"The Book of Songs" is the first collection of poetry in ancient China produced in the ritual and music culture of the Zhou Dynasty. In the process of its dissemination and spread, it was once used as a "ritual and music" music and a "poetry" poem. One of the "Five Classics", and the main part of the "Book of Songs" is the singing of the Zhou people. Its collection is closely related to the ritual and music culture of the Zhou Dynasty and its influence.
"The Book of Songs" was originally called "Shi" or "Three Hundred Poems". It was officially called "The Book of Songs" after it was designated as one of the "Five Classics" in the Han Dynasty. Most of the "Book of Songs" began in the early Western Zhou Dynasty and ended in the middle of the Spring and Autumn Period. Therefore, the existence of "The Book of Songs" itself is closely related to the political, cultural and economic background of the Zhou Dynasty, and the artistic form and ideological content of "The Book of Songs" are even more closely related to Zhou culture. The relationship was deeply influenced by the culture of the Zhou Dynasty.
The creation area of ??the marriage and love poems in "The Book of Songs" is vast, and there are differences in marriage systems and marriage customs in different regions. For example, "Zhou Nan" and "Zhao Nan" are poems written in the two areas divided by Ji Dan and Zhao Gong Ji Xi (now Jiaxian County, Henan Province). Their creations were directly influenced by the ritual and music culture of the Zhou Dynasty, so their creations were directly influenced by the ritual and music culture of the Zhou Dynasty. Wedding love poems are relatively closely related to Zhou Li's wedding. The marriage and love poems in The Book of Songs reflect the marriage and love life of all social strata at that time. According to the social status of the protagonists in the poem, they can be roughly divided into civilian and aristocratic marriage and love poems.
"The Book of Songs" is divided into three parts: "Wind", "Ya", and "Song". "Wind" is called "Guo Feng", also known as "Bang Feng", based on "Han Feng" in "Feng" "Guang" is an example of a common people's marriage poem, which reflects the wedding etiquette and process of people at that time. This poem is a love song about a man who pursues a woman but cannot get her. The lyrical protagonist is a young woodcutter. He fell in love with a beautiful girl, but he could never get his wish. His emotions were entangled and he could not escape. Facing the vast river, he sang this moving poem and poured out his melancholy. The rising lines in the three chapters of the poem vividly hint at the labor process of the young woodcutter, who is the lyrical protagonist, in felling wood and mowing wages. At that time, the Zhou Dynasty was in the stage of cultural upsurge. Three scholars who studied the Book of Songs in the Western Han Dynasty believed that the vast area between Jiang and Han was civilized by King Wen of Zhou, and the women there had the virtue of chastity. So the poet wrote this poem, using trees, goddesses, and Jianghan as the symbols. Than, praise the beautiful woman there. The poetic environment of "Han Guang" is summarized as "visible but unavailable". Influenced by the Zhou culture at that time, it expresses the protagonist's young woodcutter and the labor process of cutting wood and harvesting wages, expressing that the protagonist is in love with a beautiful girl, but he has always been It's hard to fulfill your wish. Tangled with emotions and unable to escape, facing the vast river, he sang this moving poem and poured out his melancholy.
In addition to "Han Guang", there are also civilian marriage and love poems that reflect the complexity of common people's marriage patterns. Some poems reflect that common people have not yet been restrained by more etiquette and laws, and still retain ancient traditions. Young men and women There is also the freedom to choose a spouse freely. For example, "The Quiet Girl" in "The Book of Songs" is a marriage and love poem full of strong local flavor, reflecting the love and dating of young men and women in rural areas. It was also influenced by Zhou culture at that time, and they all dared to express their freedom in choosing a spouse.
However, due to the influence of the Zhou Dynasty at that time, men were superior to women in social status. Men had the initiative in marriage and could abandon their wives at any time. A ruthless husband will not be condemned by society, but an innocent wife will be criticized and suspected. Take "Meng" in "The Book of Songs" as an example, which reflects the unequal system of the unequal society in the Zhou Dynasty at that time.
In addition to civilian love poems, there are also aristocratic love poems. Take "Magpie's Nest" in "The Book of Songs" as an example. This is a poem describing a wedding, and from the prosperity of the vehicles described in the poem, it can be seen that it belongs to the aristocracy. The wedding scene was deeply influenced by the ritual and music culture of the Zhou Dynasty, reflecting the emphasis on etiquette in the aristocratic marriage and love poems at that time.
The love and marriage poems in "The Book of Songs" are closely related to the weddings of the Zhou Dynasty. They were deeply influenced by the social life and cultural background of the Zhou Dynasty at that time. The wedding customs and ritual processes they reflected also reflected the current situation of the Zhou Dynasty at that time. , it is also of great significance to the cultural background of our current study of the Book of Songs.
