Yang Defeng, alias Mr. Hu Yin, was a neighbor and frequent friend of Wang Anshi when he retired from Jinling (now Nanjing, Jiangsu). Mr. Shu Huyin's Wall (Song Dynasty) Wang Anshi's eaves are long and quiet without moss, and flowers and trees are planted by hand.
One water protects the field and surrounds the green, and two mountains send green. The courtyard of the thatched cottage is clean without a trace of moss because of frequent cleaning.
Rows of flowers and trees are filled with flower beds, all planted by their owners. A small river outside the courtyard protects farmland and surrounds green fields.
Two doors pushed open by two green hills brought a piece of green. In the rhetorical devices of the last two poems, the poet used antithetical sentences and personification, which endowed the landscape with emotion, turned static into dynamic, and appeared natural, vibrant and elegant.
This poem is inscribed on the wall of Mr. Hu Yin's house. The first two sentences describe the environment of his home, which is clean and quiet, suggesting the elegance of the owner's life.
The last two sentences go outside the courtyard, writing about the deep affection of mountains and rivers for Mr. Hu Yin, and using the two allusions of "protecting the fields" and "driving away the wind", turning mountains and rivers into vivid and emotional images. Mountains and rivers take the initiative to meet people, which is a manifestation of people's nobility. Although there is no positive description of people in the poem, writing about mountains and rivers means writing about people. The scenery and people care for each other everywhere, and every sentence is closed and melted without trace.
The poet's allusions are exquisite, and readers don't know the contents of allusions, which does not hinder the understanding of the general idea of poetry; The profound and interesting meaning of poetry needs to know the source of allusions in order to understand it more deeply. This paper discusses Mr. Hu Yin's selfless quality of teacher education and praises his good teaching.
Mr. Shu Huyang's wall is Mr. Shu Huyan's wall.
Mr. Hu Yin, famous as Yang Ji, was a hermit who devoted himself to farming. He was Wang Anshi's neighbor and good friend when he lived in Jiangning in his later years.
Books mean writing.
A wall is a wall.
The Wall of Mr. Hu Yin is a poem inscribed by the author Wang Anshi on the wall of Mr. Hu Yin's living room.
Details are as follows:
The eaves are long and clean without moss, and flowers and trees are planted by hand.
One water protects the field and surrounds the green, and two mountains send green.
2. The translation is as follows:
The courtyard of the thatched cottage is often cleaned, so clean that there is no moss. Rows of flowers and trees are filled with flower beds, all planted by their owners. A small river outside the courtyard guards the farmland and surrounds the green fields. Two green hills pushed open the door and brought green hills.
3. Attach an appreciation article:
Appreciation of Wang Anshi's Poem Mr. Yin's Book on the Wall of the Lake
Zhao Guangdong Hongling
-
During the Xining period in Song Shenzong, Wang Anshi was twice dismissed for presiding over the political reform. In his later years, he retired to Jiangning (now Nanjing), lived frugally, indulged in mountains and rivers, often visited monks and asked about Zen, and was diligent in reading and writing. Therefore, the works of this period are refined in art, ingenious in conception, unique in wording and natural in artistic conception, and highly praised by the world. Mr. Yin's wall in Shuhu Lake is one of them. Mr. Hu Yin, famous as Yang Ji, was a hermit who devoted himself to farming. He was Wang Anshi's neighbor and good friend when he lived in Jiangning in his later years. Wang Anshi has such a sentence in the poem "Yuan Feng Shi De Feng": "Mr. Hu Yin sits in the straw house to watch the ditch car and see the autumn fruit. ..... Mr. Wild is not poor, and he has dug the soil to the old Song Yuanfeng. " It shows that his friendship is deep. Wang Anshi wrote two poems on Mr. Hu Yin's wall, which is one of them. The first two sentences of the poem are "thatched eaves are long and clean without moss, and flowers and trees are planted by themselves." When writing poetry, there is only one word "quiet" in the master's yard, which expresses "purity" and leads to "quiet". Because the host has no moss for a long time, the visiting guests feel "quiet" because of his "cleanliness". The word "quiet without moss" accurately expresses the poet's pleasure and intoxication from visual senses to spiritual feelings. At this time, the poet turned his eyes to the lush flowers and trees in the garden. Because flowers and trees have become "beds", patchwork and elegant scenery is self-contained, which is refreshing. Flowers and trees are all "planted by themselves", which shows that the owner is diligent and elegant. What is depicted here is a quiet and vibrant small courtyard, which highlights a person who is far away from officialdom and full of interest in life.
