Du, Li Qiao, Su Weidao and Cui Rong are also called "Four Friends of Articles". Of these four people, Du is the most talented poet. Hu Yinglin's poem said, "In the early Tang Dynasty, there was no seven-character law, and five words could not be separated. Du is really the first in the beauty of the two bodies. " Du's existing 28 five-character poems, except one that has lost its cohesive force, completely conform to the cohesive law of modern poetry. His achievements in the five-character law surpassed Yang Jiong's, which made the creation of the five-character law reach a higher artistic level at first. Du's most famous five laws are "Looking at Lucheng's Spring Tour in Jinling" written when he was working in Jiangyin in his early years.
Only vagrants can come, which is a new phenomenon of local grazing. The bright sun on the sea is about to rise, and Jiangnan in the south of the Yangtze River is reviving. Warm spring urges warblers to sing, and duckweed in the clear sun is dark in color. Suddenly I heard that simple melody you sang, which made people cry.
Writing the fresh and beautiful scenery in the early spring in the south of the Yangtze River is extremely true, which has aroused strong homesickness, completely integrated into Ming Xiu's poetic realm, and is extremely noble and vigorous. In particular, the words "White clouds and red clouds dawn from the sea, spring is in the wild plum river willow" on the necklace vividly write the breath of spring, giving people a gorgeous and detached feeling.
Li Qiao's poetry creation is not as good as Du's because of his emphasis on skills and lack of emotion. This is not unrelated to his official life with few setbacks. Li Qiao's poems are mainly based on the neat five-character law, and he has made great efforts in this respect. Most of his 120-odd poems about objects are written on orders or orders, so they lack business and have little merit. However, most of these poems were harmonious and attached great importance to rhetorical skills, which promoted the development of the five-word method at that time.
The final version of Five Laws was finally completed by Song and Shen Quanqi. They were born later than Li Qiao and Du Fu, and were elected to the DPRK as officials because their literary talents were appreciated. They are the representatives of Taige poets in Wuhou period. Living in the forbidden palace and pavilions, their poetry creation is mostly limited to singing, farewell, ornament and flaunting elegance, which inevitably leads to poor content and words. At the same time, it also gives them enough time to ponder the art of poetry, strive for perfection in the law of poetry, avoid getting sick and make accurate sentences. Specifically, in addition to worrying about the difference between the light and heavy in a couplet, it is also required that the antithetical sentences in the previous couplet and the sentences in the next couplet are flat and parallel. This fitting law runs through the whole article, making the couplet of a poem flat and parallel, and the melody is harmonious throughout the whole article. Yuan Zhen's Preface to Du Jun's Tomb, Yuan Wailang, the Ministry of Industry of the Tang Dynasty, said: "Tang Xing, the official study was greatly boosted, and the world was handed down from generation to generation, and talented people came out. Shen and Song Shu, refined and steady, are called regular poems. " This is the earliest record about the naming of "rhyme", so the names of Shen and Song became the symbol of "rhyme" stereotype.
The reason is that the stereotype of five-character poems is of great significance in the evolution of new poems in Tang Dynasty. It not only completes the transition from four-step in Yongming style to even-step in Tang poetry, but also is easy to remember and master. Moreover, it has the function of deduction and analogy, and it is a temperament law that can be summarized. If it is within the scope of the five-character method, we can deduce the pattern of five-character repulsion and five-character quatrain from the five-character method. More importantly, on the basis of five-character poems, we can derive a metrical format of seven-character poems, such as seven-character poems and seven-character quatrains. Therefore, after the five-character metrical poems tended to be stereotyped, Du, Li, Shen, Song and others successfully applied this rule of adhering to the seven-character metrical poems and completed the stereotyped style of the seven-character metrical poems in the Longan period of Zhongzong.
