Taboos that can't be violated when writing modern poetry.

First, the reason why we want to coordinate the law is because the internal format of modern poetry itself requires that only coordination can be called modern poetry; The second is to recite catchy words and show the musical beauty of words. Metric is the tonal requirement of poetry and writing. Whether it is ancient poetry or modern poetry, we should consider the tone of writing. In a good article, the author pays more attention to the use of style, not to mention modern poems and words with strict metrical requirements. Thirdly, harmony is also a way for the author to show his poetic talent to readers. On June 6th, 2008, the A26 edition of Shandong Qilu Evening News published two words named "Jiangchengzi" and "Chaitoufeng" by Wang Zhaoshan (vice chairman of Shandong Writers Association), which were criticized by netizens for one of the reasons: low conception, and disharmony, which made people laugh.

Second, avoid rhyming with old rhymes. Xu teacher of Zhai Boyou commented on a seven-meter poem written by Boyou Blue Cat's hometown with new rhyme: "There are changes from time to time, and the sound has shifted", and he strongly advocated the use of new rhyme, which is very correct. The pronunciation of Chinese characters has been changing for thousands of years. Even in the Tang Dynasty, when modern poetry flourished, Qi Yun, written by Lu in the Sui Dynasty, did not conform to the pronunciation at that time, and it was inconvenient to rhyme, so the Tang Dynasty stipulated that similar rhymes could be used together. The Pingshui rhyme of Liu Yuan in the Southern Song Dynasty has been more than a thousand years, and its pronunciation has long been diametrically opposed. How can it be regarded as "code"?

Three, don't use dead words. Now which woman is still "yellow"? Is "Lingluo" added? The five-foot gun was replaced by the "three-foot sword", and the "Xiang BMW" became Mercedes-Benz and Hummer. Who will hold the "round fan" of air conditioning? In the fifth issue of Knowledge of Literature and History in 2009, there was an article by Mr. Cao Xu from the School of Humanities of Shanghai Normal University, entitled "Huang Zunxian: the Giant of Poetry Revolution". The article wrote: "If the arm is written goodbye, people in the Tang and Song Dynasties will leave, riding donkeys, riding carriages and taking boats; Huang Zunxian took a train, a car and a ship, with a picture of his lover on his chest. After arriving at his destination, he also sent a telegram home. Therefore, some artistic conceptions in Huang Zunxian's poems were not found in Tang and Song Dynasties. ..... If there are new things like ships, trains, photos and telegrams in the Tang Dynasty, Du Fu will definitely write close-ups and send telegrams to Qiang Village to save a family letter for a ton of gold. "

For example, Huang Zunxian wrote in his Singapore Miscellaneous Poems:

It's good to stay on the land, stay in the taste.

Rao is alive, I want betel nut to be old.

Another poem about the Japanese fire department goes like this:

Red candles shine on the surrounding sea, and the sky is full of white rain and dragonflies.

Fang Jing was surprised that the bell of the police pillow had arrived. He had called the car to put out the fire.

There are many new words in poetry that reflect the characteristics of the times, and they are really "new wine in old bottles"

Four bogeys are unreasonable. Someone once joked that Du Mu's "It rains a lot during the Qingming Festival, and pedestrians on the road want to break their souls." Excuse me, where is the restaurant? The shepherd boy points to Xinghua Village. The first two sentences of each sentence are removed and become a five-character quatrain: "When it rains, pedestrians want to break their souls. Where is the restaurant, pointing to Xinghua Village ". Of course, this is to hate the procrastination of Du Muyuan's poems, but after the change, "it rains one after another" is not a word. But now some people's poems are even worse than "Time Rain", just as Wang Anshi ridiculed "Spring and Autumn Annals" as "a broken newspaper".

Five taboos don't talk about structure. Poetry is also like an article. Need to pay attention to structure, link the past with the future, and the details are appropriate. Such as seven laws, the first couplet should be summarized as "starting"; The neck couplet and the parallel couplet are closely linked to the first couplet, which is written in detail and is "bearing"; The ending sentence is "turn" and the ending is "close". If you divide it into two pieces, either the first piece is actually written and the second piece is empty, or the first piece is written about events and the second piece is written about history. In short, the first and second articles should be written from different angles around the theme, and there should be no hierarchy and context. White Zhai once commented on the words "like seven pagodas, carefully dismantled without breaking into pieces", which means that Meng Chuang's words are flowery, the whole chapter is considerable, and the clauses lack artistic conception. But some newly written poems and songs have nothing to do with each other, just a bunch of gorgeous words.