheers of spring, he revealed the author's desire for new social changes. Poetry is only four sentences, sensible, beautiful, gratifying and intriguing. Zhang Xinlei Wei Ping's creation is silent but affectionate, and every time she is cold, she feels spring. Colorful arrangements, just waiting for the first sound of the new thunder. Zhang Weiping (1780- 1859), Zizishu,No. Nanshan, alias Songxinzi,No. Laoyu, Zhuhai, Panyu, Guangdong (now Guangzhou). In the second year of Daoguang (1822), he was a scholar, and the official reached Nankang magistrate. He has been a county magistrate for four times and has some knowledge of local people's feelings. Early creation pays attention to people's sufferings and has strong reality. After the Opium War, he witnessed the crimes of foreign invaders and the heroic struggle of the people of China, and wrote some poems praising the resistance of the people of China to colonial aggression, with high patriotic enthusiasm and fighting spirit. His poem "Going in and out of the Han, Wei, Tang and Song Dynasties, the material is rich and deep, the spirit is cool and luxurious, and the taste is depressed and frustrated" (Volume 2 of Lin Changyi's Poems on Carving Buildings). He is the author of Listening to Song Lu's Poems and Song Xin's Poems. Gong Zizhen, Ji Hai's miscellaneous poem, is far from sad and inclined to the day (west ××), and his whip refers to the end of the world. I quit my job and go home, just like a flower falling from a branch, but this is not a heartless thing. It can be turned into the soil of spring and can also play a role in nurturing the next generation. Gong Zizhen (1792- 184 1), also known as Gong Zuo, was born in Se, whose name is Ding 'an, and he was born in Renhe, Zhejiang (now Hangzhou, Zhejiang). He was an outstanding enlightenment thinker, scholar, writer and patriot in modern China. The whole poem expresses his complex feelings when he resigned from his post and left Beijing for a lawsuit, and shows the poet's strong character and dedication to serve the country at all times, not afraid of setbacks and unwilling to sink. The whole poem empathizes with things, with appropriate image, ingenious conception and profound meaning. The sun sets (xiá), and the whip points to the horizon. Full of sadness, facing the sky, I whipped the whip west and east, and then resigned and went to the end of the world. [Vast: boundless, here is endless sadness. Sorrow: the sadness of parting. Day: the sun. Whip: The poet's whip. [Comment] The sadness is set off by "the sky is crooked" and "the end of the world", which shows the pain of the poet's resignation. I quit my job and go home, just like a flower falling from a branch, but this is not a heartless thing. It can be turned into the soil of spring and can also play a role in nurturing the next generation. Falling flowers are by no means heartless, but turning into spring mud is willing to cultivate more new flowers. [falling red: falling flowers. Most of these flowers are red. So falling flowers are also called falling red. These two sentences are used to describe that although he resigned, he still cares about the fate of the country. ] [Comment] vividly and aptly shows the author's heart of serving the country. His miscellaneous poems (5) are far away from sorrow and whip at the end of the world. I quit my job and go home, just like a flower falling from a branch, but this is not a heartless thing. It can be turned into the soil of spring and can also play a role in nurturing the next generation. Author Gong Zizhen (1792— 184 1), a native of Renhe (now Hangzhou, Zhejiang), was an outstanding thinker and poet in Qing Dynasty. The official is in charge of the etiquette department, and the official's resignation is handed over to the academy. He also created a generation of great poets with a new poetic style. His works are rich in content and have distinctive social realistic connotations. In artistic expression, he is unrestrained and uninhibited, which embodies a brand-new original spirit and represents the mature personality of Qing poetry. He is regarded as the last outstanding poet in ancient times and the first outstanding poet in modern times, and occupies a milestone position in the history of China's poetry. There are miscellaneous poems written by ***3 15 Ji Hai Year, that is, the 19th year of Qing Daoguang (1839). This poem is one of the author's most famous masterpieces. Its significance is mainly reflected in two aspects, one is to express the sadness of returning to the south from Beijing, the other is to express his determination to serve the country despite his resignation, revealing the author's profound and rich thoughts and feelings. The sorrow is boundless. When the sun sets and the whip points to the east, it is far away from the capital. Falling flowers are falling. It is by no means a heartless thing. If it becomes spring mud, it will protect more beautiful new flowers. The poems "falling red" and "turning into flowers" are classic and famous sentences that have always been sung. On the one hand, they are the poet's voice, on the other hand, they can also be an excellent portrayal of lofty moral realm in a broad sense. The first two lyrical narratives in the poem show the spirit of boldness and freedom in infinite emotions. On the one hand, parting is sad. After all, after living in Beijing for many years, old friends are like clouds, and the past is like smoke. On the other hand, parting is easy and pleasant, after all, it is to escape from the suffocating cage and do something else in the outside world. In this way, the sadness of parting and the joy of returning are intertwined, which is both "mighty parting" and "beyond the reach of the whip"; There are both oblique sunlight and a broad horizon. These two paintings complement each other and make each other interesting, which is a true portrayal of the poet's mood that day. The next sentence of "singing a whip" is also just the right use of the previous poem, forming two artistic effects that echo each other, as if you can feel the poet's mood in this scene at this moment. Finally, he used a pen to express his feelings with vivid metaphors, making the whole poem seamless and touching.