Pronunciation of the author's name in the style of ancient poetry

The author of the ancient poem "Wind" is lǐ qiáo, a poet in the Tang Dynasty, whose pronunciation is L ǐ qi á o.

Li Qiao (644 ~ 7 13) was a poet and prime minister in the Tang Dynasty. Jushan was a scholar at the age of 20 and made great achievements in literature. His poems were praised by people at that time. He was associated with four outstanding figures in the early Tang Dynasty, Yang Jiong, Lu and Luo, and was as famous as Cui Rong and Su Weidao. He was also called "four friends of articles" with Su Weidao, Cui Rong and Du, and was later honored as an "old article".

The original poem "Wind" reads as follows:

It can blow off the golden leaves in autumn and bloom beautiful flowers in spring.

Scraping the river surface can set off several huge waves in thousands of feet, and blowing bamboo can make tens of thousands of poles tilt.

Explain in vernacular Chinese: gold leaves can be blown off in autumn and beautiful flowers can be produced in spring. Blowing across the river can set off huge waves in thousands of feet, and blowing into bamboo forests can make ten thousand poles tilt.

Extended data

Li Qiao wrote 120 poems about things, all of which are related to the wind, clouds, the moon, dew, flying to plant mines, and even the use of clothes and seals. Among the seven-character songs, there is a poem "Fenyin Xing", which sings the story of "Autumn Wind Ci" written by Emperor Wu of the Han Dynasty after sacrificing to the Yin, and writes the feeling of ups and downs, which was the most popular at that time.

The ancient poem "Wind" indirectly expresses the various forms, charm and strength of "wind" by grasping the variability of four natural images of "leaves", "flowers", "waves" and "bamboo" under the action of wind, and also expresses the poet's reverence for nature.

As far as the seasonal function of "wind" is concerned, autumn wind can make all trees wither, but spring wind can teach all flowers to bloom; The last two sentences describe where the "wind" goes in different scenes: when the wind crosses the river, the water surface is rough; When I entered the bamboo forest, I saw the bamboo poles close together.

This poem can make people see the power of the wind, which is intangible and real. We can't see the wind, but we can feel it Autumn wind can sweep away fallen leaves, spring wind can push flowers, wind energy can stir up a thousand waves, and wind energy can tilt a thousand bamboos. Invisible, intangible and inaudible "wind" becomes vivid in the author's pen, as if the hand can hold it, the nose can smell it and the ear can hear it.