Throughout the later1980s, writing poetry was fashionable, Kitajima was an idol, and everyone was cynical. Faced with the confusion and passion of a generation, poetry plays multiple roles, such as enlightener, thinker, lyricist and social platform, and poets have become well-deserved stars and social elites of that era.
Not long ago, the works of Zhao Lihua, a poet known as "pear-shaped", were controversial and spoofed, which made poetry cause a sensation again after 16 was marginalized-this time, poetry became a joke.
China, I lost my poem. The generation looking for keys can't even find poems now.
On the surface, "people have never been so happy to denigrate poetry" (Zou Jing's words); Its essence is the life style of pan-entertainment, the concept of equality and deconstruction instinct in the network age, the vanity fair situation in which there are poets but no masterpieces in the poetry world, and the abandonment of poetry in the wilderness.
The "ambition" of "poetry expressing ambition" is gone, and poetry has lost the power to climb high and look far and gather responders. It seems that only small pieces of paper with a face value of 10, 50 and 100 can mobilize the whole society best. Adults let their children recite Tang poetry and Song poetry, but they make artificial landscapes at random.
In this country where there are no poets or everyone is a poet, poetry becomes redundant.