Wang Ji ● Wang Ye
Looking at the dusk in Gaodong, I want to rely on it.
Trees are all autumn colors, and mountains are only sparkling.
The shepherd brought the calf back, hunted horses and brought birds back.
Care for no acquaintances, Long song pregnant with Cai Wei.
Shan Ye's "Wang Ye" and "autumn scenery" are Wang Ji's representative works, which are somewhat hesitant and melancholy in a leisurely mood.
"I hope I will look forward to it and I will rely on it." Gao is a water town. Gaodong refers to a place in Longmen, Jiangzhou, his hometown. After retirement, he often traveled to Beishan and Gaodong, calling himself "Donggaozi". "Depend" means wandering. "What do you want?" In Cao Cao's "Short Songs", the meaning of "the moon stars are scarce, blackbirds fly south, and there are no branches to lean on" shows the feeling of boredom and hesitation.
The following four sentences describe the scenery seen at dusk: "All trees are in autumn, only the hills and mountains are bright. The shepherd brought the calf back, hunted the horse and brought the bird back. " Looking around, it is autumn everywhere, and it is more and more bleak in the afterglow of the sunset. On this quiet background, the close-ups of shepherds and hunting horses, with an idyllic pastoral atmosphere, enliven the whole picture. These four poems are like a picture of Shan Jutu on an autumn night. Light and color, long-range and close-range, static and dynamic match well.
However, Wang Ji could not find comfort from the countryside like Tao Yuanming, so he finally said, "I don't know each other, and Long song loves Wei." He said that he was lonely in reality, so he wanted to make friends with people like Boyi and Shu Qi.
People who are familiar with Tang poetry may not find this poem particularly beneficial. However, if we read this poem by Song, Qi, Liang and Chen in the Southern Dynasties in the order of poetic history, we will suddenly applaud its simplicity. The poetic style of the Southern Dynasties is mostly gorgeous, like a jewel-like lady wrapped in satin. Walking out of the women's group, I suddenly met a village girl with a cloth skirt. Without makeup, there will be a special charm. Ji Wang's ambition has such a simple advantage.
The genre of this poem is five-character verse. Since Shen Yue and others applied legal knowledge to poetry creation in the first year of Qiyong in the Southern Dynasties, this new genre of legal poetry has been brewing. In the early Tang Dynasty, Shen Quanqi's and Song's regular poems became an important poetic genre. Wang Ji, more than 60 years earlier than Shen and Song, can write such a mature poem as Wild Hope, which shows that he is a man who dares to try new forms. The beginning and end of this poem are lyrical, and the middle is lyrical. After the repetition of emotion-scene-emotion, the meaning of poetry has deepened. This is in line with a basic composition of metrical poetry.
(Yuan Xingpei)
Chu Shi, the king of autumn night.
Chu Shi, the king of autumn night.
Wang Ji
There will be a wild mushroom running in the north field and millet cutting in the east.
It's worth flying at night when you meet a full moon.
Wang Ji, who entered the Tang Dynasty from Sui Dynasty, had a simple and natural poetic style, washed away the old habits of Qi and Liang Dynasties, and was unique in the early Tang Dynasty. This little poem, which describes the interest of rural life, contains rich and meaningful poetic feelings in simplicity and plainness, which can quite represent his artistic style.
The first two sentences are about returning from farming activities. Beichang and Gaodong, but generally speaking, the field in the north of the house and the field in the east of the house are not real names. "Gao Dong" secretly borrows the poem "Go to Gao Dong for fun" in Tao Yuanming's "Going Home" to point out the identity of farming in seclusion. Yun Huo, that is, weeding beans, is an autumn ploughing activity, just like "cutting millet". These two sentences are very plain, without any description and rendering, so plain that there is almost no poem. However, it is in this casual and plain tone and soothing rhythm that the poet's pastoral life habits and a leisurely taste are revealed. Wang Ji's secluded living conditions are good. Taking part in field work such as "carrying fire" and "cutting millet" is just a relaxed and happy ornament of rural life for him. The harmonious balance of mind caused by this kind of life is the background and condition of the scene of "happy encounter on autumn night" described in the following two sentences.
