Beautiful ancient poems describing landscapes.
1, the setting sun leans against the west building. The distant mountain is opposite the curtain hook. -Yan Shu's "Qing Ping Le Hong Xiao Jianzi"
2. Outside the sunset, there are ten thousand points in West Western jackdaw, and the water flows around the lonely village. -Qin Guan's Man Ting Fangshan Mo Wei Yun
3. The visible giant tripod falls and returns to the cliff. -Li Bai's "Song of Lushan Mountain" is a suggestion to Lu Xuzhou.
She has been taking care of an empty boat in the estuary, and she has no companions except the bright moon and cold water. -Bai Juyi's Pipa Trip/Introduction to Pipa
There are two mountains in the middle of the Yellow River. -Li Bai's "After the chaos, Tian En Liu Yelang recalled the past and gave Jiang Taishou a good slaughter"
6, the setting sun pushes the tent to sit, and the emerald color is willing to board the boat. -Ji Yun's "Fuchun to Yanling Landscape is Very Good"
7. Know the language of drunkards, and the color of mountains is yes and no. -Su Shi's "Water Tune, Huangzhou Kuaizai Pavilion Presents Zhang Lisu"
8, the mountains are far and near, the roads are inclined, and there are people who are clear. -Xin Qiji's Partridge Days, Soft Mulberry Breaking Buds
9, see through the butterfly, some water flies slowly. -Du Fu's "Two Songs of Qujiang"
10, the river sends Banan water, and the mountain crosses the north cloud. -Wang Bo's "Two Farewells to Jiangting jathyapple"
165438+- Qin Guan's Man Ting Fangshan Mo Wei Yun
12, the rice root is like a block, and the water is one foot wide this year. -Fan Chengda's "Summer Village Miscellaneous"
13, it's the first time I've heard of geese. Without cicadas, the water is as high as a hundred feet high. -Li Shangyin's Frost Moon
14, only the creak of his paddle, in the green mountains and green waters. Looking back, the fishing boat has drifted below the horizon, and white clouds are floating in the mountains, chasing each other. -Liu Zongyuan's Fisherman
15, the sea is vast and the sky is wide, and the mountain is high and the road is far. I don't know where Xiaoxiang is. -Liu Yong's Jade Butterfly, looking at the rain and gathering clouds.
16, 3 Chun Xue belongs to Zhong Qing, and Wan Li Yellow River surrounds Montenegro. -Liu, Complaining/Complaining
17, its huge height is close to the city of heaven, connecting Qian Shan Wanshui to a corner of the sea. -Wang Wei's Zhong Nanshan
18, the river is sad at night, and the mountains are deep. -Xin Qiji's "Bodhisattva Man, Book Jiangxi Mouth Wall"
19, the ditch water flows from east to west. -Zhuo Wenjun's "White-headed Song"
20, Shu Gao Qiu, an empty mountain condenses clouds. -Li He's Quotations from Li Ping
2 1, I dreamed of the West Lake yesterday, and there was a story about an old boat. -Wu Wenying's "Worship the stars and slow down the moon, Yu in the forest, Jiang Shizhen, and dozens of pots of lotus flowers are placed in the atrium to entertain guests"
On the 22nd, if you can't cross the mountain, who can sit on wheatgrass? -Lu Sidao's Join the Army
23. Yanshan snowflakes are as big as seats, and pieces of them blow off Xuanyuantai. -Li Bai's Popular North
24. The Yellow River is raging, sounding like Hong Zhong, thundering. -The article "Dancing Words/Crossing the River without Gong"
25. The Yangtze River flows like a rainbow and winds around it. -Song Lian's "Reading the River and Lou Ji"
26, Koharu cold food day. The jade stove is full of water and smoke. Dream back to the mountain to hide flowers. -Li Qingzhao's "Huanxisha Dandang Spring Cold Food Day"
27. Bashan Chushui was desolate and deserted for 23 years. -Liu Yuxi's "The First Meeting in Yangzhou to Enjoy Lotte"
28. There are few flat banks on the Chengjiang River, and there are many late flowers on the secluded trees. -Du Fu's "Two Hearts and Water Threshold"
29. To the north of the Great Wall is a blue mountain range, and to the east is a white waterline. -Li Bai's "Seeing Friends Off"
30. The long wind rustles over the water, and the geese die again and again. -Lu Sidao's Join the Army
