Poetry describing the winds of the four seasons

Summer in Poetry

1. I’m exhausted and don’t know how hot it is, but I’m glad the summer is long. (Bai Juyi: "Viewing the Cutting of Wheat")

2. Living deep in Foujia City, spring is gone and summer is still clear. (Li Shangyin: (Wan Qing))

3. The first summer is still peaceful, and the fragrant grass has not stopped. (Xie Lingyun: (Traveling to Chishi and Sailing on the Sea))

4. The bitter nights are short in midsummer, so open the pavilion to enjoy the slight coolness. (Du Fu: "Sigh on a Summer Night")

5. Farmer Fang Xiayun, sit still and I dare to eat. (Dai Fuxu: "Great Heat")

6. Everyone suffers from the heat, but I love the long summer. (Li Ang: "Summer Couplet")

7. The remaining clouds bring the summer heat away, and the new rain brings the mist of autumn. (Cen Shen: "Shui Pavilion Sends the Prince of Huayin to Return to the County")

8. It rains continuously and the summer is gone. Deep. (Fan Chengda: "Xiqing")

9. The Qingjiang River embraces the village, and everything in the Changxia River Village is quiet. (Du Fu: "Jiangcun")

10. There is no need to regret that Fang Fei is gone. Xia Mu’s yang and yin are both positive and pleasant.

While living in seclusion in Wangchuan, Wang Wei composed a number of exquisite landscape poems, which he compiled into "Wangchuan Collection", which included twenty five-character quatrains that he and his friend Pei Di sang in harmony with each other. It describes the scenery near Wangchuan Bieye and expresses the joy of living in seclusion. Let's first look at "Xinyiwu":

The hibiscus flowers bloom in the mountains.

The stream. There is no one in the house, they bloom and fall one after another.

In the silent mountain stream, the flowers bloom and fall on their own, growing and dying by themselves. They are not external objects, have nothing to do with the world, and no one knows about it. The world far away from the hustle and bustle is also the poet Wang Wei's unique artistic conception that combines subjectivity and objectivity. It is simply a symbolic realm of the Buddhist concept of emptiness and annihilation. Therefore, Hu Yinglin, a literary critic in the Ming Dynasty, said that this poem is a work of "entering Zen" and "reading it reflects one's own life experience." Two forgetfulness, all thoughts are silent." (Volume 6 of "Shisou") The artistic conception created by Wang Wei here is born outside the image, and is a combination of poetry and Zen. It has great significance. Suggestiveness and strong artistic appeal. This artistic achievement cannot but be attributed to his study of Buddhism and the influence of Buddhist thinking.

Wang Wei was called " "Poetic Buddha". He believed in Buddhism in his early years. His mother, Cui, has been observing precepts and meditating for more than thirty years. Wang Wei and his younger brother Wang Jin "both worship Buddha and live on a vegetarian diet, which is not as good as meat and blood" ("Old Book of Tang·Biography of Wang Wei") When Wang Wei was 31 years old, his wife died and he no longer married. He lived alone in a house, isolated from the world, and "had no descendants" ("Rebuking Brother Biao"). He also wrote many poems and essays about Buddhism. , has a high attainment in Buddhism.

Among the Buddhist schools in the Tang Dynasty, Wang Wei believed in Zen, and mainly believed in Nanzong Zen. Nanzong Zen is a combination of Buddhist thought and Chinese native Confucianism. The product of the combination of Taoism and Taoism, its philosophy of life of letting one's destiny prevail provides the latest and most complete way of life for Chinese scholar-bureaucrats and intellectuals, and some of the practice methods of Southern Zen are closely related to those with Chinese characteristics. Poetry creation has similar similarities. Yan Yu, a literary critic in the Song Dynasty, said: "In general, the way of Zen lies in the wonderful enlightenment, and the way of poetry also lies in the wonderful enlightenment" ("Canglang Poetry Talk"). It can also be expressed as a sensitivity to art. Both poetry and Zen require keen inner experience, both emphasize revelation and metaphor, and both pursue implication. The Southern Zen School talks about "sudden enlightenment" and often uses visual expressions to teach the Dharma, with special emphasis on the role of intuition, suggestion, induction, and association in understanding. Wang Wei has gained experience in Zen practice, so he naturally has a deep understanding of this method of grasping the world. He integrated his understanding of Buddhism into his outlook on life, turned religious emotions into poetic thoughts, and created a poetic artistic conception of "emptiness", "silence" and "idleness". Zen Buddhism advocates the style of scenic mountains and forests, and it also guided and inspired Wang Wei to consciously get close to mountains and rivers and explore their aesthetic value.