The stereotypes of various poetic styles have created favorable conditions for the development of poetic art. Although Shen, Song and others rarely wrote five laws and seven laws when they were in the cabinet, they honed a set of metrical skills of metrical poems. Once they are relegated due to political changes and have a real feeling of not saying anything unpleasant, it is easy to write excellent works with good feelings. Du Fu's "The Best Five Laws" was written after he was exiled to Fengzhou because of his attachment to the two Toy Boy of Wu Zetian during the restoration of Zhong Zong. At the same time, Song and Shen Quanqi were exiled to Lingnan for the same reason, and they also wrote better works. Such as the five laws of the Song Dynasty "Du Da Yu Ling":
I left the capital as soon as I crossed the fishing ridge, then stopped my car and looked back at my hometown. My soul followed the birds flying from the south to the north, looked at the branches in the north and shed tears. The continuous rain on the mountain has slightly stopped, and the clouds on the river have slightly turned into trend clouds. As long as I have the opportunity to return to Chang 'an, I dare not regret being exiled like Jia Yi.
I want to go back to China before I go to relegation. A feeling of swallowing sound with tears is real and delicate, and there is no trace of deliberate modification, but the poetic rhythm and antithesis are very neat. So is his "Crossing the Han River":
The south, who was exiled to Lingnan, cut off contact with relatives, survived the winter and experienced a new year. The closer I get to my hometown, the more timid I am, afraid to inquire about people from home.
This is a wonderful five-line poem, full of sound and emotion, implicit and artistic appeal, not far from the works of poets in the prosperous Tang Dynasty.
At that time, Shen Quanqi wrote the seven-character method very well. His famous work is "Seven Ways of Women's Thinking", which is rich in rhetoric, fluent in sound and rhyme, and superb in pasting skills, but it has traces of patchwork, and its artistic appeal is far less than that of "Away from Du Westernization" written by him during his exile.
Mountains are the dividing line between the vast heaven and the earth, and only boundless white clouds can be seen far from home. What's the scenery like in Luopu? The wart in Chongshan is disgusting. You can cross the South China Sea, and there is a big battle in Hengyang. The two places are thousands of miles apart. When will the wise king return?
Similar to the five-character poem written by him in exile in Lingnan, this poem expresses a feeling of helplessness and sadness, but it is written with emotion and scenery, and the melody is smooth and profound. It is a mature work of early seven-character poems, and is called a model of seven-character poems in the early Tang Dynasty by later generations.
In short, through the unremitting efforts of Du, Li, Song, Shen and others, during the period from Wuhou to Zhongzongjing Qin Long, various metrical forms of modern poetry in the Tang Dynasty have been finalized, and a number of more successful works have emerged.
During the period of Tang Gaozong and Wuhou, the prosperity of Jinshi, characterized by subject words, created conditions for the promotion of literary talent among ordinary scholars. A number of famous poets in the early Tang Dynasty, such as Du, Li Qiao, Song and Shen Quanqi. At the same time or later with the "Four Masters", all the scholars and writers were reused by the imperial court. After they entered the DPRK as officials, they wrote "Taige-style" poems, such as sub-topic chanting and direct singing, which were not much different from the works of the previous court poets in content, but made great progress in the research and practice of poetry law and art, and made contributions to the finalization of modern poetry in the Tang Dynasty.
Du, Li Qiao, Su Weidao and Cui Rong are also called "Four Friends of Articles". Of these four people, Du is the most talented poet. Hu Yinglin's poem said, "In the early Tang Dynasty, there was no seven-character law, and five words could not be separated. Du is really the first in the beauty of the two bodies. " Du's existing 28 five-character poems, except one that has lost its cohesive force, completely conform to the cohesive law of modern poetry. His achievements in the five-character law surpassed Yang Jiong's, which made the creation of the five-character law reach a higher artistic level at first. Du's most famous five laws are "Looking at Lucheng's Spring Tour in Jinling" written when he was working in Jiangyin in his early years.
Only vagrants can come, which is a new phenomenon of local grazing. The bright sun on the sea is about to rise, and Jiangnan in the south of the Yangtze River is reviving. Warm spring urges warblers to sing, and duckweed in the clear sun is dark in color. Suddenly I heard that simple melody you sang, which made people cry.
Writing the fresh and beautiful scenery in the early spring in the south of the Yangtze River is extremely true, which has aroused strong homesickness, completely integrated into Ming Xiu's poetic realm, and is extremely noble and vigorous. In particular, the words "White clouds and red clouds dawn from the sea, spring is in the wild plum river willow" on the necklace vividly write the breath of spring, giving people a gorgeous and detached feeling.