When the poet turned his eyes to the green hills outside the courtyard, a more poetic feeling was activated: "One water protects the fields, and two mountains send green." A stream of money carries clear water to protect it; Two mountains, like running, send lush peaks into the hall. The charm of mountains and rivers is as elegant as a poet and as warm as ever. At this point, the poet fully appreciated the beauty of mountains and rivers and expressed his praise for friendship. Among them, "protecting farmland" and "releasing land" are all from Hanshu. There is a cloud in the preface to The Biography of the Western Regions of Han Dynasty: "From Dunhuang West to Yanze, there are permanent pavilions and terraces, while there are tens of thousands of field pawns in the canal plough of Luntai, and messengers are placed in front of them to take care of them." The biography of Han Fan Kuai said: "When Emperor Gao was ill, he hated people and was confined in the Forbidden City. Residents who petitioned were denied access to ministers, and those who blushed and poured water were afraid to enter. After more than ten days, the minister went straight in. " These two poems personify and describe nature, starting with "one" and "two", followed by "protecting farmland with water" and "arranging mountains", which are leisurely and imposing. "protect the field" uses it to write water; Those who "row" are also used to writing about mountains, and "surrounding green" sees the tenderness of water; "Send green" and see the hospitality of the mountain. With the word "Pailu", it is more obvious that his feelings are impatient.
The poet is also proud of these two sentences. "Huang Tingjian said,' I tasted Gong Jing in Jinling because I asked the Prime Minister what poems he had recently. Jing Gong refers to the two words engraved on the wall,' One water protects the fields and green circles, and two mountains turn green', which is also a recent work. Wang Anshi believes that "if we can express ourselves, use things to invent each other and complete modality, we can use many things without harm" (Cai Kuanfu's poem). Even if we don't know its origin, it still doesn't hinder our understanding of poetry, that is, the so-called "using things to make people unconscious, if we say it from the chest" ("Yan's Family Instructions"), which is the ideal standard for the ancients to use allusions.
On the other hand, in this poem, the poet reflects his pursuit and expresses his leisure by appreciating the life of his neighbors and eulogizing the pure friendship. Isn't it also "using things"?
3. The poem and meaning of the first wall of Shuhuyang should be Wang Anshi's Shuhuyang.
Book Lake, Yinxian County, Bi Sheng
Wang Song Anshi
The eaves are long and clean without moss.
Flowers and trees are all planted by hand.
Fields protected by water will be green,
Two mountain platoon leaders send green.
[Notes]
1. Book: Writing and Poetry.
2. Mr. Hu Yin: Yang Defeng, a hermit, was a neighbor of Wang Anshi when he lived in Jinling in his later years. The author Yuan Feng lived in Jiangning (now Nanjing, Jiangsu) (1078- 1086) and was also a good friend of the neighborhood. There are two songs on this topic, and the first choice is here.
3. Mao Yan: This refers to the Mao Yan, and this refers to the courtyard.
4. Boundary: Square garden neatly divided by ridge.
5. Defend the field: will: carry. Green: refers to the color of water. This refers to guarding and surrounding the garden. According to the Preface to the Biography of the Western Regions in Han Dynasty, the western regions in Han Dynasty were cultivated and guarded by envoys.
6. Green: refers to green fields.
7. No moss: No moss
8. Pylu: Push the door and break in. Lu: The small door in the palace. According to the biography of Han Fan Kuai, Emperor Gaozu Liu Bang was ill and was forbidden to enter, but Fan Kuai rushed straight into Liu Bang's bedroom.
9. green: green.
[translation]
The courtyard of the thatched cottage is often cleaned, so clean that there is no moss. Rows of flowers and trees are filled with flower beds, all planted by their owners themselves. A small river outside the courtyard guards the farmland and surrounds the green fields. Two green hills pushed open the door and brought green hills.
Mr. Shu Huyin's wall is full of poems. Mr. Shu Huyin's walls are long and clean without moss, and flowers and trees are planted by hand.
