"It's snowing in Changchun!" A friend studying in Changchun sent this news early in the morning, and there was a video about the snow in Changchun. Snowflakes are flying all over the sky. They are quiet, soft and elegant, as gentle as goose feathers and flying catkins. After watching the video and looking at the thin clothes I still wear, I can't help feeling: the north is really good!
As a semi-southerner, I have an inexplicable obsession with snow. Last year, I felt the snow scene of the last year, but it was wrapped in silver and it was snowing heavily. I can't help but think of the map that excites me now: the red palace wall stands in the vast snow.
"The red walls and green tiles are covered with snow, and the first snow meets, then look at the Forbidden City." Heavy snow, such as catkins, falls on glazed tiles, and the palace with white roofs, red walls and white clothes has a sacred and inviolable beauty. The palace decorated with flowers and birds all day long also has peace that is not available on weekdays.
The Forbidden City is the most complete existing ancient palace complex in China, which is unique in the world architectural history. It is a model of classical architecture in China and the largest art palace complex.
The combination of the depth and height of the building along the axis will have beautiful effects on people's vision and psychology respectively. Visually, the combination of high and low levels in order will bring neat and formal but not rigid visual effects, psychologically, it will give people a sense of solemnity, bring a sense of formality and sacredness of the ceremony, and experience a sense of grandeur. The beauty of the form of the single building of the Forbidden City not only has a macro and wonderful planning concept in the overall layout, but also is extremely exquisite and amazing in the handling of the single building. The composition of the single building of the Forbidden City is mostly the luxury of the upper part of the building and the simple and simple treatment of the lower part, so the expressive force in the treatment of the single building is mainly reflected in the treatment of the roof and the bucket arch. The top tries to make it gorgeous, while the walls of the house are simple to handle. The walls supporting the building are mostly trapezoidal, sitting firmly on the ground and forming a pyramid with the building. The walls are flat and unadorned, and the eaves, especially the arches, are the most complicated and beautiful.
The red walls, yellow tiles and gold nails of Zhumen are the remarkable symbols of the Forbidden City. According to the etiquette system of feudal society, the Forbidden City used yellow glazed tiles on the roofs of single buildings to symbolize the "soil" of the central imperial power, to show dignity and to symbolize "the whole world, is it the land of imperial system?" Such bright colors will not only make people shine at the moment, but also give people a strong and solemn feeling. They are matched with the red walls, colorful paintings and blue sky of buildings, forming a colorful world in nature, giving people a gorgeous and bright feeling. Yellow tile, blue sky, red wall, green eaves, white platform and grey ground, the Forbidden City skillfully collocates and uses various colors, giving people a strong sense of grandeur at a glance.
"Once it snows in Beijing, he becomes Peiping; When the Forbidden City snows, it becomes the Forbidden City. " The original words of the above sentence are "When it snows, Beijing becomes Peiping; When we went to Houhai to see the snow, we went back to the Ming and Qing Dynasties, "said Yin Lichuan, a poet. If you have the chance, you must wear Hanfu to see the Forbidden City in the snow, once the Forbidden City.