Li Qiao's poetry creation is not as good as Du's because of his emphasis on skills and lack of emotion. This is not unrelated to his official life with few setbacks. Li Qiao's poems are mainly based on the neat five-character law, and he has made great efforts in this respect. Most of his 120-odd poems about objects are written on orders or orders, so they lack business and have little merit. However, most of these poems were harmonious and attached great importance to rhetorical skills, which promoted the development of the five-word method at that time.
The final version of Five Laws was finally completed by Song and Shen Quanqi. They were born later than Li Qiao and Du Fu, and were elected to the DPRK as officials because their literary talents were appreciated. They are the representatives of Taige poets in Wuhou period. Living in the forbidden palace and pavilions, their poetry creation is mostly limited to singing, farewell, ornament and flaunting elegance, which inevitably leads to poor content and words. At the same time, it also gives them enough time to ponder the art of poetry, strive for perfection in the law of poetry, avoid getting sick and make accurate sentences. Specifically, in addition to worrying about the difference between the light and heavy in a couplet, it is also required that the antithetical sentences in the previous couplet and the sentences in the next couplet are flat and parallel. This fitting law runs through the whole article, making the couplet of a poem flat and parallel, and the melody is harmonious throughout the whole article. Yuan Zhen's Preface to Du Jun's Tomb, Yuan Wailang, the Ministry of Industry of the Tang Dynasty, said: "Tang Xing, the official study was greatly boosted, and the world was handed down from generation to generation, and talented people came out. Shen and Song Shu, refined and steady, are called regular poems. " This is the earliest record about the naming of "rhyme", so the names of Shen and Song became the symbol of "rhyme" stereotype.
The reason is that the stereotype of five-character poems is of great significance in the evolution of new poems in Tang Dynasty. It not only completes the transition from four-step in Yongming style to even-step in Tang poetry, but also is easy to remember and master. Moreover, it has the function of deduction and analogy, and it is a temperament law that can be summarized. If it is within the scope of the five-character method, we can deduce the pattern of five-character repulsion and five-character quatrain from the five-character method. More importantly, on the basis of five-character poems, we can derive a metrical format of seven-character poems, such as seven-character poems and seven-character quatrains. Therefore, after the five-character metrical poems tended to be stereotyped, Du, Li, Shen, Song and others successfully applied this rule of adhering to the seven-character metrical poems and completed the stereotyped style of the seven-character metrical poems in the Longan period of Zhongzong.
The stereotypes of various poetic styles have created favorable conditions for the development of poetic art. Although Shen, Song and others rarely wrote five laws and seven laws when they were in the cabinet, they honed a set of metrical skills of metrical poems. Once they are relegated due to political changes and have a real feeling of not saying anything unpleasant, it is easy to write excellent works with good feelings. Du Fu's "The Best Five Laws" was written after being exiled to Fengzhou because of his attachment to the two men's minions after the restoration of the loyal Sect. At the same time, Song and Shen Quanqi were exiled to Lingnan for the same reason, and they also wrote better works. For example, Du Da Yu Ling, the five laws of the Song Dynasty:
I left the capital as soon as I crossed the fishing ridge, then stopped my car and looked back at my hometown. My soul followed the birds flying from the south to the north, looked at the branches in the north and shed tears. The continuous rain on the mountain has slightly stopped, and the clouds on the river have slightly turned into trend clouds. As long as I have the opportunity to return to Chang 'an, I dare not regret being exiled like Jia Yi.
I want to go back to China before I go to relegation. A feeling of swallowing sound with tears is real and delicate, and there is no trace of deliberate modification, but the poetic rhythm and antithesis are very neat. So is his "Crossing the Han River":
The south, who was exiled to Lingnan, cut off contact with relatives, survived the winter and experienced a new year. The closer I get to my hometown, the more timid I am, afraid to inquire about people from home.
This is a wonderful five-line poem, full of sound and emotion, implicit and artistic appeal, not far from the works of poets in the prosperous Tang Dynasty.