Wang Wei described his inner experience in the poem "Zhuli Pavilion":

Sitting alone in the secluded bamboo, playing the piano and whistling loudly.

People in the deep forest don’t know that the bright moon comes to shine.

The poet sat alone in the deep bamboo forest, playing the piano and screaming. No one knew he existed, only the bright moon came to accompany him. Nature understands his inner loneliness best, and the clear brilliance of the bright moon brings him a kind of quiet happiness. Things and I are one and things and I are forgotten, Zen and poetry are in harmony. The same is true of "Lu Chai":

No one can be seen in the empty mountain, but the sound of people's voices can be heard.

Returning to the deep forest, the light shines on the moss again.

There is no one in the empty mountain. Only intermittent human voices can be heard floating in the deep forest. A ray of sunset shines on the moss deep in the dense forest, making it so trance-like and desolate. This is exactly the kind of empty and lonely realm far away from the hustle and bustle that Wang Wei pursues. Although lonely, it is also enriching.

Wang Yuyang of the Qing Dynasty said that Wang Wei's small poems "every word is like Zen" and "the wonderful truth is spoken in a subtle way, which is no different from the World Honored One holding flowers, Kasyapa smiling, etc." ("Silkworm Wei Continue" arts"). In other words, Wang Wei's landscape poems have Zen interest, Zen joy, and Zen flavor. Their words are exhaustive and their meanings are endless, conveying the meaning of Zen. Naturally, it fully expresses the poet's unique taste for the beautiful scenery of mountains and rivers.

Wang Wei does not necessarily only seek Zen in deserted places, he also sets his sights on the vast world and the lively farm life:

Xinqing The wilderness is vast, and as far as the eye can see there is no dirt.

Guomen faces the ferry, and the village trees connect to the mouth of the stream. Outside the clear fields of white water, behind the green peaks emerging from the mountains. There is no idle person in the farming month, and the whole family is busy in the south.

——"New Sunny Ambition"

A spring rain washes away the dirt and makes the scene completely new. Farming is busy, and people and scenery are bathed in the fresh air. The two sentences "white water" combine the close and distant views into a layered picture. The water is bright, the peaks are green, and the contrast between light and color is very harmonious. On the surface, we cannot see the Zen meaning of this poem. In fact, that spring rain is more like the holy water pouring from a Buddhist purification vase, washing everything until it becomes clear and ethereal. It's just that Wanwu combines Zen and poetry so wonderfully that he doesn't let Zen principles overwhelm poetic taste. Of course, what we pay attention to is the kind of praise of farm life, and what we appreciate is the aura of the beauty of the landscape, without having to diligently seek its Zen philosophy.

