This is a landscape poem written by the poet overlooking Dongting Lake, which is clear and meaningful. The first sentence is about the blending of water, light and moonlight, which shows the breadth and distance of the lake. This should be the scene at dusk. It is not dark yet, but the moon has come out. If it is dark, you can't see the fusion of the two colors. The second sentence uses the metaphor of a mirror to show the calm of the lake at night, because the sun has set and the lake is not reflective, just like a mirror is dull without polishing. The third sentence is about the green of Junshan Mountain in Wangyuan Lake. The "landscape" here actually refers to the mountain, that is, Junshan in the lake. The usage of "scenery" belongs to the usage of "compound words with partial meanings" in ancient Chinese. The fourth sentence uses another metaphor, comparing Junshan floating in the water to a green snail on a silver plate. The whole poem is full of pure scenery, with detailed descriptions and vivid metaphors, which is very interesting to read.
Travel in the mountains
This is a poem describing and praising the mountains in late autumn.
The first sentence "The stone path is inclined to the distant cold mountain", from bottom to top, write a stone path winding to the autumn scenery of the mountains. The word "cold" points to the late autumn season; The word "far" describes the length of the mountain road; The word "oblique" takes care of the word "far" at the beginning of the sentence and writes a high and slow mountain. Because the slope is not big, you can travel by car.
The second sentence "There are people in Bai Yunsheng" describes the distant scenery that the poet saw when he was hiking in the mountains. The word "sheng" vividly shows the dynamics of white clouds rising, curving and floating, and also shows that the mountain is very high. The word "someone" will remind people of the smoke curling up in the kitchen, the cock crowing and the dog barking, making them feel that the mountains are full of vitality and there is no dead terror. The word "home" also takes care of the "stone path" in the previous sentence, because this "stone path" is the passage for residents in the mountains.
The word "sit" in the third sentence "Stop in the Maple Grove and Sit Late" is interpreted as "because" because the sunset in the Maple Grove is so charming, the poet deliberately stopped to watch. The word "late" in this sentence is exquisitely used and contains multiple meanings: (1) points out that the first two sentences are seen during the day and the last two sentences are scenes at night. (2) Because there is a sunset glow in the evening, the gorgeous sunset glow and the flaming maple leaves reflect each other, and the maple forest is particularly beautiful. (3) The poet lingered, and in the evening, he reluctantly boarded the bus and left, showing his love for red leaves. (4) Because we stop for a long time and observe carefully, we can appreciate the interesting epigram of the fourth sentence "Frost leaves are red in February flowers".
"Frost leaves are redder than February flowers" is the central sentence of the whole poem. The descriptions of the first three sentences are all paving the way for this sentence. Why do poets use "Yu Hong" instead of "Hong Ru"? Because "red as" is like spring flowers, it is nothing more than decorating natural beauty; And "Red in" can't be compared with spring flowers. It is not only brighter in color, but also more cold-resistant and can stand the test of wind and frost.
This little poem is not only an impromptu ode to scenery, but also an expression of ambition. It is the expression of the poet's inner spiritual world and the sustenance of his interest, so it can enlighten and inspire readers.
This poem depicts the colors of autumn and shows a touching autumn color map of mountains and forests. The poem describes mountain roads, people, white clouds and red leaves, forming a harmonious and unified picture. These scenes are not juxtaposed in the same position, but are organically linked, with the master and the slave, some in the center of the picture and some in the background. To put it simply, the first three sentences are the object, the fourth sentence is the subject, and the first three sentences describe the background, which creates an atmosphere for the fourth sentence and plays a role in paving the way and setting off the background.
"Far away from the cold mountain, the stone path is inclined", writing about mountains and writing about mountain roads. A winding path winds to the top of the mountain. The word "far" describes the length of the mountain road, and the word "oblique" echoes the word "up" to write a high and gentle mountain.
Someone in Bai Yunsheng is about clouds and people. The poet's eyes have been looking up along this mountain road. Where the white clouds float, there are several stone houses with walls made of stone. The "people" here take care of the "stone path" in the previous sentence. This mountain road is the passage for those families, right? This organically links the two kinds of scenery. There are white clouds around, which means the mountain is very high. The poet used the technique of breaking through clouds and mountains, so that these white clouds covered the reader's sight, but left room for imagination: there must be another kind of scenery besides white clouds, right?
The poet is only describing these scenery objectively. Although the word "cold" is used, the following words such as "late" and "frost" are just sorted out, which does not show the poet's emotional tendency. After all, it is only to prepare for the following description-to outline the environment where Fenglin is located.
"Stop and sit late in the maple forest" is different, and this tendency is very obvious and strong. Mountain roads, white clouds and others did not impress the poet, but the evening scenery of Fenglin surprised him. In order to stop and enjoy the scenery of this mountain forest, I don't care to continue driving. The scenery written in the first two sentences is already beautiful, but the poet loves the maple forest. Through the background, I have made a good preparation for describing the maple forest, so it comes naturally and leads to the fourth sentence, pointing out the reasons for loving the maple forest.