Personally discuss the connection between "The Book of Songs" and Zhou culture
? "The Book of Songs" is the first collection of poetry in ancient China produced in the ritual and music culture of the Zhou Dynasty. The process was once regarded as "ritual music" music, "poetry" poetry, one of the "Five Classics", and the main part of the "Book of Songs" is the singing of the Zhou people. Its collection is closely related to the Zhou Dynasty ritual music culture and its influence.
"The Book of Songs" was originally called "Shi" or "Three Hundred Poems". It was officially called "The Book of Songs" after it was designated as one of the "Five Classics" in the Han Dynasty
Most of the "Book of Songs" began in the Western Zhou Dynasty In the early years, finally in the middle of the Spring and Autumn Period, the existence of the Book of Songs itself is closely related to the political, cultural and economic background of the Zhou Dynasty, and the artistic form and ideological content of the Book of Songs are even more closely related to Zhou culture
The relationship was deeply influenced by the culture of the Zhou Dynasty.
The creation area of ??the marriage and love poems in "The Book of Songs" is vast, and there are differences in marriage systems and marriage customs in different regions. For example, "Zhou Nan" and "Zhao Nan" are poems written in the two areas divided by Ji Dan and Zhao Gong Ji Xi (now Jiaxian County, Henan Province). Their creations were directly influenced by the ritual and music culture of the Zhou Dynasty, so their creations were directly influenced by the ritual and music culture of the Zhou Dynasty. There is a relatively close relationship between wedding poems and wedding ceremonies in Zhou Dynasty. The marriage and love poems in The Book of Songs reflect the marriage and love life of all social classes at that time. According to the social status of the protagonists in the poem, they can be roughly divided into civilian love and marriage poems and aristocratic love and marriage poems.
"The Book of Songs" is divided into three parts: "Wind", "Ya", and "Song". "Wind" is called "Guo Feng", also known as "Bang Feng", based on the "Han Feng" in "Feng" "Guang" is an example of a common people's marriage poem, which reflects the wedding etiquette and process of people at that time. This poem is a love song about a man who pursues a woman but cannot get her. The lyrical protagonist is a young woodcutter. He fell in love with a beautiful girl, but he could never get his wish. His feelings were entangled and he could not escape. Facing the vast river, he sang this moving poem and poured out his melancholy. The rising lines in the three chapters of the poem vividly hint at the labor process of the young woodcutter, who is the lyrical protagonist, in felling wood and mowing wages. At that time, the Zhou Dynasty was in the stage of cultural upsurge. Three scholars who studied the Book of Songs in the Western Han Dynasty believed that the vast area between Jiang and Han was civilized by King Wen of Zhou, and the women there had the virtue of chastity. So the poet wrote this poem, using trees, goddesses, and Jianghan as characters. Than, praise the beautiful woman there. The poetic mood of "Han Guang" is summarized as "visible but unavailable". Influenced by the Zhou culture at that time, it expresses the protagonist's young woodcutter and the labor process of logging and harvesting wood, expressing that the protagonist is in love with a beautiful girl, but he has always been It’s hard to fulfill your wish. Tangled with emotions and unable to escape, facing the vast river, he sang this moving poem and poured out his melancholy.
In addition to "Han Guang", there are also civilian marriage and love poems that reflect the complexity of common people's marriage patterns. Some poems reflect that common people have not yet been restrained by more etiquette and laws, and still retain ancient traditions. Young men and women There is also the freedom to choose a spouse freely. For example, "The Quiet Girl" in "The Book of Songs" is a marriage poem full of strong local flavor and reflects the love and dating of young men and women in rural areas. It was also influenced by Zhou culture at that time, and they all dared to express their freedom of choice of spouse.
However, due to the influence of the Zhou Dynasty at that time, men were superior to women in social status. Men had the initiative in marriage and could abandon their wives at any time. A ruthless husband will not be condemned by society, but an innocent wife will be criticized and suspected. Take "Meng" in "The Book of Songs" as an example, which reflects the unequal system of the unequal society in the Zhou Dynasty at that time.
In addition to civilian love poems, there are also aristocratic love poems. Take "Magpie's Nest" in "The Book of Songs" as an example. This is a poem describing a wedding, and from the prosperity of the vehicles described in the poem, it can be seen that it belongs to the aristocracy. The wedding scene was deeply influenced by the ritual and music culture of the Zhou Dynasty, reflecting the emphasis on etiquette in the aristocratic marriage and love poems at that time.
The marriage and love poems in "The Book of Songs" are closely related to the weddings of the Zhou Dynasty. They were deeply influenced by the social life and cultural background of the Zhou Dynasty at that time. The wedding customs and ritual processes they reflected also reflected the current situation of the Zhou Dynasty at that time. , it is also of great significance to the cultural background of our current study of the Book of Songs.