Wang Wei is a versatile cultural giant who is good at poetry, music, painting, and calligraphy. Su Dongpo, a great writer in the Song Dynasty, said: "When you taste the poems of Mojie (Wang Wei), there are paintings in the poems; when you look at the paintings of Mojie, there are poems in the paintings." ("Shu Mojie's Picture of Misty Rain in Lantian") His words are insightful and to the point. Wang Wei was an accomplished landscape painter in the Tang Dynasty. He used Xiaoshu and light ink brushwork to paint, created ink landscape painting, and became his own brand. He is called the founder of the Southern School of landscape painting by later generations. His paintings emphasize freehand brushwork, pursue spiritual resemblance, and express subjective emotions. Therefore, "there are many things in paintings regardless of the four seasons. For example, in paintings of flowers, peach, apricot, hibiscus, and lotus flowers are often used to paint the same scene." Zhang Yanyuan is quoted in "Mengxi Brushwork") Therefore, Wang Wei is also known as the ancestor of Chinese literati's freehand painting. If paintings can achieve spiritual resemblance, they will also have the charm and interest of poetry, that is, there is poetry in the paintings. If you use this kind of painting idea to gaze at the natural landscape, chant it, and create a scene into a poem, you will inevitably have the charm of painting in the poem.

Wang Wei’s profound artistic qualities in painting, music, and calligraphy enabled him to feel and capture the wonderful scenery and beauty of nature more accurately and meticulously than ordinary poets when creating poetry. Magical sounds and the ever-changing nature, and put them into writing. He is also better at using words and colors, and pays attention to the harmony of the tone of poetry. There is the artistic conception of painting in the poem, the flow of music in the poem, and the changes in calligraphy in the poem. In this way, his unique poetic artistic style of "paintings in poems" and "hundreds of warblers and palace merchants playing in succession" was formed. When we appreciate his landscape poems, we should closely grasp this feature.

Wang Wei is good at describing majestic and magnificent scenery in general. This type of poetry is majestic in spirit, broad in artistic conception, using white strokes, thick lines, and varied angles. Please look at "Zhongnan Mountain":

Taiyi is close to the capital of heaven, stretching from mountains to sea corners. The white clouds look back and merge, and the green and amiable people look at nothing. The peaks in the field change, and the clouds and sunshine are different. If you want to stay somewhere, ask the woodcutter across the water.

Taiyi Peak is the main peak of Zhongnan Mountain (can be generally called Qinling Mountains). The poem starts from the main peak and covers the whole mountain, describing the majestic momentum of Zhongnan Mountain. The first few sentences describe the tallness and majesty of Zhongnan Mountain, while the last two sentences leave the mountain aside to describe the people, which contrast the majesty of the mountain, just as the contrast between the human body and the mountain is often used in landscape paintings. The two sentences "Baiyun" are particularly fascinating. Everyone who has mountain climbing experience will feel like they are there when they read this poem. This poem is about mountain climbing, while the following "Looking at the Han River" is about facing the water:

Chu Sai is connected to three Xiang provinces, and Jingmen is connected to nine schools. The river flows beyond the sky and the earth, and the mountains are beautiful. In the county town of Bucheonpo, waves are moving in the sky. It's a nice windy day in Xiangyang, and I'm left drunk with the mountain man.

This is a poem describing the scenery of Xiangyang. First, he writes about the situation in the Chu region, in the middle, he writes about the mighty landscape of the river, and at the end, he writes about the lingering feelings. The thick lines outline the magnificent realm, and they are all written in white. They don't even say whether the mountain color is green or purple, whether it is thick or light, but only say whether it is there or not, like an ink landscape painting. The poet grasps the overall impression, and uses poetic thoughts instead of the naked eye to unify the image (this point is different from the logic of Western poetry), showing the artistic effect of scattered perspective in Chinese painting (this point is also different from the logic of Western painting) . There are many similar poems by Wang Wei, such as: "Ten thousand valleys have towering trees, thousands of mountains ring with cuckoos", "The rivers and lakes are white at sunset, the sky and earth are green when the tide comes", "The solitary smoke is straight in the desert, the sun is setting in the long river", etc.

Wang Wei is also good at capturing the moving moments where sounds, colors, images, and feelings are intertwined, unifying them into the artistic conception that best conveys emotion, and expressing them with appropriate language. Please look at his landscape poem "Birdsong Stream":

The people are idle, the sweet-scented osmanthus falls, the night is quiet and the spring sky is empty.