At that time, Shen Quanqi wrote the seven-character method very well. His famous work is "Seven Ways of Women's Thinking", which is rich in rhetoric, fluent in sound and rhyme, and superb in pasting skills, but it has traces of patchwork, and its artistic appeal is far less than that of "Away from Du Westernization" written by him during his exile.
Mountains are the dividing line between the vast heaven and the earth, and only boundless white clouds can be seen far from home. What's the scenery like in Luopu? The wart in Chongshan is disgusting. You can cross the South China Sea, and there is a big battle in Hengyang. The two places are thousands of miles apart. When will the wise king return?
Similar to the five-character poem written by him in exile in Lingnan, this poem expresses a feeling of helplessness and sadness, but it is written with emotion and scenery, and the melody is smooth and profound. It is a mature work of early seven-character poems, and is called a model of seven-character poems in the early Tang Dynasty by later generations.
In short, through the unremitting efforts of Du, Li, Song, Shen and others, during the period from Wuhou to Zhongzongjing Qin Long, various metrical forms of modern poetry in the Tang Dynasty have been finalized, and a number of more successful works have emerged.
During the period of Tang Gaozong and Wuhou, the prosperity of Jinshi, characterized by subject words, created conditions for the promotion of literary talent among ordinary scholars. A number of famous poets in the early Tang Dynasty, such as Du, Li Qiao, Song and Shen Quanqi. At the same time or later with the "Four Masters", all the scholars and writers were reused by the imperial court. After they entered the DPRK as officials, they wrote "Taige-style" poems, such as sub-topic chanting and direct singing, which were not much different from the works of the previous court poets in content, but made great progress in the research and practice of poetry law and art, and made contributions to the finalization of modern poetry in the Tang Dynasty.
Du, Li Qiao, Su Weidao and Cui Rong are also called "Four Friends of Articles". Of these four people, Du is the most talented poet. Hu Yinglin's poem said, "In the early Tang Dynasty, there was no seven-character law, and five words could not be separated. Du is really the first in the beauty of the two bodies. " Du's existing 28 five-character poems, except one that has lost its cohesive force, completely conform to the cohesive law of modern poetry. His achievements in the five-character law surpassed Yang Jiong's, which made the creation of the five-character law reach a higher artistic level at first. Du's most famous five laws are "Looking at Lucheng's Spring Tour in Jinling" written when he was working in Jiangyin in his early years.
Only vagrants can come, which is a new phenomenon of local grazing. The bright sun on the sea is about to rise, and Jiangnan in the south of the Yangtze River is reviving. Warm spring urges warblers to sing, and duckweed in the clear sun is dark in color. Suddenly I heard that simple melody you sang, which made people cry.
Writing the fresh and beautiful scenery in the early spring in the south of the Yangtze River is extremely true, which has aroused strong homesickness, completely integrated into Ming Xiu's poetic realm, and is extremely noble and vigorous. In particular, the words "White clouds and red clouds dawn from the sea, spring is in the wild plum river willow" on the necklace vividly write the breath of spring, giving people a gorgeous and detached feeling.
Li Qiao's poetry creation is not as good as Du's because of his emphasis on skills and lack of emotion. This is not unrelated to his official life with few setbacks. Li Qiao's poems are mainly based on the neat five-character law, and he has made great efforts in this respect. Most of his 120-odd poems about objects are written on orders or orders, so they lack business and have little merit. However, most of these poems were harmonious and attached great importance to rhetorical skills, which promoted the development of the five-word method at that time.
The final version of Five Laws was finally completed by Song and Shen Quanqi. They were born later than Li Qiao and Du Fu, and were elected to the DPRK as officials because their literary talents were appreciated. They are the representatives of Taige poets in Wuhou period. Living in the forbidden palace and pavilions, their poetry creation is mostly limited to singing, farewell, ornament and flaunting elegance, which inevitably leads to poor content and words. At the same time, it also gives them enough time to ponder the art of poetry, strive for perfection in the law of poetry, avoid getting sick and make accurate sentences. Specifically, in addition to worrying about the difference between the light and heavy in a couplet, it is also required that the antithetical sentences in the previous couplet and the sentences in the next couplet are flat and parallel. This fitting law runs through the whole article, making the couplet of a poem flat and parallel, and the melody is harmonious throughout the whole article. Yuan Zhen's Preface to Du Jun's Tomb, Yuan Wailang, the Ministry of Industry of the Tang Dynasty, said: "Tang Xing, the official study was greatly boosted, and the world was handed down from generation to generation, and talented people came out. Shen and Song Shu, refined and steady, are called regular poems. " This is the earliest record about the naming of "rhyme", so the names of Shen and Song became the symbol of "rhyme" stereotype.
