Appreciation of Nishikawa Piano Music Midnight

I. Appreciation of "Midnight Piano Music" by Nishikawa:

This is Nishikawa's work in the 1990s. What is the essence of life, and what is the essence of "I"? An unanswered question. However, people are born with a desire to explore them. Only those who are persistent in waiting, quietly listening and feeling will occasionally show the tip of the iceberg, such as this "Piano Music" that the poet heard. When a "piano music" rings at midnight, it is exactly "for me", just like a flash in a dark life. At this time, "I" knew it was for "I". It is not an Oracle, but the meeting and opening of life after seeking and waiting. With this essential reference, we can reflect, confirm and question ourselves in life. Here, all the disguises are torn apart and there is nowhere to hide. So it's not a gentle breeze and drizzle, but cruelty. However, this can explain!

Anyone can see an inevitability from the accident of life, but not everyone can restore this inevitability to the state of accident.

Second, the original text:

Piano music at midnight? Xichuan

Fortunately, I can feel it. Fortunately, I can listen.

Midnight piano music awakens the soul.

A man came up to me in the shadow.

People without bodies can't be stopped.

But he has the ability to polish lamps and my utensils, which makes me ashamed to see my hands dirty and black.

The sleeping ice cracked, and the burning azaleas spread all over the earth.

A man approached me, and I didn't have time to escape.

Just like I don't have time to escape from my youth.

In the midnight piano music, I licked my chapped lips and realized the inevitability of life.

But a midnight piano piece is like happiness that I can't catch. Why is it so long?

What did I catch? What went bad?

I still remember many noisy singing and dancing scenes.

There is no one to accompany the piano music tonight.

It's mysterious, sad, talking to itself.

The wind outside the window has stopped. There must be an eagle.

If you fly near the snow-capped mountains, there must be peacocks.

Inspired by the dream, the screen opened under the starlight.

I stood at midnight like a sunflower.

Ask yourself who will bear my heavy life.

A man approached me, and we had known each other before.

We met face to face and got to know each other.

I heard someone clapping in the distance.

A midnight piano piece fell silent.

By the way, it's like this: a man approached me.

Hesitated for a while, then hesitated.

Back to the boundless shadow where he belongs.

Three. Author Nishikawa introduced:

Xichuan, a native of Xuzhou, Jiangsu Province, 1985 graduated from the English Department of Peking University. In 2002, he was a visiting scholar at the University of Iowa. He is currently teaching at the School of Humanities, Beijing Central Academy of Fine Arts. Nishikawa has been committed to the national youth poetry movement since the 1980s. He once founded the folk poetry publication Tendency with friends (1988— 199 1) and participated in editing the folk poetry publication Modern Poetry in China. His creation and poetic thoughts have a wide influence on contemporary China poetry.