When the moon comes out, birds startle the mountains, and they sing in the spring stream.

In the quiet mountain forest on a spring night, the four-season osmanthus falls silently. Suddenly the bright moon rises in the east, filling the empty mountains with light. The mountain birds are awakened and chirp in the mountain stream, which is particularly crisp and clear, and highlights the tranquility and beauty of the spring mountains on a moonlit night. Some versions of "Renxian" are called "human world", and its meaning can also be understood. "Osmanthus" can be interpreted as moonlight. The poet writes movement with stillness, and stillness with movement. The combination of movement and stillness brings readers into a more beautiful and profound artistic conception. The poet wrote by seizing the most expressive and imaginative moving moment of "the moonrise and the bird startling the mountain". This is a small scene of a moonlit night full of music. Compared with the emptiness and tranquility of Zen in "Xinyiwu", this poem is lively and lively, full of human atmosphere.

Wang Wei has a short poem describing the scenery of late autumn, called "In the Mountains":

White rocks emerge from Jingxi River, and the red leaves are sparse in the cold weather.

There is no rain on the mountain road, and the sky is green and people's clothes are wet.

Jingxi originates from the northwest of Lantian County, Shaanxi. Red leaves are maple leaves.

I was walking in the mountains early in the morning, admiring the mountain scenery all the way. Suddenly I felt that my clothes were wet. I thought it was raining, but when I looked closely, there was no rain. There was only the unobservable mist in the mountains. Maybe my clothes were wet because of it! The poet condensed this feeling process of tourists into two poems, which is very interesting. This poem has colors: white stones, red leaves, and green orchid. There is a sound: the stream washes over the stone bed. There are also tourists’ feelings. Although the poem is short, it is rich in content. Zhang Xu, a calligrapher and poet in the Tang Dynasty, also wrote a poem called "A Guest in the Mountains":

The scenery of the mountains and objects create the glow of spring, so don't be tempted to return home because of the light shade.

Even if it is sunny and cloudy without any rain, my clothes will still be stained deep in the clouds.

The word "Zhangyi" in the poem is a literal representation, showing another scene of the deep mountains covered in clouds and fog. The "wet human clothes" in Wang Wei's poems are about hallucinations and illusions, and the poetic feelings given by the lush green mountains. The two poems have different tunes and similar works, and each is wonderful in its own way.

Wang Wei's five-character poem "Dwelling in the Mountains in the Twilight of Autumn" is a masterpiece that combines poetry and painting:

After the new rain in the empty mountains, autumn comes late. The bright moon shines among the pines, and the clear spring flows over the rocks. The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat. The spring fragrance rests at will, and the king and grandson can stay.

This poem describes the scenery of the mountain village after the rain in the autumn evening. Write freely and speak naturally. In this poem, the coolness of autumn after the rain on the empty mountain, the clear light of the bright moon among the pines, the sound of the clear spring flowing on the rocks, the laughter of the girls returning from washing clothes in the bamboo forest, and the mood of the small fishing boat slowly passing through the lotus are all harmonious. Perfectly intertwined, it is like a fresh and beautiful audio painting, and also like a quiet and beautiful lyric. We seemed to be breathing the fresh air after the rain.

Some famous sentences by Wang Wei can trigger our wonderful reverie: "The pines are in the sound of wind, and the flowers have shadows in the pond." Willows grow red peaches," "The sound of springs swallows dangerous rocks, and the sun is cold and green," "egrets fly in the desert paddy fields, and yellow orioles sing in the overcast summer trees," etc. There are paintings in the poems, and there is music in the poems.

Wang Wei's poems pursue the effect of freehand brushwork, pay attention to the unity, and fully convey the poet's subjective interest. There is a poem "Lake Pavilion" in "Wangchuan Collection":

The light boat welcomes the guests, coming up the lake leisurely.

When the water is sprayed on the bottles in the pavilion, hibiscus blooms on all sides.