3 1, the moving boat splashed green, and the handle greeted the sill. -Zheng Gu's Lotus Leaf
32. The river is green, and I listen to Langjiang songs. -Liu Yuxi's "Two Zhuzhi Ci Poems, the First Part"
Although it is gray grass, Tatar horse is plump. On the west side of Jinshan, smoke and dust gather. General of China Army, start your campaign! . -Cen Can's "Journey to the Western Ocean/Farewell to the Song of General Feng on the Horse River"
At the age of 34.30, Jinhe recovered and lived with Ma Ce and Dao Huan. -Liu, Complaining/Complaining
35. When I went to Cangjiang in June, whales and giant salamanders suddenly left traces. -Li Bai's "Red Cliff Song Farewell"
36. The highlands and rivers on the outer border were cold and desolate, but soon the barbarians' horses ran wild in the wind and rain. -Gao Shi's Ge Yanxing
37. Playing the Qiang flute and Guan Shanyue, there is no trouble for Wan Li, the golden boy. -Wang Changling's "Seven Military Services"
38. If the wind breaks down, it can still smash the water. -Li Bai's "Li Shangyong"
39. The east wind turns green, the geese return, and people do not return to the south. -Be careful of "high balcony, send Chen Junheng to call"
40. In August, the winds along the Yangtze River in Wan Li and Qian Fan are very light. -Cui's "Looking at Qinghe Autumn"
4 1, Changji once joined hands, thousands of trees pressed, and the West Lake was cold. -Jiang Kui's Dimfragrance and Old Moonlight
42. I have seen it several times on the Sui Dyke. It floated on the water and cotton fell off. -Zhou Bangyan's "Heroes Lan Ling Liu"
43, three mountains and a half fall out of the sky, like this Egret Island divided the river. -Li Bai's "On Nanjing's Landing on the Phoenix Terrace"
44, the Yellow River west to Kunlun, roaring Wan Li touch Longmen. -Li Bai's Kung Fu Crossing the River
45. You answered "I'm not satisfied" and then rested at the foot of Nanshan ... —— Wang Wei's farewell.
46, the bright moon and the yellow river night, the cold sand is like a battlefield. -Li's Night Sleeping on the Yellow River
47. Dead branches have no ugly leaves, and dry water spits clear springs. -Li Bai's "Long Songs"
48. We looked at the green trees around your village and the pale blue of the distant mountains. -Meng Haoran's Passing Old People's Village
49. If you don't meet Qinghai horses far away, it is difficult to pull out the Shushan snake. -Li Shangyin's "Ode to the Epic, Part II"
50. My middle-aged heart found its way, and I came to live at the foot of this mountain. -Wang Wei's "My Retreat in Zhongnanshan/Entering the Mountain for the First Time/Entering the Mountain to Send Old Friends in the City"
5 1, the plum is yellow and sunny, and it flows all over the mountain. -Once upon a time, "Triqu Daozhong"
52. In my north and south, spring is flooding. Day after day, I only see seagulls. -Du Fu's "Guest Arrivals"
53. But now, the long river, the lonely sails and the five lakes are shining with the light of spring in the sunset. -Liu Changqing's "Watching the King Go South"
54. It is said that plum blossoms are in the wind and snowdrifts are all over the four mountains. -Lu You's "Plum blossom quatrains"
55. Chen Qiang was lucky enough to bypass Chen Shan and go down to Xiaoxiang for him. -Qin Guan's "Treading in the Sand to Chenzhou Hotel"
History of landscape painting
Landscape painting is a distinctive branch of China, which began in Sui Dynasty. Landscape painting emphasizes "Pingyuan", "lofty" and "profound". From the perspective of scattered points, Pingyuan is like "walking on a shady road", changing the focus while walking, so it can draw a long picture, including Wan Li. The height is like a parachute descending slowly from the top of the mountain, and the center of gravity is also changing. From the top of the mountain to the foot of the mountain, you can draw a long vertical axis; Far-reaching use of the shape contrast between far and near mountains, draw a three-dimensional and deep valley effect.
