Listen to the Lantern Festival, it’s noisy in the past, thousands of families are singing and dancing. Listen to the Lantern Festival, this year is sighing, thousands of families are worried, and thousands of families are complaining. Are there any BMWs that are popular in this world? Just send the jackdaws of the ancient trees at dusk. Poetry has also faded, wine has also faded, the spring breeze has been left out in the cold, and the plum blossoms have become haggard. ——Wang Pan, Ming Dynasty, "Ancient Toad Palace, Lantern Festival" Ancient Toad Palace, Lantern Festival Listening to the Lantern Festival, you can hear the noisy past years, thousands of families singing and dancing. Listen to the Lantern Festival, this year is sighing, thousands of families are worried, and thousands of families are complaining. Are there any BMWs that are popular in this world? Just send the jackdaws of the ancient trees at dusk. Poetry has also faded, wine has also faded, the spring breeze has been left out in the cold, and the plum blossoms have become haggard. Lantern Festival, Sympathy, People's Life Notes ⑴ Lantern Festival: The fifteenth day of the first lunar month is the Lantern Festival. On this night, there is a folk custom of hanging lanterns and watching lanterns.
⑵ Sigh this year: There are sighs everywhere this year.
⑶The world is bustling with excitement. Fragrant cars and BMWs: luxurious cars and horses.
⑷Exhaustion: depression, poverty. Brief analysis
This Sanqu is a work that reflects social reality. Xiaoling described the lively and joyful atmosphere of the Lantern Festival in previous years, and at the same time, he also wrote about the deserted Lantern Festival and the sorrow and resentment of the people in the year of writing. The comparison between the past and the present reflects the declining state of the Ming Dynasty and the deteriorating life of the people. He expresses deep sympathy for the suffering life of the people and expresses strong dissatisfaction with the cruel rule of the government.
This song uses the contrasting technique of "this year" and "past years" to describe the desolate scene of the Lantern Festival. "Listen to the Lantern Festival this year, thousands of families are worried and resentful." It reflects the reality of people's lives at that time and the resentment of the broad masses of people against reactionary rule. According to "Yao Shan Tang Wai Ji": "During the Hongzhi and Zhengde periods, the Lantern Festival in Gaoyou was at its peak, and those who did good things brought good lamps and wine to enjoy themselves in the West Tower. ... Later, after years of famine and harsh rule, Lu Yan withered away, and the good night came to an end. . '" This passage can be the best footnote to this little order. Wang Pan (about 1470-1530) is known as the crown prince of Nanqu. A Sanqu writer and painter in the Ming Dynasty, he was also knowledgeable in medicine. The courtesy name is Hongjian, a native of Gaoyou, Jiangsu. When he was young, he failed to pass the imperial examination and never held an official position in his life. He indulged himself in landscapes, poetry and paintings, built a tower in the west of the city, and sang and chanted with the literati all day long, so he called himself "West Tower". He composed Sanqu with a wide range of themes. During the Zhengde period, the eunuchs were in power. When ships arrived at Gaoyou, they often blew trumpets and harassed the people. He wrote a satirical poem "Chao Tianzi: Ode the Trumpet". He is the author of "Wang Xilou Yuefu", "Mr. Wang Xilou Yuefu", "Wild Vegetables" and "Xilou Rhymed Poems".
Wang Pan
Wang Pan (about 1470-1530) is known as the crown of Nanqu. A Sanqu writer and painter in the Ming Dynasty, he was also knowledgeable in medicine. The courtesy name is Hongjian, a native of Gaoyou, Jiangsu. When he was young, he failed to pass the imperial examination and never held an official position in his life. He indulged himself in landscapes, poetry and paintings, built a tower in the west of the city, and sang and chanted with the literati all day long, so he called himself "West Tower". He composed Sanqu with a wide range of themes. During the Zhengde period, the eunuchs were in power. When ships arrived at Gaoyou, they often blew trumpets and harassed the people. He wrote a satirical poem "Chao Tianzi: Ode the Trumpet". He is the author of "Wang Xilou Yuefu", "Mr. Wang Xilou Yuefu", "Wild Vegetables" and "Xilou Rhymed Poems". ? 8 poems and essays The imperial capital is filled with moonlit lantern hills, and narrow thoroughfares covered with fragrant carriages and treasures. He is prosperous in his spare time, and he is ashamed to chase fellow villager Sai Zigu. ——Tang Dynasty·Li Shangyin's "Watching the Lanterns and Enjoying the Journey"
Watching the Lanterns and Enjoying the Journey
Tang Dynasty: Li Shangyin's moonlight lanterns filled the imperial capital, and fragrant carriages Baogai pass thoroughfare.
He is prosperous in his spare time, and he is ashamed to drive away Sai Zigu, a fellow countryman. Festival, Lantern Festival, the mountains are blue and blue, the cold dusk is sad and the eyebrows are light. The southern road is moist and crisp, and the lights are deep in the courtyard. As the night progresses, the music and singing get warmer. The colorful flags were fluttered and Yinan danced all over. Don't be afraid of roaming freely, plain socks are dusty, and walking skirts are red. Silver candle cage gauze, green screen does not illuminate the broken plum blossoms. Wash your makeup and clear away the wet spring breeze, you should look at it with crying marks. Chu Meng showed mercy. Su'e is worried and the sky is deep and far away. The pillow moves out of the window at dawn, the fragrance of the wine is lingering, and the spring shade rolls up. ——Song Dynasty·Wu Wenying "The Candle Shadow Shakes Red·Yuan Xi Yu"
The Candle Shadow Shakes Red·Yuan Yuan Xi Yu
Song Dynasty: Wu Wenying's blue mountain posture, cold dusk and sorrow Qinge's eyebrows are light. The southern road is moist and crisp, and the lights are deep in the courtyard. As the night progresses, the music and singing get warmer. The colorful flags were fluttered and Yinan danced all over. Don't be afraid of roaming freely, plain socks are dusty, and walking skirts are red.
The silver candle cage gauze, the green screen does not illuminate the broken plum blossoms. Wash your makeup and clear away the wet spring breeze, you should look at it with crying marks. Chu Meng showed mercy. Su'e is worried, and the sky is deep and far away. The pillow moves out of the window at dawn, the fragrance of the wine is lingering, and the spring shade rolls up. During the Lantern Festival, write about the rain, and write about people. The lights capture the brilliant lights. Playing drums invade Mingfa. The objects are the same in the old days, but the sentiments are different in the middle years. The eyebrows in the shallow painting mirror, the deep worship of the west moon in the building. People disperse and the sound of the market closes, and the sad season gradually begins. ——Liu Kezhuang, Song Dynasty, "Sheng Chazi·Playing Chen Jingsou on Yuanxi"
Shengchazi·Playing Chen Jingsou on Yuanxi The lanterns captured the splendor. Playing drums invade Mingfa. The objects are the same in the old days, but the sentiments are different in the middle years.
Draw the eyebrows in the mirror lightly, worship the moon in the west of the building deeply. People disperse and the sound of the market closes, and the sad season gradually begins.
Graceful, Lantern Festival, sad and lonely