It expresses the poet's leisurely and quiet mood. "Mountain Dwelling" describes the poet's state of mind in more detail:

Loneliness covers the wood door, and the vastness faces the falling light. There are crane nests and pine trees everywhere, and few people visit the pigeon gate. The young bamboo contains new powder, and the red lotus sheds its old clothes. The lights are on at the ferry, and people are collecting water chestnuts everywhere.

The boiling life further highlights the desolation of the poet's family. Is it a kind of envy, or is it really transcendent from reality? Hard to understand. Similar to this, there is a song "Wangchuan Leisure Residence Presented to Pei Xiu Caidi":

The cold mountains turn green, and the autumn water flows day by day. Leaning outside the firewood gate, listening to the evening cicadas in the wind. The sun is setting over the ferry, and there is a solitary smoke in the ruins. After returning home, I was drunk and singing wildly in front of the five willow trees.

This poem describes the autumn evening scenery of Wangchuan River, which is quiet and elegant, just like in a painting. After Pei Di got drunk, he sang wildly in front of Wang Wei's door, which was very interesting. The couplet "Dutou" is said to be the swan song. Xiang Ling in "Dream of Red Mansions" once highly praised the picturesque poetry of this poem based on her own life experience. Wang Wei's poems are the easiest to bring readers into the poetic realm because "there are paintings in the poems". No wonder that when Xiang Ling asked Daiyu for poetry writing methods, the first thing Daiyu asked her to read was not the works of Li Bai or Du Fu, but "The Complete Works of Wang Mojie" (see Chapter 48 of "A Dream of Red Mansions").

The value of Wang Wei's landscape poetry

The value of Wang Wei's landscape poetry should first be understood in the history of the development of Chinese classical landscape poetry.

In the poems of the pre-Qin period (such as "The Book of Songs" and "Chu Ci"), there are some poems describing landscapes, but they are in a subordinate position in content and are not sung as independent aesthetic objects. It was not until the Jian'an period at the end of the Han Dynasty that the earliest complete landscape poem in the history of Chinese poetry appeared. This is the four-character poem "Viewing the Sea" written by Cao Cao:

To the east is the Jieshi to view the sea. Where is the water? The mountains and islands are standing tall. There are many trees and lush grass. The autumn wind is bleak and the waves are rising. The movement of the sun and the moon can appear within it; the brilliant stars and stars can appear within it. Fortunately, even singing praises one's aspirations.

But such poems were rare at that time.

Landscape poetry began to rise after the Wei and Jin Dynasties. Due to the political darkness and social turmoil at that time, the scholar-bureaucrats wanted to live in seclusion and focus on the mountains and rivers to avoid disasters. When the Jin Dynasty crossed south, the beautiful natural mountains and rivers south of the Yangtze River attracted the scholar-bureaucrats even more. The prevailing metaphysical trend at that time combined the Confucian "religion of fame" with the Taoist "nature" and guided the scholar-bureaucrats to find the philosophy and interest of life from natural mountains and rivers. The advocating simplicity has also brought about the development of euphemistic words praising landscapes (see Shishuo Xinyu). Beautiful lines about landscapes also appear in Xuanyan poems. After a long period of multi-faceted deliberation, the first landscape poet was finally produced, namely Xie Lingyun in the late Jin Dynasty and early Song Dynasty.

Xie Lingyun traveled to famous mountains and scenic spots for a long time and wrote a large number of landscape poems. His poetic language is rich and exquisite, he likes to carve, and pursues resemblance in form. The structure of the poems is often in the form of a journey, and there is always a tail of a metaphysical poem at the end. His poems often have sentences but no chapters. Here are some poems: "Spring grass grows in the pond, garden willows turn into songbirds" describes the garden; "The wilderness and the sandy shore are clean, the sky is high and the moon is bright in autumn" describes the autumn; "The bright moon shines on the snow, the new wind is strong and sad" describes the winter; "The forest ravine collects the dim color, and the clouds collect the sunset" describes the twilight; "The green fields are beautiful in the spring evening, and the white clouds are high in the rocks" describes the spring scene.

