It turned out that the scenery before the Spring Festival Gala was exactly what the poet saw when he walked out of the railing of his study when the book was intoxicating and the sky was getting dark, and the people returning from the mountain path also attracted the poet's attention: woodcutter, fisherman and farmer, each carrying firewood, fishing net, hoe and rake, walked all the way to the village talking and laughing. Leaning against a stick, thinking about his son, the shepherd boy, where are the roaring pheasants? Full ears of wheat, sleeping silkworms, peeled mulberry leaves and greetings. "In rural areas, people are self-sufficient and self-reliant, and their hard work has brought rich fruits. Their living and working in peace and contentment is in line with the poet's indifferent and calm feelings.
The first, second and fourth sentences of this poem "Spring Festival Evening" are seen in the poet's small building and form a relatively independent picture. The third sentence seems that the poet is not in the picture. But from the reader's point of view, whether Zhou Dunyi consciously put himself in the poem or not, the silhouette of the poet's "dying in a small station" has been completely integrated into the whole picture. Flowers fall and birds fly back when they are tired. How peaceful and harmonious the artistic conception is, and it is filled with a strong breath of life. The double aesthetic taste in the poem is reminiscent of Bian's Broken Chapters: "You stand on the bridge and watch the scenery, and the people watching the scenery are watching you upstairs. The bright moon decorates your window, and you decorate other people's dreams. " Combined with this modern poem full of aesthetic philosophy, Zhou Dunyi is like a scenic man on the bridge, and Shan Ye's poems decorate his leisure life.