1, with strong subjective color.
2. Rich and peculiar imagination
3. Fresh and lively language
4. Bold and elegant style
Writing skills of Li Bai's poems
Extensive use of exaggeration, metaphor, personification, symbolism and other techniques, but also with the help of fantasy or fairy tales to form a romantic artistic realm. The ideological content of Li Bai's poems
1, despise the rights of the rich, vent their anger and struggle.
2. Express your ideals and ambitions and publicize your personality.
Praise the magnificent rivers and mountains and show your love for nature.
4. Care about the destiny of the country and sympathize with the sufferings of the people.
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On the Artistic Features of Li Bai's Poems
Li Bai is the greatest romantic poet in China after Qu Yuan.
Li Bai's self-description of his poems is "Xing Han put pen to paper and shook the five mountains, and poetry became a smile."
Du Fu spoke highly of Li Bai's poetic style and artistic charm.
The development process of romance:
Myth-Qu Yuan (Zhuangzi)-Li Baili He (dream)-Su Shi (fantasy exaggeration)-Lu You (dream)-Xin Qiji-Gao Qi-Gong Zizhen-Guo Moruo.
Strong romanticism is the most prominent style of Li Bai's poems, which has the following three characteristics:
1, instead of describing reality truthfully, focus on the pursuit of the ideal world.
2. It focuses on describing the wonders of nature and the characters in fantasy, and has a strong fiction and fantasy color.
3. Emphasize expressing strong subjective feelings.
These characteristics are fully reflected in Li Bai's poems.
(A) a strong subjective color
Li Bai's poems have distinctive personality, strong feelings, strong subjective colors and extraordinary artistic images.
Each of his poems can make people feel the image of the poet in it, and the frequent appearance of the word "I" leaves a subjective color of self-expression everywhere. Some poems express the poet's bold and unconstrained character.
"Laugh and go out, I am Artemisia."
"One day, Dapeng rose with the wind and went straight into Wan Li."
"I am a madman in Chu, and Fengge laughs at Kong Qiu."
(B) rich and unique imagination
Extensive use of exaggeration, metaphor, personification, symbolism and other techniques, but also with the help of fantasy or fairy tales to form a romantic artistic realm.
Exaggeration and metaphor:
"White hair and three thousands of feet, like a long beard."
"Flying down three thousands of feet, it is suspected that the Milky Way has fallen for nine days."
"Yanshan snowflakes are as big as seats, and the pieces blow down Xuanyuantai."
Fantasy:
"Didn't you see the water from the Yellow River flowing from all over the world?"
"I dare not speak loudly, for fear of scaring people."
"Until, holding up my cup, I asked the moon to bring me my shadow and let the three of us."
"We are all carried away by lofty ideals. I want to go to heaven to embrace the bright moon."
"I am worried about the bright moon, and I will follow you to Yelangxi."
(C) fresh and lively language
The dominant style of Li Bai's poetry is bold and elegant, and at the same time it has a fresh and lively side.
"Clear water produces hibiscus, and carving is natural."
Such as: Chaobai Dicheng, Wanglushan Waterfall, etc.
Another example is: "Didn't you see the lovely hair in the bright mirror of the high room? Although it was silky black in the morning, it turned into snow at night?"
He wrote a large number of Yuefu poems, accounting for almost a quarter of all poems, and was the poet who wrote the most Yuefu poems in the Tang Dynasty. His best quatrains come from Yuefu. Li Bai also freely used the quatrains used as Yuefu in the Tang Dynasty. All these show that Li Bai's poems are close to folk songs.
"When you, my love, ride a bamboo horse, trot in circles, throwing your childhood.
We live in an alley in Qingkan. We are all young and happy. "(Yuefu ancient title" Long March ")
(D) bold and elegant style
Verb (abbreviation of verb) Li Bai's position in the history of literature
1, Li Bai's poetry is the new peak of China's positive romanticism after Qu Yuan, which plays a role in connecting the past with the future.
2. Li Bai dispelled the formalistic poetic style in the Six Dynasties with his poetic creation theory and practice.
3. Li Bai studied Yuefu folk songs and the artistic skills of outstanding poets since Jian 'an. The content and form of classical poetry have been creatively developed, which has a great influence on later literature. Han Yu said, "Du Li's article is there, but the flame is long."