These exquisite poems are like exquisite landscape paintings. Xie Lingyun established the status of landscape poetry.

Subsequently, Xie Tiao, a poet of the Southern Qi Dynasty, also wrote some fresh and beautiful landscape poems, including some beautiful lines: "The remaining clouds disperse into clouds, the clear river is as quiet as practice", "The river flows day and night, and the guest's heart is still sad." , "I know the boat in the sky, and the trees on the river in the clouds" and so on. He Xun, a poet from the Liang Dynasty in the Southern Dynasty, also has some famous poems about the scenery: "The dew wets the grass in the cold pond, and the moon reflects the clear Huaihe River." ", "The river is dark and the rain is about to come, the waves are white and the wind is beginning to rise", "the night raindrops are empty on the steps, and the light is dark when leaving the room." But their poems all have the problem of having no sentences and no chapters.

Landscape poetry did not become popular until the prosperous Tang Dynasty. Meng Haoran and Wang Wei pioneered the landscape poetry school, which was widely recognized by future generations of poets. Meng Haoran is slightly longer than Wang Wei, and his landscape poems are very artistic. For example, "Staying on the Jiande River":

Moving the boat to Yanzhu, the guests are worried about the new arrival at dusk.

The sky is wide and the trees are low, the river is clear and the moon is close to people.

It writes about the traveler's sadness and subtle feelings about nature. The first four sentences of "Looking at Dongting Lake as a Gift to Prime Minister Zhang":

The level of the lake in August is too clear.

The clouds are steaming over Mengze, and the waves are shaking Yueyang City.

The writing is heroic, powerful and majestic. The last four sentences of "Yu Yan Qiantang Climbing the Barrier Tower to Watch the Tide":

The sun shines brightly with autumn clouds, and the sky floats wide.

The stormy waves come like snow, and it feels cold when you sit down.

Written with courage and feeling. The first four sentences of "Reporting an Old Tour to Guangling on the Tonglu River":

Hearing the ape's sorrow in the dark mountains, the Cangjiang River flows rapidly at night.

The wind rustled the leaves on both sides of the bank, and the moon shone on a lonely boat.

It is also written with great artistic conception.

Compared with Meng Haoran, Wang Wei created the artistic conception of the poem in which things and I forget each other, in his meticulous taste of the beautiful scenery of natural landscapes, in his skillful use of poetic techniques, in the number and number of landscape poems. The quality is much more outstanding. It can be said that Wang Wei is not only a comprehensive landscape poet, but also a pioneering poet. The "Wei Liu" (Wei Yingwu and Liu Zongyuan) poetry school of the mid-Tang Dynasty, up to Wang Shizhen's "Shen Yun Theory" of the Qing Dynasty, all inherited this legacy. Li Bai's landscape poems win with momentum and have a rebellious spirit. Du Fu's landscape poems are melancholy, concerned about the country and the people, and are broad and profound. Wang Wei's landscape poems have an ethereal artistic conception, full of Zen interest, and are thought-provoking. Although they do not have the shocking ideological aura in the poems of Li Bai and Du Fu, they greatly enriched the poetry garden of the prosperous Tang Dynasty in terms of artistic style. Without reading Wang Wei's landscape poems, one cannot fully understand the essence of Chinese poetry art.

Wang Wei's landscape poetry also has its contemporary value:

It can cultivate our love for nature. Let us more fully appreciate the beauty of nature, and then consciously protect the environment and nature, so that it can better benefit mankind.

Of course it can also cultivate our patriotic feelings. Patriotism is not abstract. Appreciating Wang Wei's masterpieces of landscapes can enhance our love for the magnificent mountains and rivers of our motherland and our deep attachment to every plant and tree in our hometown. Wang Wei's landscape poems contain rich nutrition of the traditional culture of the motherland. From this, we can gain the joy of exploration, enjoy the nourishment of the excellent culture of the motherland, and thus abandon the nihilistic attitude towards the traditional national culture.