Since ancient times, China's landscape painting has four characteristics: people or buildings must appear on the painting before the painting shows vitality; From the Tang Dynasty, China's landscape painting began to be divided into two schools: South and North. The founder of the Northern School was Li Sixun, a painter in the Tang Dynasty. He invented the axe chopping method, which used colors repeatedly in paintings and bright azurite on thick ink spots, which was very suitable for realizing the sunny and towering peaks in the north. Song Dynasty painters Zhang Zeduan, Li Tang, Ma Yuan and Xia Gui inherited his painting style and formed their own school.
Originally, landscape painting developed to the middle page of the Ming Dynasty, which has been relatively open, and the dispute between painting schools is the main feature. This is a sign of vitality. Among the four major schools of painting, it can be divided into "Zhejiang School" headed by Dai Jin, "Wu Pai" represented by Ming Sijia (Shen Zhou, Wen Zhiming, Tang Yin and Chou Ying) and "Wu Pai's stamina" represented by Zhang Hong. From Wanli to Chongzhen, there has been a new turning point in the field of painting. Suzhou painters, represented by Zhang Hong, found a new way in literati landscape painting and created works full of life flavor. They innovate on the basis of inheriting Wu Pai's painting style and characteristics, return to nature, sketch in Shan Ye, learn from nature, and understand the true meaning of painting. He embodies the transcendental spiritual realm in his paintings, which brings life to landscape painting. Wang Shimin, Wang Jian, Wang and Wang Yi, the "four kings" of Qing Dynasty, influenced Dong Shi's painting theory, showing the imitation style of Ming Dynasty, reaching the ultimate understanding of traditional literati's pen and ink, catering to the political and cultural pursuit of Qing Dynasty, and affecting the pattern of market prospect for a hundred years. In the early Qing Dynasty, there were many painters who were different from the four kings' artistic views, and many dared to innovate, but few dared to come out and be unique. Shi Tao, the revolutionary leader who advocated the innovation of landscape painting at that time, appeared under the background of Manchu nobles ruling the painting world. The former Ming dynasty left an empty door, broke through the convention with the spirit of cynicism and took free personality as the artistic goal. He challenged the four Wang theories by "searching all over Qifeng and rising from the ground". Shi Tao's significance lies in his views on life movement, overall momentum, rhythm, contrast of center of gravity and tension of pen and ink. Coupled with the profound knowledge and cultivation of the three religions and one theory, it can be said that the feelings of literati have seen another peak in Shi Tao's face. It is precisely because Shi Tao developed a set of freehand brushwork formal rules with self-writing spirit, novel posture, visual stimulation and artistic appeal with his rebellious pen of life. His influence has been a model for generations since the early Qing Dynasty.
The Southern Landscape Painting School is also called "Jiangnan Landscape Painting School" or "Nanzong Landscape Painting School". One of the schools of Chinese painting, Shen Kuo's "Meng Qian Bi Tan" in the Northern Song Dynasty said: "Dong regards autumn haze and writes more about the true mountains in the south of the Yangtze River, not because of strangeness; Ju Ran, the founder of Jianye, gave a wonderful description of Dong Fa. " Mi Fei's "History of Painting" also said: "Dong Yuan is simple and naive, and Tang has no such thing." This school, with Dong Yuan and Ju Ran as its masters, is known as "Dong Ju" in the world. Hui Chong and Zhao Lingrang's small scenery, therefore, made a tributary. Mi Pai Yunshan by Mifei and his son depicts the scenery around Jingkou and shows the new look of this school. At the end of the Southern Song Dynasty, Chang Fa (Muxi) and Ruofen (Encounter) belonged to the southern painting system and reached their peak in the Yuan Dynasty.