One water protects the field and surrounds the green, and two mountains send green. [Note] 1. Mr. Hu Yinyang Defeng, Wang Anshi's neighbor in Jinling (Nanjing).
2, long-the same as "often", often. 3, static-the same as "net", clean.
4. Boundary-Plot divided into rural areas. 5, Pailu-suddenly pushed the door open.
[Analysis] One early summer, the poet visited Mr. Hu Yin's house and enjoyed the environmental scenery here. He casually wrote this quatrain and wrote it on the wall of the hospital at the request of his master. The first two sentences of the poem describe the scenery in the yard: several simple huts, because of frequent cleaning, the eaves and walls are clean, and there is no room for moss to grow; A bed of flowers and trees, dotted with a small courtyard, is in perfect order, all cultivated by the owner himself.
The last two sentences describe the scenery outside the door: a happy stream surrounded by large green seedlings seems to be the guardian of rice fields; Two enthusiastic peaks, pushed through the door uninvited, brought the green and beautiful colors into the eye. Mao Yan, with lush flowers and trees, is close to the water and distant mountains. The poet's line of sight is extended step by step, forming a series of pastoral landscape paintings, and writing Mr. Hu Yin's neat and elegant courtyard and beautiful scenery.
The purpose of describing the living environment is to praise the master's character. Imagine that the thatched cottage is clean and moss-free, and the flowers and trees are cultivated in an orderly manner. Isn't it just to set off Mr. Hu Yin's elegant and beautiful life interest? Don't the diligent care of the stream in front of the door and the generous gift of the distant castle peak also reflect the harmonious relationship between life and nature under the shadow of the lake? Of course, describing and praising the environmental scenery and the master's character is, in the final analysis, to express the poet's own thoughts and feelings, to express the poet's quiet state of mind of seclusion, and to enjoy the endless fun from the pastoral landscape and interaction with the common people.
5. Mr. Shu Huyin's Wall (Ancient Poetry) Mr. Shu Huyin's Wall Wang Anshi's eaves are long and clean without moss, and flowers and trees are planted by hand.
One water protects the field and surrounds the green, and two mountains send green. [Note] 1. Mr. Hu Yin: refers to Yang Defeng, a neighbor and friend of the author Yuan Feng (1078- 1086) when he lived in Jiangning (now Nanjing, Jiangsu).
There are two songs on this topic, and the first choice is here. 2. Protect the fields: Protect the garden fields.
According to the preface to the biography of the Western Regions in Hanshu, the western regions were cultivated in the Han Dynasty, and the envoys took care of them. Will: Here.
Green: refers to the color of water. 3. Row: Push the door open.
Lu: The small door in the palace. According to the biography of Han Fan Kuai, Emperor Gaozu Liu Bang was ill and was forbidden to enter, but Fan Kuai rushed straight into Liu Bang's bedroom.
The thatched courtyard is often cleaned, so clean that there is no moss. Rows of flowers and trees are filled with flower beds, all planted by their owners.
A small river outside the courtyard guards the farmland and surrounds the green fields. Two green hills pushed open the door and brought green hills. [Explanation] This poem was inscribed on the wall of Mr. Hu Ming's house.
The first two sentences describe the environment of his home, which is clean and quiet, suggesting the elegance of the owner's life. The last two sentences go outside the courtyard, writing about the deep affection of mountains and rivers for Mr. Hu Yin, and using the two allusions of "protecting the fields" and "driving away the wind", turning mountains and rivers into vivid and emotional images. Mountains and rivers take the initiative to meet people, which is a manifestation of people's nobility.
Although there is no positive description of people in the poem, writing about mountains and rivers means writing about people. The scenery and people care for each other everywhere, and every sentence is closed and melted without trace. The poet's allusions are exquisite, and readers don't know the contents of allusions, which does not hinder the understanding of the general idea of poetry; The profound and interesting meaning of poetry needs to know the source of allusions in order to understand it more deeply.
[Appreciation] This is a poem inscribed by Wang Anshi on the wall of every household in Yang De. Yang Defeng, alias Mr. Hu Yin, was a neighbor and frequent friend of the author when he retired to Jinling (now Nanjing, Jiangsu).
The first two sentences praise the tranquility of Yang's compound. "Mao Yan" refers to the courtyard.