It can cultivate our body and mind. Taste the beautiful artistic conception of Wang Wei's poems and daydream about the magic and mystery of nature, and you will get some kind of spiritual pleasure.

Answer: おPurely for entertainment々-Trial period level 10-12 12:10

The wind of the four seasons

The spring breeze can thaw and warm. Farming.

The skirt of the skirt wavers slightly, and the flowers bloom when they are blooming.

The summer wind blows the grass and trees, and the vitality comes from the joy.

On the side of the small pond, you can smell the fragrance of lotus across the bank.

The autumn wind is mixed with the autumn rain, and the cool night adds a little more.

The whistling sound is endless, and the fallen leaves dance leisurely.

The winter wind is as fierce as a tiger, and all the study windows are closed.

It is whirring all day long, and the birds are hiding.

Answer: guhaoping1997 - First time entering Jianghu Level 2 10-13 19:06

1. Rain comes from the mountains and the wind fills the building.

2. Autumn wind Qiu Yuchou kills people.

3. When the wind blows and the waves blow, you can't waste people transporting wine boats.

4. When there are strong winds and waves, you can hang sails to help the sea.

5. The spring breeze is so good that horses are hoofed, and I can see all the flowers in Chang'an in one day

6. The fine grass is gentle on the shore, and the boat is dangerous at night.

7. There was an east wind in the small building last night , the motherland cannot bear to look back in the bright moon.

8. The autumn wind is bleak, and the flood waves are rising.

9. The strong wind is blowing, the clouds are flying, and the Weijia sea is returning home.

10. Everyone sang "The Great Wind Song" together, and congratulations came from all directions soon.

11. The wind and rain arose in Zhongshan, and millions of troops crossed the river.

12 .The strong wind blows my heart, and the Xianyang tree hangs in the west.

13. Hateful and sad, the storm is hell.

14. A journey of three thousand winds and rains, leaving all the flesh and blood and homeland behind Flash.

15. The north wind blows the ground and the grass is broken, and the sky is full of snow in August.

16. The south wind does not use the palm fan, and the gauze hat sleeps leisurely against the water gulls.

17. The breeze and the bright moon are unattended, and it is always cool when coming from the south.

18. The sparrows are frightened when the moon leaves the branches, and the cicadas sing in the breeze in the middle of the night.

19. On the house The pine wind blows the rain, and I mutter to myself in the broken paper window.

20. The north wind is as sharp as a sword, and the cloth cannot cover the body.

21. Good winds frequently take advantage of the force and send I ascend to the blue clouds.

22. Green bamboo hats, green coir raincoats, the slanting wind and drizzle do not need to return.

23. Sneak into the night with the wind, moistening things silently.

24. The high autumn wind howls in August and rolls up three spears on my house.

25. There are tens of millions of mansions in Anhui, and the poor people in the world are covered with joy, and the wind and rain are unshakable, as peaceful as a mountain.

26. Zigui is still crying for blood in the middle of the night, and he doesn’t believe that the east wind can’t change it.

27. The clouds miss the clothes, the flowers miss the face, the spring breeze blows over the threshold, and the dew is strong.

28. The waves in the river and the sky are surging, and the wind and clouds are blocking the ground.

29. The dark grass in the forest is frightened by the wind, and the general draws his bow at night.

30. The frightened wind spreads the hibiscus water in disorder, and the dense The rain slants into the wall of Xili.

31. The wind and rain send the spring back, and the flying snow welcomes the spring.

32. The wind is strong, the sky is high, the apes are screaming in mourning, and the white birds are flying back from the clear sand in Zhu. .

33. The wind blows the willow flowers and fills the shop with fragrance, and Wu Ji presses wine to encourage guests to taste.

