The earliest new poetry publication, New Youth, was written by Hu Shi, Liu Bannong and Shen.
By the end of 19 18, Hu Shi was the author of the first new collection of poems.
1918-1919, Liu Dabai, Yu Pingbo, Kang, Ye, Zong Baihua and Tian Han successively founded Weekly Review, Trendy and Young China People.
192 1 year 1 month, China's first new literary society "Literature Research Association" was announced in Beijing. It not only gathered a group of poets around the May 4th Movement, but also cultivated a group of rising stars: Zhou Zuoren, Xie Bingxin, Dai Wangshu, Zhu Ziqing, Zheng Zhenduo, Wang Tongzhao, Xu Yunuo, Liu Yanling, Guo Shaoyu, Liang, Zhu Xiang, Xu Zhimo, Luo Xu, Liang Shiqiu and so on. They "express social life" with true feelings (a proposition of the Literature Research Association).
Bing Xin started the school of small poems with Stars and Spring Water.
192 1 year, Zhu Ziqing, Ye and Yu Pingbo organized the first new poetry club in China-China New Poetry Club.
Ye and Zhu Ziqing started a new poetry magazine-Poetry Magazine.
1922 65438+ 10/0/5 The first new poetry publication "Poetry Magazine" was published. The inaugural issue published seven poems including Wang Jingzhi's "Wind of the emblem", edited by Ye and Zhu Ziqing, and published by Zhonghua Book Company. It is one of the publications of the Literature Research Association.
Poetry Magazine is the first new poetry magazine in China. The main contributors to this book are Zhu Ziqing, Hu Shi, Zhou Zuoren, Yu Pingbo, Ye, Zheng Zhenduo, Xu Yunuo, Chen, Wang Jingzhi, Pan Xun (Pan Mohua).
1923 may 15, * * * period 17.
Since then, the poems of Feng Xuefeng, Pan Hanhua and Ying Xiuren have been published one after another. In the monthly magazine Poetry, they are not conspicuous, but these four young poets founded the Lakeside Poetry Club in Hangzhou in the spring of 1922, which is the second new poetry club in China. Their poetry collections "Lakeside" and "Song of Spring" invited the style of new freedom, sang beauty and love, and became a unique school of lakeside poetry at that time.
Creation Society was established in July 192 1 in Tokyo, Japan. Poets who have joined the society successively include Guo Moruo, Cheng, Mu, Deng and Wang. Among them, Guo Moruo is the most influential. He published 65,433 poems in the supplement of Shanghai News from September of 19 19. The romance and creative spirit of China's "sudden emergence of a new army" (Zhu Ziqing's ci) have their own characteristics, such as Cheng's sadness, Deng's innocence, Mu's obscurity and Wang's decadence. But most of them took the romantic road initiated by Guo Moruo.
1On April 6th, 926, Xu Zhimo compiled eleven poems in Beijing Morning Post. The main authors are Wen Yiduo, Zhu Xiang, Liu, Yu Gengyu and Rao Mengkan. 1928 "New Moon" was founded, and later "Poetry Magazine" was published. In these journals, articles by Sun Dayu, Chen, Shao and Lin were also published. These poets are called crescent poets, and most of them tend to be romantic. Their artistic proposition is to try to establish modern metrical poems without fixed metrical patterns. Wen Yiduo pointed out that the power of poetry includes not only the beauty of music (syllables), painting (rhetoric), but also the beauty of architecture (symmetry of knots and neatness of sentences). His second book of poetry, Dead Water, is the practice of this proposition. Xu Zhimo has the most practice systems and is praised for his gentle and beautiful lyric style.
Li Jinfa, who came back from France, published Xiao Yu on 1925, which marked the birth of symbolism in new poetry. His poems are like miscellaneous, cold and astringent, and are often criticized. At the same time, Wang, Mu and Feng Naichao of the later creation society also turned to symbolism.