"Quiet" means clean. How to write it clean? The poet rejects all plain descriptions and only uses the word "no moss", which is really unique.
Why do you see it? It is rainy in the south of the Yangtze River and rainy in early summer, which is more conducive to the growth of moss than other seasons. Moreover, moss likes darkness, always grows in secluded places, and is more difficult to sweep than other weeds.
Now there is no moss in the yard, doesn't it mean it is everywhere, all the time? Here, the humble image, because of the proper use of words, has an unusually rich expressive force. "Flowers and trees" are the most striking scenery in the courtyard.
Because there are many varieties, we should plant them in separate beds. In this way, the word "Chengqi" not only shows the neatness of flower beds, but also strongly implies the richness of flowers and trees, which are both neat and not monotonous.
This quiet environment is intoxicating, so when the poet's eyes move from the flowers and trees in the courtyard to the mountains and rivers outside the courtyard, his thoughts will be so distant and elegant, so the following epigram was born. "One Water" and "Two Mountains" will be transformed into friendly images full of life and feelings, which will be told from generation to generation. But the last two sentences are widely read, mainly because of the following two points: first, personification and description are integrated into one, seamless.
The word "one water to protect the field" is "around", and you can see the winding stream and the green farmland around it. Isn't this like a scene where a mother protects her child with both hands? With the word "protection", the expression of "surrounding" is very clear. As for the word "Pailu" before "Song Qing", it is even more ingenious.
It not only wrote that the mountain was not only dark green, but also fascinating, but it seemed to pounce on the courtyard! This description gives readers a fresh and vivid aesthetic feeling. It also shows that the distance of the mountain is not far, just in front of Yang's compound, so it looks within reach.
What is particularly touching is that the mountains are rushing, as if they had just rushed from a distance, excited and enthusiastic. These all capture the characteristics of the scenery, and all these descriptions are combined with full personification. The mood and purpose are exactly like the scene of "friends coming from afar": I was so anxious that I rushed into the yard to give gifts without knocking at the door.
The two blend seamlessly, setting each other off into interest, both strange and natural. It is both tempered and carved, fresh and meaningful, and has a long charm. Second, these two poems also conform to the image of Yang Defeng.
In Qianlian, you can already see Mr. Hu Yin who is noble in character and full of interest in life. Living only under the eaves of thatched roofs, he not only "sweeps", but also "sweeps for a long time" (that is, often sweeps), so that he is "quiet without moss"; "Flowers and trees grow beds", not by others, but by self-cultivation.
It can be seen that he is quiet and refined, simple and hardworking. Such a noble literati, wandering between mountains and rivers, can certainly appreciate their beauty better than others and feel the closeness of "one water" and "two mountains"; The poet imagines that the mountains and rivers have feelings, and has already forged a profound friendship with Mr. Hu Yin.
The title of the poem is "The Wall of Mr. Yin's Book Lake", which closely follows the theme and takes care of it everywhere, and also shows the depth of the poet's thought. The personification of "one water" and "two mountains" in this poem is based on the characteristics of natural scenery and coincides with the specific content of life, so it is full of vitality and has become a famous sentence in ancient and modern times.
In terms of rhetorical skills, three or four sentences can also be used as examples. The allusions of "protecting the fields" and "driving away the wind" are all from Hanshu, which are strict "history to history" and "Han to Han", so the poetic method is extremely meticulous.
However, it reads naturally, as if the poet never tried to say it accurately. Because the poet melts allusions in his poems, we only think that he uses personification instead of "using things". "Make the best use of everything" without making people feel that it is its success.
References:
Sogou Encyclopedia Responder: LLM 660- Juren Level 5 9-30 16: 40s Author: Song Works: Mr. Shu Huyang's wall content: thatched eaves are long and clean without moss, and flowers and trees are planted by hand. One water protects the field and surrounds the green, and two mountains send green.
This poem was engraved on the wall of Mr Hu Ming's house. The first two sentences describe the environment of his home, which is clean and quiet, suggesting the elegance of the owner's life.
