Huayang's image

According to the query of Baidu Library, the following is the image of Huayang:

Cherish spring: The flying of Huayang indicates that flowers will wither and spring will wither, and the image of Huayang naturally becomes a symbol of cherishing spring. "Catkin is silent, tears fall in spring, clouds have shadows, and the moon is ashamed." Wenying "Happy Yarn". "After the crowd, the West Lake is good, chaotic and red, with birds and weeping willows." Ouyang Xiu's Picking Mulberry Seeds.

Mourning over hating: The ancients had the custom of folding willows to bid farewell. The reason for this custom is probably the inconvenient transportation in ancient times. Most people walk far by water, it is most convenient to plant more willows and wickers at the water's edge, and those who leave willows can best convey their feelings of parting. Huayang is catkin, which naturally becomes synonymous with parting. In Li Bai's "I heard that the tomb moved to Zuobiao Dragon, and there is news in the distance", "Huayang is full, and Wendao Dragon marks five streams." The first sentence is to use the wandering Huayang and the sub-rules called "Why not go" to render the atmosphere. Huayang Wandering implies that Wang Changling's relegation to a lonely place brings people a kind of wandering parting hate.

Light and cheap: Yang Shuhua is different from ordinary petals, but flocculent, which makes Yang Shuhua easy to drift with the wind, erratic and difficult to find. This trait is often used by poets to express a derogatory meaning, which means that people are light, inactive and hard to trust. Xie Yi's "Flower Heart and Boudoir Love" says "it's frivolous in the wind", and Gong Xiaomai's "Toon jathyapple" says "I want to complain to Liu Hua, but I'm afraid Liu Hua is frivolous and doesn't understand." People often call an unfaithful woman "Yi De". In the eyes of literati, Huayang is different after all.