34. The strong wind blows the bow, and the general hunts the city of Weicheng.

35. The breeze knows my face, blowing against my face and surrounding my body.

36. It is easy to recognize the face of the east wind, and it is always spring with its colorful colors.

37. The sound of firecrackers makes one year old, The spring breeze brings warmth to Tusu.

38. The spring breeze turns green to the south bank of the river. When will the bright moon shine on me again?

39. The wind makes the clouds dark in color, and the desert turns dark in autumn.

40. The north wind blows white clouds, and they cross the river and Fen for thousands of miles.

41. The long wind blows thousands of miles to send the autumn geese, and you can enjoy this high-rise building.

42. The importance of ancient views In the autumn scenery, the cold west wind blows the hat

43. In April, the south wind blows the barley yellow, the jujube flowers have not yet fallen, and the tung leaves are long

44. The moon shines on the city head, half of the crows fly, the frost The miserable wind enters the clothes.

45. Severe frost invaded the trees, and the cold wind blew through the exterior.

46. The sound changes and suddenly drifts, and the long wind blows the rain in the forest and the tiles fall down.

47. The world understands listening but not appreciating, and comes and goes in the long wind.

48. I am a madman from Chu who sings and laughs at Confucius

49. If you don’t recognize the spring breeze, why should it enter the curtain?

50. The sound of wind and rain comes at night, and the flowers fall. How much do you know

Answer: Luya - Lily - Trainee Magician Level 3 10-14 17:19

The poem should be:

The spring breeze can thaw, Warmth encourages farming.

The skirt of the skirt wavers slightly, and the flower energy is sent to each other.

The summer wind blows the grass and trees, and the vitality comes from the joy.

On the side of the small pond, you can smell the fragrance of lotus across the bank.

The autumn wind is mixed with the autumn rain, and the cool night adds a little more.

The whistling sound is endless, and the fallen leaves dance leisurely.

The winter wind is as fierce as a tiger, and all the study windows are closed.

It is whirring all day long, and the birds are hiding.

Meaning:

The winds of the four seasons

The spring wind can bring warmth, the warm sunshine urges farmers to farm, and the skirts swing slightly The fragrance of flowers comes from time to time;

The grass and trees sway in the summer wind, and the vitality shows the prosperity of nature. Standing by the pond, the fragrance of lotus can be smelled across the shore;

The autumn wind is mixed with the autumn rain, adding a bit of coolness at night. The sound of the autumn wind is whistling and continuous, making the leaves fall leisurely, as if they are dancing;

The winter wind is like a furious tiger. You must close the windows when reading in the study. The winter wind whistles all day long, and the birds hide.

Answer: Fantasy Little Rainbow Cat 1 - New to Level 3 10-14 22:20

The Winds of the Four Seasons

The spring breeze can thaw and warm To encourage cultivation.

The skirt of the skirt wavers slightly, and the flowers bloom when they are blooming.

The summer wind blows the grass and trees, and the vitality comes from the joy.

On the side of the small pond, you can smell the fragrance of lotus across the bank.

The autumn wind is mixed with the autumn rain, and the cool night adds a little more.

The whistling sound is endless, and the fallen leaves dance leisurely.

The winter wind is as fierce as a tiger, and all the study windows are closed.

It is whirring all day long, and the birds are hiding.

Answer: guhaoping1997 - First time entering Jianghu Level 2 10-13 19:06

1. Rain comes from the mountains and the wind fills the building.

2. Autumn wind Qiu Yuchou kills people.

3. When the wind blows and the waves blow, you can't waste people transporting wine boats.

4. When there are strong winds and waves, you can hang sails to help the sea.

5. The spring breeze is so good that horses are hoofed, and I can see all the flowers in Chang'an in one day

6. The fine grass is gentle on the shore, and the boat is dangerous at night.

7. There was an east wind in the small building last night , the motherland cannot bear to look back in the bright moon.

8. The autumn wind is bleak, and the flood waves are rising.

9. The strong wind is blowing, the clouds are flying, and the sea is returning to the hometown.