This is not my invention, but the recent movie schedule, which made two completely different women pay attention. One is Xi Bao, and the other is Shui Yue in Hand, which is a documentary about Ye Jiaying's legendary life.
Mr. Ye is a noble scholar, while Xibao is a eponymous figure in the novels of writer Yi Shu, and is synonymous with ambitious gold diggers.
First, treasures, like wild animals, bite and plunder and lack desolation.
"I need love, a lot of love. Without love, a lot of money is good. If there is neither, I am still healthy. " This is the most familiar sentence for modern urban women reading Yi Shu. This is also a famous saying of Xibao.
Xibao was born in poverty but tried to seize every upward opportunity to become a Cambridge student, seemingly noble, but worried about the future. Meeting a rich girl on the plane became her 60-year-old father's goal. He has money, and she has wild energy.
He depends on her to continue his life and maintain his energy; She was brought up by him and became rich. She also struggled, but since childhood, her family couldn't give her enough love and security, and she could only believe in real money. She could not resist the temptation of powerful people and became the "canary" of the old rich. She fought back and paid the price of Jiaming's life.
This is an unequal gamble. She went to the gambling table and bet that she lost.
She doesn't mind her friends' abuse, but she can also refute it; She doesn't mind being a plaything, so she dares to ask, "Teacher Xu, I know you love me as much as you love Shi Tao's paintings, stocks and everything you have, and I am just one of them." She has fallen down, but she always stays awake, which makes her intoxicated and miserable. She thought she had taken a shortcut, but she fell at an accelerated speed.
She traded herself for candy, but she never tasted the sweetness again. Lost the wings to fly and become a woman with only the past and no future. Mr. Xu drained her vitality with his wealth. She lost her independence and integrity, her emotions were numb, and her heart was still barren, and eventually she became a walking corpse left by xu teacher in this world.
Second, Ye Jiaying: People in the empty valley are independent and weak in virtue.
She loved poetry all her life. She loves poetry, writes poetry, tells poetry and writes poetry all her life.
Poetry is passed down by her, and she nourishes it.
Ye Jiaying didn't choose his own life, he lived in a turbulent time.
17 years old lost his mother, middle-aged lost his daughter. When she was in Taiwan Province Province, her husband was arrested in the white terror, his temperament changed greatly, he was cold and rude, and he was criticized a lot. After moving abroad, she taught alone to support her family. Outside, she is a respected professor. At home, she has to do housework, endure her husband's uncertain attitude, indifference or scolding, and leave her alone in the hospital during labor.
Suffering always appears in Ye Jiaying's life. Fortunately, there is a poem to save her.
There is a saying in Wang Guowei's "Words on Earth": "Heaven creates poets with all kinds of harm and no benefit." That's Ye Jiaying. In many dark moments of life, it was poetry that gave her strength.
Ye Jiaying, who was full of poetry and grew up in difficulties, took it as his duty to carry forward China's poems, which played a role in connecting the past with the future and influenced several generations of scholars.
Ye Jiaying, like an empty valley and a secluded orchid, is quiet and powerful, igniting the seeds of poetry in students' hearts. Poetry, from the author to the reader, constantly conveys an emotional life, cultivates people's beautiful and lively immortal hearts and plucks the strings of * * *.
Mr. Ye once wrote: "The mountains are sad and childless, and the sea is clear and suitable for planting mulberry." Life is rough, but you can accept that there are no lines and waves, and you will never be happy with things or sad for yourself.
As Xi Murong said, "The hardest thing in life is to retreat to a position, accept everything with the same attitude and make everything easy. She treats both sadness and happiness equally. She can feel it, but she doesn't indulge in it. Everything she does is as easy as lifting weights. This is probably the case with our ancient gentlemen in China. "
Modern women can only rely on themselves.
As a modern woman, the pressure of work, life, family, workplace and self-improvement is unprecedented. Longing for love, running a marriage and meeting a better self, which choice is better? Besides a fully charged mobile phone, a self-sufficient job, intimate girlfriends and abundant money, what else can we rely on?
The answer is self-evident. Depend on yourself and be yourself!
As the saying goes, "there is no one outside, only yourself." We project power to the outside world, and this power will start to react against us. Only when our vitality awakens and flows can it be transformed into strength to promote ourselves rather than limit ourselves.
In today's society, the strong are regarded as virtues and advocate becoming stronger. We should beat others and strive for everything through competition. Only in this way can Gong Dou opera flourish.
Mr. Ye Jiaying has an inspiration, that is, the beauty of weak virtue-you can bully me, life can be unfair to me, and I won't fight you. I am like a reed in the wind. I still want to be myself. No matter how much life owes me, I will finish what I want to do in my life.
This is not resignation, but introverted cultivation and extroverted self-denial, such as water flowing into the sea.
As Ye Jiaying said, "I am weak in morality, but I am not weak. Those with weak knowledge were beaten there. Moral weakness is what you bear, and it is what you insist on. You have to have your own moral values. You should improve yourself. This kind of morality is weak morality. " Such persistence and resilience are actually very powerful.