The last two sentences go outside the courtyard, writing about the deep affection of mountains and rivers for Mr. Hu Yin, and using the two allusions of "protecting the fields" and "driving away the wind", turning mountains and rivers into vivid and emotional images. Mountains and rivers take the initiative to meet people, which is a manifestation of people's nobility. Although there is no positive description of people in the poem, writing about mountains and rivers means writing about people. The scenery and people care for each other everywhere, and every sentence is closed and melted without trace.
The poet uses allusions so skillfully that readers simply don't know the content of allusions.
6. The ancient poems on Mr. Dewll Hu's wall are Mr. Hu Yin's wall, right?
Mr. Shuhuyin (1) wall.
Wang Anshi
The eaves of Mao Yan are long and quiet, without moss.
Flowers and trees are all planted by hand.
Fields protected by water will be green,
Two mountains and one row (2) send green.
To annotate ...
Mr. Hu Yin: Yang Defeng, Wang Anshi's neighbor when he lived in Zijinshan, Jinling.
②: Road arrangement: Push the door open.
Brief analysis
Wang Anshi retired to Jiangning in his later years, and his mood became calm. He studied Buddhism by reciting poems and created many quatrains describing scenery and expressing emotions, which are widely known. Huang Tingjian commented: "Gong Jing wrote a poem in his later years, which is elegant and refined." (See the previous volume Hu Zai "Tiaoxi Fishing and Concealing Conghua" (Volume 35). Zeng Jiji's Poems on Zhouzhai also said: "Gong Jing's quatrains are strange all over the world", "The quatrains are strange, written by Du Mu in Tang Dynasty, written by Gong Jing in this dynasty, and these two are correct". There are two poems entitled "Mr. Yin wrote the wall of the lake", which are very distinctive and have been mentioned in most literary history. Mr. Hu Yin is another name of Yang Defeng and a neighbor of Wang Anshi. This poem describes the characteristics of Mr. Hu Yin's residence, writes an elegant artistic conception, and uses a delicate pen. Under the thatched eaves, because the owner often cleans and there is no moss, it looks clean and the whole yard is quiet. Please note that the poet said "quiet without moss", not "pure without moss". Here, "static" and "pure" focus on different objects, and the former contains more meanings than the latter. Because "clean" is the stone under the eaves of the thatched cottage, which only means a layer of cleanliness, while "quiet" is to decorate the whole environment and write an atmosphere. Besides, since the word "long sweep" has been said and the complement "no moss" has been clearly stated, there is no need to add the word "clean". The second sentence says that the flowers and trees grow well, and they are all planted by the director himself. These two sentences start from a small place and describe the scenery of Mr. Hu Yin's residence. While describing the external scenery of thatched eaves and flower beds, it also describes the inner temperament of the owner. This is a quiet, elegant and neat person. The last two sentences describe Mr. Hu Yin's living environment from the big picture: "One water protects the field, and two mountains turn green." Running water guards the fields and surrounds green crops; The two peaks are facing the house, as if to push open the door and give the owner a green hill. The poet uses antithesis, personification and metonymy to describe the scenery with emotion and interest. Mountains and rivers are heartless things, but poets say that water "protects fields" and mountains "send green". Water has a sense of protection for the fields, and mountains have a sense of intimacy for people, which makes the originally lifeless landscape human, soft, lovely and vibrant. Originally, water was surrounded by green crops, but the poet did not say specific plants, but replaced them with plant colors, saying that "green will be surrounded" and surrounded by green; Cyan, which is also empty, can't be made, but the poet said that mountains should be "green", turning reality into emptiness and full of poetry. The fact is that Mr. Hu Yin's home is close to the mountain. As soon as the host opened the door, he saw the green mountain peak. But if it is written as a castle peak, there is no poetry at all. The poet put it another way, writing from the opposite side, taking the mountain as the subject, turning silence into action and creating a beautiful sentence. This is really ingenious and amazing. The last two sentences are so well written that they are not entirely original by the poet and are for reference only. According to the Preface to Gaizhai in the eighth year of the Southern Song Dynasty, there was a poem by Shen Bin in the Five Dynasties: "The land turns around the city and the mountains surround the country." Wang Anshi's poems are modeled after Shen Shi's. Compared with Wang's words, Shen Shi is much inferior, dry and boring. Wang Anshi's skillful hand is far superior to blue because of its blue color. Therefore, people are very familiar with these two poems, but few people know about Shen's poems.