The reason is that the stereotype of five-character poems is of great significance in the evolution of new poems in Tang Dynasty. It not only completes the transition from four-step in Yongming style to even-step in Tang poetry, but also is easy to remember and master. Moreover, it has the function of deduction and analogy, and it is a temperament law that can be summarized. If it is within the scope of the five-character method, we can deduce the pattern of five-character repulsion and five-character quatrain from the five-character method. More importantly, on the basis of five-character poems, we can derive a metrical format of seven-character poems, such as seven-character poems and seven-character quatrains. Therefore, after the five-character metrical poems tended to be stereotyped, Du, Li, Shen, Song and others successfully applied this rule of adhering to the seven-character metrical poems and completed the stereotyped style of the seven-character metrical poems in the Longan period of Zhongzong.
The stereotypes of various poetic styles have created favorable conditions for the development of poetic art. Although Shen, Song and others rarely wrote five laws and seven laws when they were in the cabinet, they honed a set of metrical skills of metrical poems. Once they are relegated due to political changes and have a real feeling of not saying anything unpleasant, it is easy to write excellent works with good feelings. Du Fu's "The Best Five Laws" was written after he was exiled to Fengzhou because of his attachment to the two Toy Boy of Wu Zetian during the restoration of Zhong Zong. At the same time, Song and Shen Quanqi were exiled to Lingnan for the same reason, and they also wrote better works. Such as the five laws of the Song Dynasty "Du Da Yu Ling":
I left the capital as soon as I crossed the fishing ridge, then stopped my car and looked back at my hometown. My soul followed the birds flying from the south to the north, looked at the branches in the north and shed tears. The continuous rain on the mountain has slightly stopped, and the clouds on the river have slightly turned into trend clouds. As long as I have the opportunity to return to Chang 'an, I dare not regret being exiled like Jia Yi.
I want to go back to China before I go to relegation. A feeling of swallowing sound with tears is real and delicate, and there is no trace of deliberate modification, but the poetic rhythm and antithesis are very neat. So is his "Crossing the Han River":
The south, who was exiled to Lingnan, cut off contact with relatives, survived the winter and experienced a new year. The closer I get to my hometown, the more timid I am, afraid to inquire about people from home.
This is a wonderful five-line poem, full of sound and emotion, implicit and artistic appeal, not far from the works of poets in the prosperous Tang Dynasty.
At that time, Shen Quanqi wrote the seven-character method very well. His famous work is "Seven Ways of Women's Thinking", which is rich in rhetoric, fluent in sound and rhyme, and superb in pasting skills, but it has traces of patchwork, and its artistic appeal is far less than that of "Away from Du Westernization" written by him during his exile.
Mountains are the dividing line between the vast heaven and the earth, and only boundless white clouds can be seen far from home. What's the scenery like in Luopu? The wart in Chongshan is disgusting. You can cross the South China Sea, and there is a big battle in Hengyang. The two places are thousands of miles apart. When will the wise king return?
Similar to the five-character poem written by him in exile in Lingnan, this poem expresses a helpless and sad mood, but it is written with emotion and scenery, and the melody is smooth and profound. It is a mature work of early seven-character poems, and is called a model of seven-character poems in the early Tang Dynasty by later generations.
In short, through the unremitting efforts of Du, Li, Song, Shen and others, during the period from Wuhou to Zhongzongjing Qin Long, various metrical forms of modern poetry in the Tang Dynasty have been finalized, and a number of more successful works have emerged.
The fourth part of the history of China literature-Sui, Tang and Five Dynasties literature.