Who are the four great poets in the Southern Song Dynasty? Song Gaozong and Zhao Gou rebuilt the Song Dynasty in Shaoxing, and Song Jun resisted the invasion of Jin Jun in the early years of the Southern Song Dynasty. This period of history is called "revival". Among them, Han Shizhong, Zhang Jun, Yue Fei and Liu Guangshi, four military commanders, are the most outstanding achievements in resisting gold.
Four great families of Zhongxing in Southern Song Dynasty
At that time, both Yang and Lu were famous. There are few works handed down by Mao; Although Yang and Fan are not as good as Lu You, they have their own characteristics. Yang Wanli rebelled against the rigidity of Jiangxi poetry school and created a lively and natural sincere style. The number of works handed down from generation to generation by Yang Wanli and Lu You is amazing. The four great poets in ZTE represent the second most prosperous period of poetry in Song Dynasty. Yang Wanli has Zhai Chengji, Fan Chengda has Fan Shihu Ji, and Lu You has Lu Fangweng Ji handed down from generation to generation.
The four great poets of ZTE, also known as the four great poets of Southern Song Dynasty, are the four great poets of China, namely You Mao, Yang Wanli, Fan Chengda and Lu You. At that time, both Yang and Lu were famous. There are few works handed down by Mao; Although Yang and Fan are not as good as Lu You, they have their own characteristics. Yang Wanli rebelled against the rigidity of Jiangxi poetry school and created a lively and natural sincere style. The number of works handed down from generation to generation by Yang Wanli and Lu You is amazing. The four great poets in ZTE represent the second most prosperous period of poetry in Song Dynasty. Yang Wanli has Zhai Chengji, Fan Chengda has Fan Shihu Ji, and Lu You has Lu Fangweng Ji handed down from generation to generation.
Four Great Masters in Southern Song Dynasty
The four masters of the Southern Song Dynasty in the history of painting refer to Liu Songnian, Xia Gui, that is, the "four masters of the Southern Song Dynasty" in the history of painting in China: "Li, Liu, Ma and Xia." Among the four schools, earlier, Liu, Ma and Xia inherited and developed the painting method, which became the mainstream of the Southern Song Dynasty Painting Academy. The style characteristics of their four families are: Li Tang's paintings are vigorous, sharp and magnificent; Influenced by Li Tang, Liu Songnian's paintings are more neat. Li Tang, the teacher of Ma Yuan and Eve, made a multi-faceted close-up of the library with straight, rigid and simple techniques and dripping ink. It is called "Horse Corner" and "Xia Banbian". His painting style had a great influence on Zhejiang School and courtyard landscape painting in Ming Dynasty. All the way belongs to Hao Zongjian's painting style. At first, there was no such thing. Tu Long said: "Li Tang, Liu Songnian, Ma Yuan and Xia Gui are the four great men after Nandu." Zhang Chou said: "Liu Songnian was the crown in the Southern Song Dynasty, followed by Li Tang, Ma Yuan and Xia Gui." Zhang Taijie said: "Liu, Li, Ma and Xia all have fame, but Li and Ma are the most important."
The four masters of the Southern Song Dynasty refer to the painters of the Southern Song Academy, Liu Songnian, Xia Gui, also known as the "Four Masters of the Southern Song Dynasty", referred to as "Li, Liu, Ma and Xia". Earlier, Liu, Ma and Xia inherited and developed the painting methods and became the mainstream of the Southern Song Academy. The style characteristics of the four major painting schools are: Li Tang's paintings are vigorous, sharp and vigorous; Influenced by Li Tang, Liu Songnian's paintings are more neat. Li Tang, the teacher of Ma Yuan and Eve, is straightforward, vigorous, concise and dripping with ink, which forms a multi-faceted close-up of the library and is known as "the corner of the horse" and "Xia Banbian". His painting style had a great influence on Zhejiang School and courtyard landscape painting in Ming Dynasty.
Li Tang, Liu Songnian, Ma Yuan and Xia Gui, painters of the Southern Song Dynasty Painting Academy in the history of China painting. All the way belongs to Hao Zongjian's painting style. At first, there was no such name. Tu Long said: "Li Tang, Liu Songnian, Ma Yuan and Xia Gui are the four great men after Nandu." Zhang Chou said: "Liu Songnian was the crown in the Southern Song Dynasty, followed by Li Tang, Ma Yuan and Xia Gui." Zhang Taijie said: "Liu, Li, Ma and Xia all have fame, but Li and Ma are the most important."
Style characteristic
The painting styles of their four families are as follows: Li Tang's paintings are vigorous and magnificent, and the painting style has become incisive after crossing the south; Influenced by Li Tang, Liu Songnian's paintings are more neat. Li Tang, the teacher of Ma Yuan and Xia Gui, is rigid, concise, dripping with ink, and his composition tends to be close-up. It is called "Horse Corner" and "Xia Banbian". Due to the loss of Dong Juguocheng's paintings in the Southern Song Dynasty, Li Tang's painting style has to prevail, so there is a saying that "there are courtyard paintings in the Southern Song Dynasty without courtyard style". His painting style had a great influence on Zhejiang School and courtyard landscape painting in Ming Dynasty. All the way belongs to Hao Zongjian's painting style. At first, there was no such thing. Tu Long said: "Li Tang, Liu Songnian, Ma Yuan and Xia Gui are the four great men after Nandu." Zhang Chou said: "Liu Songnian was the crown in the Southern Song Dynasty, followed by Li Tang, Ma Yuan and Xia Gui." Zhang Taijie said: "Liu, Li, Ma and Xia all have fame, but Li and Ma are the most important."
Historical evaluation
Dong Tang of the Yuan Dynasty said: "For example, Li Tang, Zhou Zeng, Ma Yuan, Xia Gui, Li Jue, Li Anzhong, Lou Guan and Liang Kai, all those who were named in the Southern Song Dynasty Painting Academy were appreciated by Li Tang, and the rest could not be left alone." The proposer of this theory is Tang Yin's title of Liu Songnian's "The Hidden Map of Spring Mountain Fairy" in Ming Dynasty, which is called "Li Liu Ma Xia" in history. Later, Tu Long said: "Li Tang, Liu Songnian, Ma Yuan, Xia Gui, four people from Nandu." Zhang Chou said: "The top scholar in the Southern Song Dynasty was Liu Songnian, followed by Li Tang, Ma Yuan and Xia Gui." Zhang Taijie said: "Liu, Li, Ma and Xia all have heavy names, but Li and Ma are the most important." In a word, the four schools of painting in the Southern Song Dynasty ruled the landscape painting field in the Southern Song Dynasty for more than one hundred years. They add luster to history and painting style, and celebrities are eternal.
representative works
For example, Li Tang created the "axe chopping" method in his later years, and his representative works include The Map of Wanhe and Song Feng. Liu Songnian people are called "Liu Qingbo" and "Mi Men Liu", and his masterpiece is Four Scenes. Ma Yuan's painting history calls him "the corner of the horse". Representative works include Walking Map and Water Map. Xia Gui's painting style is similar to that of Xia, which is called "Horse and Summer", and painting history calls it "Xia Banbian". Representative works include "Xishan Qingyuan Map" and so on. They also influenced the landscape paintings of Zhejiang School in Ming Dynasty, even as far away as the East, and were highly valued by Japanese painting circles.