"Green flame swaying on the grass" is actually the green grass swaying on the "flame". In the poet's eyes, the green grass in spring has become a swaying "flame", which can not help but remind people of the poem "wildfire never quite consumes them, the spring breeze blows high" in the Tang Dynasty poet Bai Juyi's Farewell to Ancient Grass: ruthless wildfires burn up dead leaves, and the spring breeze blows the earth green.
However, the "wildfire" at this time is not a powerful and destructive thing, but is integrated with spring grass, and the inherent vitality contained in spring grass and flame-a crazy, wild and uncontrollable primitive impulse bursts out.
"I am eager to hug you, flower." Following the last sentence, Cao Chun's original desire to embrace flowers is expanding.
"Facing the land, flowers stretch out./When the warm wind blows, is it trouble or joy?" These two lines confuse the reader with inverted sentences, which can be simplified as "when the warm wind blows trouble or joy,/flowers stretch out in resistance."
The above four sentences, through the complementary images of spring grass and flame, flowers and rebels, paint us a picture of the bustling life of "sweet them pressing on the old high road and reaching the crumbling gate".
"If you are awake, open the window and see how beautiful this garden is." The hypothesis of "if" and the hesitation of "yes" show the uncertainty of the poet's inner life scene in spring.
The "window" and the "full garden desire" outside the window constitute a kind of shielding relationship, and "pushing away" is a channel to alleviate this relationship, which is full of the unpredictability of the poet to the outside world.
As a result, the poet became hesitant, and under the constraint of a window, he was far from spring. Desire is an abstract noun, which can be materialized through the decoration of the garden, and the natural life of "full love for the palace wall willow" and "spring scenery can't be closed" begins to surge.
Under the blue sky, what is bewitched by eternal mystery/is our 20-year-old closed body ","desire "is evil," 20-year-old body "is bewitched by eternal mystery (corresponding to the first section" warm wind blows troubles ") and" desire ",and the closure of body and inner life" desire "form a tense and contradictory conflict" just like clay sculpture ".
This is a paradox. On the one hand, it is impossible to sing with a hoarse throat like a "bird" that can't talk, and it is impossible to fly like a "bird" that can't wave its wings.
On the other hand, there is a strong contrast between the heaviness of soil and the lightness of birds. This land has nurtured generations of people. In the difficult growth process, the young body (twenty-year-old us) was "ignited" by the beautiful things outside, and began to consciously vent and stretch their strength, but they could only "curl up", trying to vent their desires and struggling to fly upwards, but there was nowhere to go.
"Oh, light, shadow, sound and color are all naked", and the intangible "light, shadow, sound and color" have been seen through by wandering, depressed and depressed poets, who are "painfully waiting" for a new life and "waiting for a new combination." Thereby completing the phoenix nirvana in the sense of the poet's own life.
Extended data
Creation background
1In August, 940, Mu Dan graduated from The National SouthWest Associated University and stayed as a teacher. From 65438 to 0942, War of Resistance against Japanese Aggression entered a critical period; In February of the same year, full of the passion of "every man is responsible for the rise and fall of the country", the poet resolutely set foot on the anti-Japanese battlefield in Myanmar and served as an interpreter. One of Mu Dan's representative works, Spring, was created at this time.
The whole poem has only two sections. The first part is about natural spring. On the surface, it is about the scenery of spring, but in fact it is about the feeling of spring. The second part describes the spring of life. Urged by the breath of spring, youth is "confused by eternal mystery", which not only describes the charm of natural spring, but also shows the anxiety and confusion of life spring.
This poem perfectly uses modern techniques, which is profound, psychedelic and full of internal tension, and the impact and transformation of images are wonderful and magical.
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