Brief introduction of Yu Pingbo.
Yu Pingbo was born in 1900, formerly known as Yu Mingheng. His ancestral home is in Dainan Village, the eastern suburb of Deqing, Huzhou. He was a famous writer, redologist and poet in the early days of the New Culture Movement, because he was one of the pioneers of China's vernacular poetry creation. Yu Pingbo studied in Suzhou Pingjiang Middle School at the age of fifteen, and later was admitted to the Ethnic Preparatory School of Peking University Literature Department. Two years later, Yu Pingbo married a girl named Xu Baoxun in Hangzhou. Xu Baoxun's family are all Kunqu lovers, Xu Baoxun's father is an amateur Kunqu lover, and his mother can not only sing Kunqu opera, but also write lyrics and compose music.
19 18, Yu Pingbo first appeared in the literary world. His vernacular poem "Spring Water" is loved by many people. In the following year, he and Zhu Ziqing founded the earliest monthly new poetry magazine Poetry Magazine. Yu Pingbo 19 19 graduated from Peking University. From 192 1, Yu Pingbo began to study A Dream of Red Mansions, and gradually embarked on the road of studying classical literature. Later, he gave lectures in Tsinghua University, focusing on Qing Ci, drama, novels and China's poems, with outstanding achievements.
193 1 After the September 18th Incident, Yu Pingbo began to participate in the anti-Japanese national salvation movement and wrote many poems and articles to inspire China youth. 1935, Yu Pingbo was elected president of Guyinshe, shouldering the heavy responsibility of saving Kunqu opera. After 1952, some articles and books of A Dream of Red Mansions by Yu Pingbo were published. 1958, Yu Pingbo auditioned Peony Pavilion in Beijing in memory of Tang Xianzu, and Zhou Enlai also went to the scene to watch it. Yu Pingbo, with a long history, still pays attention to the development of Kunqu Opera. 198 1 year, he and Yu Zhenfei wrote a preface for The Music of True Flying. 1986, Yu Pingbo was invited to Hong Kong to attend the symposium on a dream of red mansions. June 1990, 15.
What works does Yu Pingbo have?
Yu Pingbo's works cover many fields, such as prose and poetry. Because Yu Pingbo has been engaged in the study of a Dream of Red Mansions all his life, Yu Pingbo's Dream of Red Mansions, Dream of Red Mansions and other works are very famous.
The book A Dream of Red Mansions is divided into three volumes. The first volume mainly discusses the first forty chapters of A Dream of Red Mansions, the middle volume mainly analyzes the story of Qian Eighty chapters of A Dream of Red Mansions, and the second volume mainly studies lost essays and fat comments. Later generations rated this book as the first monograph in the history of A Dream of Red Mansions, because although the book is not very large, it involves many fields of A Dream of Red Mansions, and some of its research results are of great help to later researchers of A Dream of Red Mansions.
A Dream of Red Mansions is also an important research achievement of Yu Pingbo. This book focuses on the story of the last 30 chapters of A Dream of Red Mansions. In fact, the predecessor of this book is A Dream of Red Mansions. 1September, 953, Yu Pingbo changed A Dream of Red Mansions into A Dream of Red Mansions, and inserted more than 200 beautiful pictures in the book for readers to enjoy better. However, this book is of great literary value in later generations, and it is equivalent to a directional lamp for researchers of A Dream of Red Mansions and classical literature.
Of course, Yu Pingbo also has some exquisite prose works, such as Yan, Winter Night, Returning to the West and so on. Some famous prose works, such as West Lake on June 18th and Taoranting Snow, are sought after and appreciated by many scholars.
Characteristics of Yu Pingbo's Prose
The characteristics of Yu Pingbo's prose are mainly reflected in the language of the prose. First of all, Yu Pingbo's prose pursues the strangeness of collocation between words, so Yu Pingbo pays great attention to the use of attributives, and Yu Pingbo often uses two or four words to modify restrictive nouns, which are exquisite and wonderful, not only novel, but also unique to read. In sentence patterns, Yu Pingbo does not stick to one sentence pattern, but combines parallel prose with different lengths, which is very flexible, but sometimes pays attention to the neatness of antithesis, and has a deep classical charm. Secondly, Yu Pingbo's prose is a combination of vernacular Chinese, classical Chinese and written language, which makes his prose language elegant and literary, while some colloquial words in the text make Yu Pingbo's prose very grounded and cordial to read.
The last point is that Yu Pingbo will use a lot of rhetorical devices in his prose works, which not only increases the expressive force of the article, but also endows it with rich and elegant atmosphere. Yu Pingbo believes that repetition and overlapping writing techniques can enhance the tone of the article and enhance the overall aesthetic feeling of the article. For example, Yu Pingbo's essay "Qinhuai River in the Shadow of a Paddle", Yu Pingbo used many overlapping words, which were particularly catchy and musical.