Dai Wangshu also draws nutrition from French symbolism, because his poems published in Modern magazine (founded in 1932) have aroused great repercussions, and many poems published in this magazine have the artistic tendency of pursuing "pure poetry". Literary historians call this group, which appeared in the 1930s, the "School of Modern Poetry". 1936 Dai Wangshu, editor-in-chief of "New Poetry" magazine, pushed the artistic achievements of this poetic school to the peak, but at the same time it also meant that it began to decline. The sound of guns in War of Resistance against Japanese Aggression interrupted their inner lyrical monologue in a secluded studio. Most of them have gone to a new starting point and started a new artistic pursuit.
1930 In March, the League of Chinese Left-wing Writers was established. In its publications, Pioneer, Tuanya Monthly and Beidou, there are a number of poets who use poetry as their fighting weapon, including Hu Yepin and Hong, among whom Yin Fu is the most talented.
1932, Pu Feng, Ren Jun, Wang Yaping, Liu Qian, Man Qing and others organized "China Poetry Society" and founded "New Poetry" magazine. They pay attention to the mood of the times and try to arouse people with poetry, which makes realistic poetry develop more widely.
However, in 1930s, it was Cang Kejia, a poet who was famous for describing the sufferings and fate of farmers in China, who conveyed the spirit of the times with a short and tense rhythm. In academic circles, Wen Yiduo is called "the poet who beats drums".
Ai Qing advocates "putting wings on thoughts, putting clothes on feelings, coloring sound, coloring sound, and solidifying the dead". Known as the flute player.
When War of Resistance against Japanese Aggression broke out, Ai Qing came to the battlefield to convey the awakening of the Chinese nation with poems, such as Bian, He Qifang, Ke, Gao Lan, Yan Chen, Zou Difan, Li Yang and Gong Mu. With their own artistic color, they have added rich masterpieces to the poetry circle.
In the 1940s, around July Magazine and July Poetry edited by Hu Feng, a group of poets called July Poetry School formed. They advocate that poets should grasp the pulse of the times with a sincere attitude and achieve the truth of art. The poetry anthology "White Flowers" selected the works of 20 main members, including Lu Li, Sun Yue, Aaron and Lu Yuan. Poets active in the north attach great importance to drawing nutrition from folk songs, and many excellent new poems have appeared in folk songs, such as Wang Gui and Li Xiangxiang, Rising River by Ruan, and Immortality by Zhang Zhimin, which have opened up a new road for the nationalization and popularization of new poems. In the North Battlefield, 1939- 1942, two poetry publications, Poetry Construction and Poetry Front, appeared. The main members are Tian Tian, Shao Zinan, Fang Bing, Wei Wei, Shan Hui, Chen Hui, Yuan Bo, Shi Lun and Man Qing. Known as the Shanxi-Chahar-Hebei Poetry School. They advocate "more in-depth contact with life, fighting and writing poems about the reality of the new bloody war" (Chen).
In the late 1940s, two poetry publications, Poetry Creation and China New Poetry, were published in Shanghai, with nine members, including Mu Dan, Chen and others. They were called the Nine Leaves Poetry School because of their poetry collections. They introduced the artistic skills of modernism into realistic poetry creation, and their poetry style tended to be profound, which also reflected the mood of the times and the voice of the people. If the seventeen years after the founding of the People's Republic of China are the year of ode, then the ten-year turmoil of 1966- 1976 is the year of elegy.
1976 10, when the turmoil ended, China's new poetry entered a new historical turning point, and the realistic tradition characterized by truly expressing the mood of the times and people's wishes was restored and developed, which increased the reflection on history and rational thinking on reality in the passion of poet generate. A large number of new people entered the poetry circle: Shu Ting, Bei Dao, Mei Shaojing, Fu Tianlin, Yang Mu, Zhou Tao, Lei, etc. With their relaxed personality, they made brave explorations to improve the art of poetry and added new voices to the poetry world.
Poetry in the new period is gradually diversified in artistic style and expression form. Realism, romanticism, symbolism and other creative methods are being used for reference and explored. There are successful creations and failed attempts, but the new poetry as a whole is developing and progressing. Generally speaking, it refers to a group that writes poems with personal blogs on the Internet. The creation of group poems in this period, both in quality and quantity, reached its peak around 100.