"Frosty leaves are redder than flowers in February" complements the third sentence, and a beautiful view of maple forest in late autumn is displayed in front of us. The poet was pleasantly surprised to find that under the sunset glow, the maple leaves were about to drip and the forest was dyed. It is really full of mountains and clouds, just like bright rosy clouds. More fiery than the spring flowers in February in Jiangnan! What is commendable is that the poet saw the vitality of autumn as spring through this piece of red, which made Lin Qiu present a warm and vibrant scene.
Unlike ordinary feudal literati, this poet did not sigh sadly when autumn came. He praised the beauty of autumn in nature, embodied the spirit of being bold and uplifting, and showed the poet's talent and insight with a wave of his pen. This is an autumn hymn.
The fourth sentence is the center of the whole poem, written by the poet with strong colors and coherent brushwork. Not only did the sparse scenery in the first two lines set off gorgeous autumn colors, but even the seemingly lyrical narrative of "stopping to sit in the maple grove late" actually played a role in setting off the scenery: the poet who stopped to watch, Tao Ran drunk, became a part of the scenery, and only with this scene did autumn colors become more charming. After a rewriting, it came to an abrupt end, and it seemed melodious and memorable.
Topic Xilin wall
The first two sentences, "Looking at the mountain from the side is the peak, and the distance is different", are actually what you saw and heard when you visited the mountain. Lushan Mountain is a hilly and gully mountain with undulating peaks and valleys. Tourists are located in different places and see different scenery. These two sentences summarize and vividly write the various forms of Lushan Mountain.
The last two sentences, "I don't know the true face of Lushan Mountain, but I am only in this mountain", are the experience of reasoning on the spot and talking about traveling to the mountain. Why can't you identify the true face of Lushan Mountain? Because I am in the middle of Lushan Mountain, my vision is limited by the peaks of Lushan Mountain, and I only see one peak, one ridge, one hill and one valley of Lushan Mountain, which is one-sided and inevitably one-sided. This is what you see when you visit the mountains, and it is often the same when you observe things in the world. These two poems are rich in connotation, which enlightens us to understand a philosophy of dealing with people-because people are in different positions and have different starting points, their understanding of objective things is inevitably one-sided; To understand the truth and the whole picture, we must go beyond the narrow scope and get rid of subjective prejudice.
Here, the poet intends to directly understand the ontology of Lushan Mountain through the misty yarn. You see, when he looks horizontally, he gets the impression that there are mountains and plains; Seen from the side, it is a strange peak. Whether you look at it from a distance, from a close distance, from a high place or from a low place, you will see a completely different scene. However, Su Shi, like other poets, did not stop at wonder and confusion, but thought further: after all, people saw the local scenery, not the true face of Lushan Mountain. The reason is that tourists can't see the whole picture outside Lushan Mountain and stay in the mountains blindly. "Only the trees can't see the forest", so it is naturally difficult to see its true image.
The last two sentences are wonderful, and the whole artistic conception is fully revealed, which provides readers with a space to relive their experiences and gallop their imagination. Don't just travel all over the mountains and rivers to have this kind of rational understanding? In short, when we are discussing a problem, aren't we in trouble because we have reached a dead end? When we are engaged in a certain job, don't we sometimes get entangled in some trivial things? Generally speaking, when people understand the objective world, are they often limited to a certain part or one aspect of prejudice, failing to focus on the overall situation and grasp the essence of objective things? ..... Isn't all this because the parties are "on this mountain" and therefore "unreal"? This living condition is similar to how tourists can't see the mountains!
Different people have different opinions. A little poem arouses people's aftertaste and deep thought! Therefore, "Tixilinbi" is not only a poet's eulogy of the wonders of Lushan Mountain, but also a philosopher's insight into the true face of Lushan Mountain. Because this understanding is profound and conforms to the objective laws, there is a profound philosophy that inspires people's hearts in addition to the absurd image of Gu Feng. Therefore, this little poem is particularly subtle and profound, which makes people never tire of reading it.
The meaning of this poem is very profound, but the language used is extremely simple. Simplicity is one of Su Shi's linguistic features. Su Shi has no habit of carving when writing poems. What the poet pursues is to express a fresh and unprecedented artistic conception in simple and fluent language; And this artistic conception, from time to time flashing the light of philosophy. Judging from this poem, the language expression is concise, but the connotation is rich. In other words, poetic language itself is a high degree of unity of image and logic. In four poems, the poet roughly describes the image characteristics of Lushan Mountain, and accurately points out the reasons why it is irrelevant to see the mountain. Bright sensibility and clear rationality are intertwined and mutually causal, so the image of poetry is sublimated into a model in the field of rationality, which is why people regard the last two sentences as philosophical epigrams for thousands of times.
If the poetic tradition before the Song Dynasty was characterized by expressing ambition and expressing emotion, then in the Song Dynasty, especially Su Shi, a new poetic style characterized by reasoning appeared. This poetic style is a new poetic style created by Song people after Tang poetry. In Su Shi's words, it means "creating new ideas in statutes and leaving wonderful ideas outside the bold". The characteristics of this kind of poems are: shallow language and deep meaning, reasonable things and light taste. The title Xilin wall is such a good poem.