"When the moon is full, it is worth flying at night." With a little fatigue and satisfaction after working in the fields during the day and a happy and comfortable life in the countryside, two old friends from the countryside met unexpectedly on this quiet and beautiful autumn night. It's a full moon night. The whole village and fields are shrouded in the brilliance of a bright moon, which is particularly quiet, leisurely and harmonious. Here and there, fireflies in autumn fly back and forth, weaving into changeable light patterns. Their appearance has added mobile intention and happy business to this quiet and leisurely mountain village in autumn night, so that it will not appear monotonous and cold. At the same time, the change of local flow in turn highlights the tranquility and serenity of the whole mountain village in autumn night. There is no positive description of the scene where two people meet, and there is no word "hi". But through this painting of autumn night in a mountain village composed of a dissolved bright moon and a small firefly, with the help of the two emotional words of "meet" and "more value", the poet's pleasure and intoxication in the beautiful scenery in front of him, his comfort and tranquility which are in perfect harmony with the environment, and *
Wang Ji was deeply influenced by Lao Zi and Zhuang Zi's thoughts. Although many of his poems show dissatisfaction with the shackles of feudal ethics, they often show independent and passive thoughts. Wang Ye, his masterpiece, inevitably has this negative tendency. Although this poem is about pastoral seclusion, it shows the unique beauty and understanding of this beauty in the autumn night in the countryside, with bright colors and rich flavor of life. His poems are honest and natural, but sometimes they are too straightforward and meaningless. This poem not only maintains the advantages of simplicity and naturalness, but also blends into the scenery, which seems to inadvertently dye a rich artistic conception. Judging from the development of landscape pastoral poetry, Tao's landscape pastoral poetry is mainly freehand brushwork, while Wang Wei's landscape pastoral poetry deliberately creates a beautiful artistic conception of blending scenes. This poem by Wang Ji can be said to be the forerunner of Wang Wei's pastoral poems. We can also see the influence of Tao poetry from poetry, but on the whole, it belongs to the future poetry development era.
(Liu) According to
When you have money, Wang Fanzhi.
When you have money, Wang Fanzhi.
When I am rich, women will take good care of me.
If I take off my clothes and fold my robe and coat.
I went out to ask for it, and I was on my way when I delivered it.
Put the money in the house and watch me smile.
Circling around my white dove like a parrot.
I was temporarily poor when I met you, and I looked good when I met you.
When people are seven poor people, seven rich people will repay them.
The pursuit of wealth ignores people, as if times are changing.
Wang Fanzhi was a vernacular poet in the early Tang Dynasty.
This is a poem lamenting human feelings. At first glance, the whole article has neither wonderful epigrams nor artistic descriptions of the environmental atmosphere, which seems unremarkable; In fact, he is good at "speaking out", pointing to things and shallow images; Loyal and straightforward; It is far-reaching and thought-provoking, with a faint and tasteful poetic feeling.
The whole poem has a compact structure and distinct levels, focusing on the theme step by step, and is quite emotional. In the first six sentences, the author pointed out that the key to the attitude of wife and children lies in the word "money". With money, everything is fine, and my wife and children are very concerned. If you want to take off your clothes, someone will soon fold your robe and coat neatly; If you are away from home on business, you have to take it all the way to the roadside. Here, the poet selects familiar life phenomena and writes various scenes with concise strokes without modification, giving people an ordinary and vivid feeling.
Then, the author uses appropriate metaphors to further describe all kinds of coquetry caused by money: "I was all smiles when I gave money." Spinning around my white dove like a parrot. "When you come home with money, you are greeted by a smiling face, hovering around you like a dove and twittering in your ear like a parrot. Pigeons have always been regarded as birds who love the poor and the rich, while parrots are regarded as eloquent and pleasing images. Therefore, poets use "pigeons" and "parrots" to describe greedy people.
The last six sentences sum up the main idea of the whole article and are also Wang Fanzhi's angry words to the world. The "encounter" in the sentence means unexpected: "lookout" means ugly face; It's all said by the Tang Dynasty. These poems say: When I accidentally fell into poverty, why did your faces become so ugly? You know, people may have extremely rich opportunities when they are poorest. He bluntly warned those vulgar and greedy people that if they only love money and have no regard for people's goodwill, then look at what they will get when they come! Here, the poet frankly wrote down his anger.
The obvious characteristics of this poem in artistic expression are: capturing some actions and events that are not paid much attention to in life with keen observation, using popular and concise language, imagining clever comparative description, not much pen and ink, and no intention of rendering, but the ugliness of insatiable people will come to my face. At the same time, the poet's grievances suddenly emerged. The author mastered the folk language with skillful ability, used natural, straightforward and simple words, and created the popular poetry school in Tang Dynasty, which contributed to the development of Tang poetry.
(Zhang Xihou)